Category Archives: reviews

Chitose Is in the Ramune Bottle, Vol. 7

By Hiromu and raemz. Released in Japan as “Chitose-kun wa Ramune Bin no Naka” by Gagaga Bunko. Released in North America by Yen On. Translated by Evie Lund.

Throwing up the spoiler warning here: I discuss the big revelations in this book, but not till the third paragraph.

I was expecting something else, to be honest. After the trauma of the last few books, the sturm und drang and Yua playing Baker Street over a sobbing Chitose, that we would sort of go back to everyone smiling, going back to their normal high school lives, and have a nice, relaxing 7th book. And, to be fair, so was the author. There is an extra-long afterword describing their thought process while writing this book, and you can see how the first, oh, third of the book is written by a very different person from the one who wrote the last two-thirds. Because the author is correct, that is what the characters want. It’s what the readers want. We do not want more angst. We want to relax. Unfortunately, for the sake of the story, the author cannot give that to us. And so… see the girl on the cover>? She’s a first-year. She’s spunky, cute, and loves the whole cast. And she’s also a bomb.

After the events over the summer, Chitose is hoping that everything will go back to normal. And, aside from Yuuko having the traditional “moving on” haircut, they do. Which means it’s time to plan for the culture festival, which is two months away and seems to involve both a sports day AND a culture day. Naturally, Chitose and company are very involved, especially since, in his first year, he was not in the right headspace to handle a festival. Now he and the rest of the group want to be on the cheer squad. They’re joined by Asuka, who is happy to do something with them before she has to graduate. They are also joined by Kureha, a first-year who has heard all the stories about the very famous Chitose and his very famous friends, and is star-struck. She rapidly becomes part of their group. A bit too rapidly. The reader gradually feels that things are about to go very, very wrong.

As our little bomb sent everyone into a coma over the course of the last third of the book, I noticed that Yuuko was pretty much absent. She’s not like all the others, after all. She actually confessed and was rejected. So Kureha can’t really do much about her. It’s worth noting that Kureha is being written as a horrible villain after the reveal, and the reader sees her as one long before that, but to all the other girls, she’s not. Particularly Yuzuki, who is on the cover of the next two books in this series, and I strongly suspect is going to step past Yuuko to steal the main girl spotlight. But the way that Kureha demolishes Haru, Asuka and Yua with “innocent” ease shows off that much as we’d like all the girls to be equal in their chances to win Chitose, that’s not how love works. You have to commit. You have to be ready to hurt others to get what you want. Yuuko understood that, and the hurt was devastating to her. Kureha is able to hurt far more easily, but so far only Yuzuki, who has always been the most aloof of the group, is ready to take things to the next level.

As the anime seems to be polarizing people, the novels are hitting another high point. Just… be ready for things to not be safe and fun.

The Wicked Princess and Her Twelve Eyes: The Legendary Villainess and Her Elite Assassins

By Daken and saino. Released in Japan as “Aku no Reijou to Juuni no Hitomi: Saikyou Juusha-tachi to Densetsu no Akujo, Jinsei Nidome no Kareinaru Musouroku” by Overlap Novels. Released in North America by Airship. Translated by piyo (Irene Nakano). Adapted by Rei Geronimo.

I was going to buy this anyway simply as I like the genre, but then I saw it was by the author of Who Killed the Hero?. And then, for some reason, as I was reading it, I totally forgot that. I’m not sure why. But the first, oh, two-thirds of this book is content to just be a hoot. You’ve got the usual villainess who goes back in time and does things over again. There’s a large helping of humor, both because she’s an absolute sadist but also from the author themselves (one of the color pages tells us what each of her squires excels in, and one girl is simply “energetic!” in a “no thoughts, head empty” sort of way). That said, don’t worry, this *is* by the author of Who Killed the Hero?, and the last 50 pages or so made me sit up, and then made my jaw drop as I recalled all the things I hadn’t bothered to pay attention to.

Serena Rosenberg starts this book, as all good villainesses do, by getting her engagement broken in front of a large crowd of nobles. Unlike most villainesses, she really is guilty of a lot of attempted murder against the heroine. Even though none of her attempts succeeded, she’s sentenced to death. As she’s forced to drink poison, she realizes that her biggest fault was that she did not have competent minions. Then she wakes up as a baby again, but with memories of her past life. Unfortunately, she’s still pretty much a terrible person, but she definitely wants to avoid her previous fate. Therefore, she actually studies magic and the sword, getting good at everything. She also goes to an orphanage, grabs the six “problem children” from it, and puts them through training. Ridiculously hard training.

The bulk of this book goes sort of how you’d expect, being one of those “Serena does something with evil intentions, but everyone else sees it as good” sort of books. Her hellish training really is needed to snap this orphans out of their mindsets, and makes them better people. She gets them dogs, who become good pets and like family to them. She does this for absolutely WRETCHED reasons, but because she’s being so good, those reasons have to be abandoned. And as the book goes on, we see her realizing that she doesn’t really want to get revenge, and doesn’t care if the heroine marries the prince after all. It’s headed for a “doing good thing feels good” sort of ending… and then we’re reminded about things we took for granted because this genre has lots of mediocre things that make the brain assume. Like why does her mother avoid her? Like why did she go back in time in the first place? The last chunk of this book is here to answer the questions, and the answer is pretty terrific. And yes, author, I appreciated the added ending.

If you like this author, cool plot twists, or books where the protagonist is terrible but in a fun way, this is a must-read. Also, I teared up a bit when I realized what the title meant.

The Twelve Kingdoms, Book Two: Shadow of the Moon, Shadow of the Sea, Part 2

By Fuyumi Ono and Akihiro Yamada. Released in Japan as “Tsuki no Kage, Kage no Umi” by X Bunko White Heart. Released in North America by Seven Seas Entertainment. Translated by Kim Morrissy. Adapted by Monica Sullivan.

Last time I assumed that things would get better for Youko over the course of this second book, and to be fair they do SORT OF, but it does not remove the trauma of what has happened to her, especially once she discovers that this journey, much as she would like it to be otherwise, is pretty one-sided. By the end of the first book she was betrayed twice over, and is mentally and physically on her last legs, and so at the start of this book she regards any act of kindness at all as an attempt to soften her up before they betray her again. It doesn’t help that she’s still getting attacked by youma, which she’s getting quite good at killing – her sword skills are improving by leaps and bounds! – but it does also mean that she’s starting to regard herself as a bad person… and perhaps not even a person at all. Which, um, turns out to be correct. Except for the bad part.

After the events of the last volume, Youko is in bad shape, and unable to trust anyone. She ends up, fortunately, getting picked up by the best possible rat that she can. And no, I don’t mean a rat as in a terrible person, I mean an actual walking, talking rat. Rakushun is a Hanjyuu, a half-beast, who is smart and kind but unfortunately in the wrong kingdom to be able to get ahead. He spends a large portion of the start of the book trying to convince Youko that he’s not going to sic the guards on her the first chance he can get. He also gives her a lot more information about this world, which will come in handy when they are inevitably separated on their journey and she has to go on alone. Eventually she ends up in the kingdom of En, which is a LOT better than where she was. Unfortunately, the youma keep attacking her no matter where she is.

I was prepared for this to feel a lot different from the anime, as Sugimoto doesn’t exist in the novels beyond the very start. But wow, this book is concerned with Youko and her situation, and everything else about it is secondary. Not to spoil too much, but there’s a huge battle between an army of soldiers trying to protect a false queen and Youko and a number of crack troops, and it starts on page 209 and is done by page 210. The false queen herself takes up half of the cover art. We never meet her. This book is laser-focused on Youko and her thought process, and it’s absolutely riveting. We see her start at the lowest possible ebb, and as she gradually learns to trust again and gains more and more information, she realizes how intertwined she is with this world and how it’s practically impossible for her to run away without causing a catastrophe. The climax of the book is not the battle – it can’t be. It’s Youko’s choice. The rest is just an afterthought.

Now, the next book does not in fact focus on Youko, but moves to a different kingdom, as if to remind us that the title of the book is indeed The Twelve Kingdoms. I still can’t wait to read it.