Category Archives: reviews

Baccano!: 1711 Whitesmile

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By Ryohgo Narita and Katsumi Enami. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by Taylor Engel.

For those who may have been expecting this book to be partly an adaptation of the 1700s episode of the anime, ht’s not. We do see everything up to the Advena Avis sailing off, though, so you can go right from this book to watching Episode 7 and depress yourself even more. That said, apart from one character, this book is fairly light on depression. Monica is still dead and a lot of people have feelings about that, but for the most part this is a standard Narita “have everything get more and more chaotic till it explodes” style book. Its best aspects are those focusing on Fermet, who continues to remain the absolute worst and you’d think the author would be tired of showing him doing even more evil shit, but no; and Elmer, who is Fermet’s kryptonite, as we discover here, and is not someone I can describe as evil but is also someone I cannot really describe as a human being, either. Elmer is disturbing. As for Huey, well… also disturbing, frankly.

It’s been a year since Monica’s death. Huey and Elmer have both vanished, but a lot of alchemists have come to Lotto Valentino for one reason or another, including Szilard Quates, who thinks all this immortality stuff is a load of crap; and Victor Talbot, who is a lot less angry and bitter than he would eventually become. Unfortunately, the town is under the control of the Dormentaires after the events of 1710. Equally unfortunately, there’s been a string of explosions and fires going on. Is someone trying to get the town to destroy itself? If so, they’re doing a pretty good job. Amidst all this, we also meet Maiza’s brother Gretto, who is basically “young dumb teenager in love”, and Sylvie, a maid at their household, who is less dumb but no less in love. Can they manage to have their forbidden love by escaping on the Advena Avis? Indeed, does the ENTIRE cast need to escape on the Advena Avis?

I’d mentioned this was a happy ending for most everyone in that they don’t have really bad things happen to them till they’re on the ship, which we saw in the anime. The exception to this is Niki, who is back and deeply in love with Fermet, which is both terrible (as Fermet is, well, Fermet, and gets off imagining her most despairing face) and also terrible in a different way (because she’s still, even after all these years, idealizing suicide). Her fate is horrible but also doesn’t make much sense timeline-wise if you look at it closely, but that’s not uncommon for Narita, who has never been good about keeping track of stuff he wrote and/or how long something is supposed to take. That said, the best scene in the entire book is right at the end, when Fermet gleefully tells Elmer and Huey about Niki’s fate… and the response he gets from Elmer makes him completely flip out. Elmer is the one person who cannot be emotionally manipulated at all by Fermet, and honestly more people should have this reaction to Elmer. It’s great.

This brings the 1700s books to an end, and we’re in the home stretch now. Narita calls the next arc the last 1930s one, and it’s the longest arc yet (and indeed still unfinished). Back to 1935 next time. Till then, enjoy the author saying “gee, what would piss off the reader more than what I did to Monica?”.

Can Someone Please Explain What’s Going On?! ~A Sign-on-the-Line Wedding Story~, Vol. 6

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By Tsuredurebana and Rin Hagiwara. Released in Japan as “Dareka Kono Joukyou wo Setsumei Shite Kudasai! ~Keiyaku Kara Hajimaru Wedding~” by ArianRose. Released in North America by J-Novel Club. Translated by Emily Hemphill.

The previous five books in this series have all had me writing fairly positive reviews, but they’ve all had me turn around like Lieutenant Columbo and say “there’s just one thing that bugs me”. The constant focus on Viola being thin is telling. The use of the word “fatso” in a previous book. The fact that this book is very much on the side of the rich nobles doing whatever they want – even to other countries. Everyone keeping things from Viola “for her own good”. And it all comes to a head here, in the final book in the series. Except it’s not the final book – there are three more, which seem to be of the “side story” variety. But the author talks about how the books end here, and the tacked-on epilogue almost reads like a cancellation. Not that I’d blame the editors. Viola is still a wonderful character, but this book in particular belongs in the pit of shame.

Most of the main dilemmas of the series have now been resolved, with the possible exception of Viola’s superhuman inability to realize that she is loved and cherished by all around her. That will be fixed with this book, which sees the arrival of The Crown Prince and Princess of Aurantia. A country bordering their own, they’re here looking for husbands and wives, and have their hearts set on Viola and Cersis – despite the fact that Viola and Cersis are already married! Unfortunately, they’re also sort of cartoonishly evil. It’s up to Viola’s newly mastered martial arts skills and 100-meter dash abilities to try and save herself from a nasty kidnapping and a definite international incident. Once she does this… perhaps a re-wedding is in order?

So let me get this out of the way. Both of Aurantia’s royalty (also darker-skinned, but I won’t even go into that) are described negatively by Viola and everyone around her. The prince seemingly looks like a linebacker, being described as “burly” and “2 1/2 times as wide as Mr. Fisalis”. Funny, in the illustrations he looks as handsome as all the other men. This does not apply to the princess, who is called “fat”, “plump”, etc. and mocked and belittled by all Viola’s noble friends through the entire book. It’s really grating, and I’d also like to remind readers that just because a character is bad does not mean we get to start in on fat shaming them. They really are pathetic villains, and I will admit it was fun to see slim Viola shoulder throw the Crown Prince, but it still irked me. Also irking me was the constant “we’ll keep this a secret from Viola”, either due to not wanting to worry her, or wanting to surprise her, or just to tease her. I mean, literally in this book we see that not telling Viola leads to bad things in their relationship, and yet everything is STILL kept from her. Viola herself is still the best part of the book, but even she grated on me when all her friends were attacking the royal visitors in their best “catty” way and all Viola could do was inwardly say “Eek, girls are scary!”.

The book ends with Cersis and Viola having a “second wedding” now that Viola has finally admitted she is no longer a wife in name only. Then, to my great surprise, we jump forward several years for a quick epilogue, which shows Viola’s child (and another on the way) and reads very much like a Jump series that got cancelled at 3 volumes. If this were the final volume, I’d think it was the publisher’s doing, but there’s definitely more coming, so it just reads as super abrupt. I admit I will be reading the next book in the series – I like Viola’s inner narrator – but boy howdy, this book took everything wrong with previous books and put it together in one big cocktail. Recommended for those who love to see rich white men winning the day.

She Professed Herself Pupil of the Wise Man, Vol. 1

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By Ryusen Hirotsugu and fuzichoco. Released in Japan as “Kenja no Deshi o Nanoru Kenja” by GC Novels. Released in North America by Seven Seas. Translated by Wesley O’Donnell. Adapted by Adam Lee.

Sometimes I take a flyer on a book that has a premise that sounds meh and am happily surprised… but not always. Sometimes it just presses all the wrong buttons. Sometimes it goes ways I’d rather it didn’t. Sometimes it’s just Not For Me. This is different from a book being actively bad, where I have no idea who it’s being written for. She Professed Herself Pupil of the Wise Man (which, spoilers, I did not care for) has a very defined audience. It’s for gamers who enjoy fantasizing about their game becoming real. This is old hat by now in light novel land, but the webnovel for this series came out almost 10 years ago, so it may be suffering from “I came after all my imitators”. It loves discussing mechanics of the game and how they’ve changed. It enjoys having fun with gender confusion, which can be quite interesting, but is written here from a very “guy” perspective. The battle was OK. It’s just… not my thing.

To be honest, I should have known where this was going when our protagonist takes the name “Danblf Gandador” as his wizard character. I think we’re supposed to mock this, but… In any case, one day he spends an evening designing an alternate character skin of a young, cute girl, then passes out. When he wakes up, he finds that he’s now in a world that resembles his game… but in the body of the cute girl. Fortunately she still has all of Danblf’s skills and powers, but she’s going to have to do some careful lying in order not to get found out… especially since 30 years have passed since she was online last! Now calling herself Mira, she spends the rest of the book trying to find other gamers who may also have been trapped here (there’s quite a few, though we only meet two here), taking out the odd lesser demon with her overpowered summons, and dealing with how to use the bathroom or get dressed now that she’s a cute young girl.

For propriety’s sake I’ve tried to avoid mentioning it in reviews before this one, but dangit, Japan has far too much of an obsession with young women wetting or about to wet themselves. There’s a reasonable explanation in this book – Mira is getting used to being a girl AND being a non-game character, so isn’t really thinking about toilets till it’s almost too late – but it still reads like a fetish and I hate it. Other than that, if you read the plot description and thought “this sounds an awful lot like In the Land of Leadale, you’re right, it does. This definitely came first, but sorry, I read Leadale before it, and it comes off second best in most areas. One thing I did like was the camaraderie between the gamer characters once they’ve reunited – they really do seem like good gamer buddies, and it reads naturally. The big battle was also pretty good, with a nice scary cockatrice. I just… wasn’t enthused about much of the rest, especially the cast’s tendency to want to either dress or undress Mira as if she were a mannequin.

If you’re a gamer who enjoys this type of genre, there’s a lot to like here, and I think you’d enjoy future volumes of the series. I’m not that, so I’ll be stopping here.