Category Archives: reviews

The Drab Princess, the Black Cat, and the Satisfying Break-Up, Vol. 1

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By Rino Mayumi and Machi. Released in Japan as “Jimihime to Kuroneko no, Enman na Konyaku Haki” by M Novels F. Released in North America by Cross Infinite World. Translated by Evie Lund.

First off, this isn’t a villainess novel, and no one has any memories from Japan. That said, there is a certain sub-genre of villainess novels we’ve started to see more of recently, which is the “noblewoman breaks up with her fiance” genre. These are often a part of the villainess genre, usually with a big public break-up and possible exile/ruination in the offing, but not always. And this particular book looks as if it’s going to head in that direction. Our heroine, who the title has already conditioned us to believe is the mousy, plain one, overhears a group of teenage boys, including her fiance the prince, praising her pretty younger sister to the skies while disparaging her. We know what’s happening here. What a bastard. He doesn’t deserve someone as good as the heroine. And while that may be true… is that really what she overheard? Or did she overhear a bunch of teens who have no idea how to say they like someone?

Seren is the older sibling and has spent most of her life preparing to be the Queen, engaged to Crown Prince Helios. Sadly, she’s now heard how he really feels about her (or so she thinks). Devastated, she runs off to cry, and is discovered by the court mage Viol, who has long black hair and is gorgeous but has a reputation for being aloof and unfriendly. That’s why it’s a problem when she sees him grinning at a cupcake he’s about to eat. She ends up blackmailing him into finding her a magic teacher something she has a talent for. If she’s a court mage, she can break up with Helios, he can marry Marietta, her younger sister, and everyone will be happy. As for Viol, he decides to teach her himself, by turning into his “familiar”, a black cat. Except… she’s not just good at magic, she’s a prodigy!

So many books in this genre have a narrative trick where you see the heroine narrating something, and the next chapter is the same thing narrated by the love interest. This does that as well, though Seren and Viol alternate POV. In between those, though, we see POV of some other characters which explains things and gives them depth. Helios turns out to be an earnest young man who had never really understood what his fiance was like until recently, and he’s head over heels for her. His friends, including the son of the prime minister, ALSO love her. The fact that all that “Oh, Marietta is so great” at the start was all of them trying to push her onto another one of the boys so they could have Seren to themselves is hilarious and also really sad. Even Marietta, who seems at first to be the stock selfish and jealous younger sister, fares well here – she *is* jealous, and does want Helios for herself, but it stems from a love for her sister and a desire not to see the two of them, who have similar personalities, work themselves to death.

The book is not perfect. Seren’s low opinion of herself may be textually justified, but that does not make it less irritating to read, as she gives herself no credit at all for nearly 300 pages. The other problem is that this is Volume 1, and we’re just setting everything up. We haven’t even had the break-up – she’s said she will, but hasn’t done it (and good thing too, as the King and Queen love her and have planned everything out 4expecting her to be royalty). So the narrative car crash I expected didn’t happen. Still, I enjoyed this well enough to get another volume.

I’m the Villainess, So I’m Taming the Final Boss, Vol. 3

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By Sarasa Nagase and Mai Murasaki. Released in Japan as “Akuyaku Reijo Nanode Rasubosu o Katte Mimashita” by Kadokawa Beans Bunko. Released in North America by Yen On. Translated by Taylor Engel.

One of the conceits of many villainess novels is that the heroine is not aware that she’s already achieved the goal almost from the start. The love interests in the game who shun her are besotted with her, the commoners and servants all adore her, and she’s got this in the bag, even though she insists that one false step and she’s toast. That is not a problem that Aileen has to worry about here. She is reminded over and over that one false step and she is indeed toast. The threat of execution hangs over her head for this entire volume, her demonic allies are on the run and trying to avoid the kingdom performing a mass murder, and the Queen Mother is literally plotting against her. But that’s OK, because she has Claude and his incredible powers, not to mention his love for her. Except… Claude’s lost his memories. And his powers. Um… uh-oh?

The book starts in medias res, with Aileen and her allies trying to infiltrate a secret high society auction of Bad Things… where she’s surprised to see Serena, the villainess of the second game. She also meets Elefas, one of the love interests from the Fan Disc (which means Aileen barely knows him, as she skipped things that weren’t the main route), who asks her to ask Claude if he can ally himself with the demons, as his village of mages is being persecuted. Unfortunately, that night Claude is stabbed, and ends up as I said above. Now Aileen is in trouble – the crown does not want him remembering his Demon Lord powers, so wants her away from him even if they have to kill her – and they’ll find any excuse to do so, because they also have Lilia, the “heroine” of the games, in their corner.

Probably the most interesting part of this volume is what it does with Cedric. He’s not remorseful over the end of his relationship with Aileen, who he knows very well but does not seem to actually like,l and the feeling is mutual. But he’s come to realize that Lilia, who he DOES love, sees him as… well, as a character rather than a person. And that bothers him a lot. To the point where, throughout the book, he winds up helping Aileen surreptitiously, much to her annoyance. Aileen herself is emotionally all over the map here, at first headstrong and brash, then sulking and trying to forget about Claude (which doesn’t work for even five seconds), then cheerfully sadistic, which is our favorite side of her. the actual fear she’s truly feeling throughout the book only comes out near the end.

The book ends with a wedding, and it would make a very good ending to the series itself if I didn’t know there were 5+ more volumes. And once again, the illustrator has failed us in terms of duck drawings. That said, this is in my Top 5 Villainess series, and I can’t recommend it enough. The anime is coming soon as well.

The Reincarnated Princess Spends Another Day Skipping Story Routes, Vol. 4

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By Bisu and Yukiko. Released in Japan as “Tensei Oujo wa Kyou mo Hata o Tatakioru” by Arian Rose. Released in North America by J-Novel Heart. Translated by Tom Harris.

It could just be that I’ve grown so used to it that I’m actually starting not to notice it, but this volume seemed a bit less creepy about most of the cast being in love with Rosemary. And that’s despite the fact that a chunk of the book revolves around one of the cast kidnapping her to be his bride. (It turns out to be a lot more complicated than that.) But for the most part there’s less leering and more worshipping, as we get another of the classic reincarnated villainess tropes in force here, that of the villainess as messiah. Rosemary’s can-do attitude, combined with her knowledge from Japan and minimalist knowledge of the plot of the game (which is getting increasingly unreliable) has led to her winning over everyone around her (shades of Katarina Claes) and inspiring them to also be the best person they can possibly be (also shades of Katarina Claes). She’s savvy, too. (Sorry, Katarina.)

We pick up where we left off last time, with Rosemary being kidnapped. The book is about 60% her narration as we follow her… and she ends up in the village that she’s been looking or anyway, which is having trouble surviving (fewer children are living past infancy) for unknown reasons (Rosemary figures out pretty fast that it’s inbreeding). Now she has to win over the village, explain why she’s there, and get them to help her. And she has a time limit, as the other half of the plot involves her brother Johan, as well as Princes Nacht and Licht of Vint, discovering that the disease Rosemary has been trying to head off at the past has already ravaged this area of the kingdom… and is being covered up by a desperate noble. Will Rosemary make it in time to save everyone?

The best scene in the book is the one where the village chief convinces Rosemary to act the part of the Goddess from their past, using some stuff she has that can pass as “magic”… and she simply cannot do it, admitting she’s just a princess and winning them over with her earnest pleading instead. Over and over again we see that what matters most about Rosemary is not her past knowledge, but her ability to plead her case and get across how much she cares. She struggles at the daily physical tasks of the village, but she does them anyway, rather than complaining or half-assing it like a princess normally would. To be fair, this is not unique to her, and a lot of villainess books are like this, but it works quite well. It works for other characters as well – Nacht is beloved by his people, even though he’s a pessimistic grouch, because he clearly cares a great deal about everyone and everything. Deception does not win anyone’s heart here.

Fortunately, we don’t get a cliffhanger of “will the doctors arrive in the nick of time”, as Rosemary manages to gather everyone around her and get to where Johan is… even if that requires fudging how time works in a very Shakespearean way. That said, I won’t complain. I like Rosemary as well, and want to read more about her.