Category Archives: reviews

High School DxD: Ragnarok After School

By Ichiei Ishibumi and Miyama-Zero. Released in Japan by Fujimi Fantasia Bunko. Released in North America by Yen On. Translated by Haydn Trowell.

If you’ve read the previous volumes, you know what the plot of High School DxD is: breasts. Everything else is secondary. That said, it is a shonen battle manga, which means that the breasts are not even there to titillate the reader or make them horny. They’re there as a weapon in Issei’s arsenal. Indeed, every new book brings with it a new breast power-up, and so we may as well talk about Issei loving breasts the way that we talk about Izuku using All Might’s Smash moves in My Hero Academia. It’s also very telling that, in universe, Issei’s shtick is popular with little kids rather than women. The kids don’t really get the sex part, they just see him busting out cool moves. It also shows off Issei as someone who really should mature a bit more before he starts getting his harem… something he seems to know anyway, rejecting Akeno’s offer to sleep with him because she “looks sad”. If you’re going to do a harem, do it properly.

Our heroes have been busy lately, as a bunch of heroes/terrorists keep showing up to try to fight them. The motivation of the other side is rather baffling till they figure out that they’re trying to force Balance Breakers by repeated combat. Which is, well, a tad unethical. That will have to wait for future books, though, because Odin is in town, supposedly here to meet with the Japanese gods but more accurately to go on a pub crawl and look at large-breasted women. (Notably, his hot Valkyrie bodyguard, Rossweisse, is not good enough – indeed, he abandons her at the end of the book.) Not everyone wants Odin to talk with other gods, though, and Loki shows up prepared to stop things by force if necessary. And he’s brought Fenrir with him. As a result, well, the subtitle of the book is accurate.

We finally get Akeno’s backstory here, and is it a bit disappointing at how normal it is. Well, as normal as a backstory can get when your relatives murder your own mother in front of you, but it really boils down to “I hate daddy because he’s never home” to a much larger degree. That said, things get resolved a bit too quickly here, and it feels like the author, having shown us how Akeno acme to hate her father, now feels it’s not necessary anymore. As for the rest of the book, well, lotsa fights. Indeed, we even get enemies teaming up, as in order to stop Loki, Vali and company are brought in, with him agreeing to put off his fight with Issei in order to fight someone equally badass. I did like his scoffing at Issei’s idea of peace, and pointing out that would be a nightmare to people who live for battle. Not everyone wants a Happy Harem After.

This was not quite as good as previous books, feeling a bit like it was filling in time. It did introduce Rossweisse, but she doesn’t do much here aside from whine and moan, so I assume we’ll develop her in later books. Average DxD, which is to say below average in terms of normal light novels.

The Girl I Saved on the Train Turned Out to Be My Childhood Friend, Vol. 2

By Kennoji and Fly. Released in Japan as “Chikan Saresou ni Natteiru S-kyuu Bishoujo wo Tasuketara Tonari no Seki no Osananajimi datta” by GA Bunko. Released in North America by Yen On. Translated by Sergio Avila.

This got off to a slow start but was definitely improving as it went along. Last time I said that this was what books like Bottom-Tier Character Tomozaki deconstructed, and that was certainly true of the first book, but here we see the author starting to really look at the situation. Ryou is the standard oblivious, self-hating potato protagonist, but here we see how that’s actually hurting everyone around him – and hurting himself as well. Ryou has, by the end of the book, four love interests, three of whom seem to be along the lines of “did a decent thing in front of her”, which is also standard high school romance LN but reminds you how goddamn low the bar really is. And he’s actually a little more serious than most high school boys – he doesn’t feel comfortable returning anyone’s feelings until he understands how love feels himself. Unfortunately for the rest of the cast, this may take a while.

Our cast is in that most popular of years, the 2nd year of high school, and as such they have to deal with present-day concerns like the school festival while also trying to think about the future. Ryou can’t really imagine what he’ll be doing in the future beyond vague “college, I guess”. Hina, on the other hand, has a secret… and a dream. She really is far more mature and put together than Ryou, something that he dwells on constantly. That said, he might not be dwelling on it enough, given that Hina said she’d happily give everything up to spend her days married to him… and he didn’t react at all. (She was expecting him to at least push back on that.) Even a surprise first kiss cannot get past Ryou’s wall of self-loathing that he’s put between the two of them. Will a film project help, or just make things even more complicated?

I remain pleased with the relationship between Ryou and his sister Mana. She clearly loves her brother, supports him, and is STILL buying him condoms he won’t use, but there is not one speck of subtext between them, which is an increasing rarity in books these days. This is meant to be a realistic sibling relationship. The other strong part of this book was Hina. She’s been hiding her dreams of being an actress from the others, but it turns out that she has some serious chops. This leads to good and bad things with Ryou. Good in that filming something she can use as a quick promo video shows off his film editing skills, leading to a possible future direction. Bad in that he clearly puts her on a massive pedestal, and clearly the main reason he is not going out with her is for that reason. She tears into him for it, and her frustration is palpable.

That said, we get yet another saved childhood friend at the end of the book, and this risks becoming Osamake if it’s not careful. It can be difficult at times to deal with Ryou’s moping, but the book eventually rewards you.

VTuber Legend: How I Went Viral After Forgetting to Turn Off My Stream, Vol. 1

By Nana Nanato and Siokazunoko. Released in Japan as “VTuber Nanda ga Haishin Kiri Wasuretara Densetsu ni Natteta” by Fujimi Fantasia Bunko. Released in North America by J-Novel Club. Translated by Alice Prowse.

I’m not even sure how to review this at all. I’ve talked before about how I’m not a gamer, but that doesn’t stop me from reviewing endless amount of isekai titles that rely on level ups and power balances. Even if the lingo sometimes confuses me, there’s at least a plot structure to be had. That is not the case with VTuber Legend, which mostly exists to be read as an amusing chat stream turned into a light novel. Even the author was surprised when Fujimi Shobo approached them and asked if they could make it a real book. So I should approach it from a plot or characterization perspective… but there really isn’t one. As for the VTuber stuff… I’ve never watched a single one. I know there are comments that scroll either on the side of the video or literally in the video by watchers. And there are cute personas. That’s about it. Did I like this? Mmmmrrrmmm… not really.

Yuki Tanaka is a 20-year-old NEET, whose sole job turned out to be exploitative and evil. As a result, she’s holed up in her apartment for the most part. That said, she recently got a job with Live-On, a management company that has VTubers. She creates a persona, Awayuki Kokorone, who is refined and placid, with lots of ‘snow’ imagery. Unfortunately… she’s not really that popular. Then one day her computer freezes at one point after she ends the stream, and she does not realize that the stream is still going. So she cracks open a can of Strong Zero and starts blabbing to herself, getting drunker and drunker… and still never realizes her stream is still running. Now people are sure interested in her! In fact, management hints that they hired her expecting her to sort of be a disaster. Should she take this and run with it?

I should note the above paragraph is the first 15 pages of a total of 212. Most of what follows is the crafting of a character based around getting wasted, hitting on any other VTuber that moves, and generally being a chaotic force. With the audience and her fellow VTubers, for the most part, approving. There’s little to no conflict here, and the only time people seriously think about what’s going on is when they tell Yuki not to get drunk EVERY day. The rest of the cast are her fellow VTubers, all of whom seem to be eccentric, and all of whom also seem to be gay. (Yuki identifies herself as a “real-life lesbian”, and honestly that may be another reason why she was hired, but this is mostly used as an excuse for over the top sexual comments rather than anything serious.) I assume as a VTuber novel it works quite well. But the formatting and the lack of any real story make it fall flat for me.

If you enjoy VTubers and are looking for a funny and crass comedy, this may be for you. I ended up drowning in a sea of chat and Strong Zero.