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The Twelve Kingdoms, Book Two: Shadow of the Moon, Shadow of the Sea, Part 2

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By Fuyumi Ono and Akihiro Yamada. Released in Japan as “Tsuki no Kage, Kage no Umi” by X Bunko White Heart. Released in North America by Seven Seas Entertainment. Translated by Kim Morrissy. Adapted by Monica Sullivan.

Last time I assumed that things would get better for Youko over the course of this second book, and to be fair they do SORT OF, but it does not remove the trauma of what has happened to her, especially once she discovers that this journey, much as she would like it to be otherwise, is pretty one-sided. By the end of the first book she was betrayed twice over, and is mentally and physically on her last legs, and so at the start of this book she regards any act of kindness at all as an attempt to soften her up before they betray her again. It doesn’t help that she’s still getting attacked by youma, which she’s getting quite good at killing – her sword skills are improving by leaps and bounds! – but it does also mean that she’s starting to regard herself as a bad person… and perhaps not even a person at all. Which, um, turns out to be correct. Except for the bad part.

After the events of the last volume, Youko is in bad shape, and unable to trust anyone. She ends up, fortunately, getting picked up by the best possible rat that she can. And no, I don’t mean a rat as in a terrible person, I mean an actual walking, talking rat. Rakushun is a Hanjyuu, a half-beast, who is smart and kind but unfortunately in the wrong kingdom to be able to get ahead. He spends a large portion of the start of the book trying to convince Youko that he’s not going to sic the guards on her the first chance he can get. He also gives her a lot more information about this world, which will come in handy when they are inevitably separated on their journey and she has to go on alone. Eventually she ends up in the kingdom of En, which is a LOT better than where she was. Unfortunately, the youma keep attacking her no matter where she is.

I was prepared for this to feel a lot different from the anime, as Sugimoto doesn’t exist in the novels beyond the very start. But wow, this book is concerned with Youko and her situation, and everything else about it is secondary. Not to spoil too much, but there’s a huge battle between an army of soldiers trying to protect a false queen and Youko and a number of crack troops, and it starts on page 209 and is done by page 210. The false queen herself takes up half of the cover art. We never meet her. This book is laser-focused on Youko and her thought process, and it’s absolutely riveting. We see her start at the lowest possible ebb, and as she gradually learns to trust again and gains more and more information, she realizes how intertwined she is with this world and how it’s practically impossible for her to run away without causing a catastrophe. The climax of the book is not the battle – it can’t be. It’s Youko’s choice. The rest is just an afterthought.

Now, the next book does not in fact focus on Youko, but moves to a different kingdom, as if to remind us that the title of the book is indeed The Twelve Kingdoms. I still can’t wait to read it.

The Adorable Dungeon Master, Vol. 1

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By Hunger and Llo. Released in North America by J-Novel Club.

This is the 2nd of the J-Novel Club original light novel contest winners I’ve taken a look at, this one with illustrations by the artist who does Reincarnated as a Sword. Unlike An Unruly Summon, I don’t think the author has a large number of similar-looking webnovel series lying around the internet, so this is definitely the first I’ve seen of them. This won the Bookwalker Prize, which was as far as I can tell the one the Bookwalker Judge wanted to single out, and the judge commented on how cute it was. And they’re not wrong. Though you may not guess it after reading the prologue, this book is called The Adorable Dungeon Master and that’s exactly what you will get. Lilac’s inner narration can be a hoot, as she alternates between being a sensible gamer bringing modern-day knowledge to a “based on a game medieval fantasy” world and a chatterbox young women with no off switch. She loves cute things, and there’s a lot of them as well. That said, be warned: this is about as deep as a puddle, and the one or two times I thought it might get deeper, it ran away from it.

Luicia Morales has big plans. Sure, she was a bit of a nerd in high school, mostly interested in linguistics, and with an overprotective family making sure no guys came anywhere near her. But now her family is getting ready to move out of the dangerous neighborhood they live in, and she’s going to study to be an interpreter! Unfortunately… no, not Truck-kun… as she’s about to get in the moving van, a nearby turf war means she’s shot and killed as a passerby. She wakes up as (try to contain your surprise) the character in the old game she loved! She’s a Sprigian (fairy), she’s about half to a third of the size of a human, cute as hell, and she’s stacked and has a big ass, which I merely mention here because she mentions it an awful lot. She’s also very OP, and as it turns out she’s the Heir of Balance, which means she’s Very Important. Which is good, as she’s in the nightmarish forest of monsters.

This is, as I said, a lot lighter in tone than the grim beginning might suggest. Lucia/Lilac has one brief moment where she grieves about her death and thinks of her family, but her grief causes bad weather in the fairy castle she’s in (it’s controlled by her emotions), so she basically moves on to make things nicer. There are actual bad guys in this new world, but they’re all of the “cartoonishly evil noble” sort, and the biggest surprise in the book is that the fate of one of them isn’t just “killed off in the worst possible way”. The best parts of the book are when Lilac is either making new minions and interacting with them (I particularly liked the bear who turns out to be a bear mascot who is cripplingly shy), or when she’s actually thinking about the linguistics that she wanted to be her specialty back in Japan… wait, no, this is an OLN, back in America, I assume. She bonds with an ancient human scholar in the new world, and their relationship was pretty cute, and possibly the healthiest she has given that her default way of looking at those she’s created as minions tends to be “oh no he’s hot”.

There is an exciting battle against a giant frog/crocodile lake monster near the end, but for the most part this book is for people who don’t want to see its lead break a sweat, but they do want to see her snuggle cute giant wolf puppies and make teddy bears for young princesses.

Long Story Short, I’m Living in the Mountains, Vol. 3

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By Asagi and Shino. Released in Japan as “Zenryaku, Yama Kurashi wo Hajimemashita” by Kadokawa Books. Released in North America by J-Novel Club. Translated by N. Marquetti.

I’ve talked a lot about this series as a slow life series, and about the romance or lack thereof, and even a bit about how it’s sort of a bizarre fantasy only not quite. But this volume really hammers home the title of the book, which is that Sano and his fellow emotionally damaged neighbors have bought a mountain and are living on it now. And sometimes this can be difficult. Mountains require a lot of maintenance, you need to keep an eye out for dangerous animals and insects, and there’s always the danger of a typhoon coming through or a harsh winter. And sometimes having a mountain with animals on it can be useful, especially when you’re feeling smothered and still trying to avoid your core issues, so your visit to your parents can take place in less than an hour before you beg off and flee once again to the middle of absolutely nowhere.

Life goes on for Sano, though he finds he needs to be more careful and perhaps also get more exercise at several points during this book. While cutting grass he gets a very bad cut, and has to get some help from others to get it stitched up. He visits his parents, as I said before, and then comes right back the same day. He makes sure that the murder hornets on Katsuragi’s mountains are taken care of, mostly thanks to his chickens wanting to eat them. He deals with chestnuts, and excess crayfish. A typhoon is coming, and he has to manage preparations, calm his animals, and then deal with the aftermath, which can sometimes involve huge trees on your mountain path. And, as the book ends, he prepares for his first real winter on the mountain (he arrived near the end of the last one).

Aside from “owning a mountain is hard”, we also see Sano’s desperate desire to be left alone and not owe anyone anything, which does not come up explicitly in his dialogue but is implicit with everyone else. He seems baffled by the fact that people keep offering him dinner, or stuff to take back home, or that they’ll help him free of charge. He needs there to be a transaction of some sort, and that just isn’t going to happen on this mountainside. There’s also the bizarre harem he’s acquiring – not in a romantic way, mind you, but both Katsuragi and Aikawa are angling to become a person who is close to him, someone he can open up to. So far Aikawa is winning, but that’s mostly due to underlying sexism on Sano’s part. That said, it’s also due to hsi chickens. One of whom is essentially acting like his wife. Add this to the lamia who is acting as Aikawa’s girlfriend, and you can see that the fantasy animals in this series are sort of psychological trauma write large… or the solution to said trauma.

Next time we apparently introduce a new regular, which might shake things up a bit. Till then, this is slow life for slow life fans, with no pesky danger or plot twists getting in the way.