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Der Werwolf: The Annals of Veight, Vol. 12

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By Hyougetsu and Nari Teshima. Released in Japan by Earth Star Novels. Released in North America by J-Novel Club. Translated by Ningen.

It is a question often asked by authors, and even more often by publishers: when it the right time to end a series? It can depend very much on what kind of series it is, but for a series like Der Werwolf, the last volume certainly felt like an ending. Veight and Airia were together, she’d had their child, and he was busily uniting the entire kingdom and bringing a new era of peace to all. Medetashi, medetashi. Except frequently if you try to keep doing stories after “and everyone lived happily ever after”, it tends towards “until they died and here’s how”. Fortunately, Der Werwolf may be moving on to the Next generation, but it’s not quite ready to give up on Veight, or more accurately to give up on Veight being a living legend whose only fault is his absolutely crippling humility. Something that, fortunately, does not seem to have transferred over to his daughter, though she certainly seems to have inherited his ability to find trouble.

The book takes place, with many timeskips, around the first ten years of the life of Friede, Veight and Airia’s daughter. That said, most of it is still the usual setup for this series: Veight’s POV, and then an alternate POV from another character that expounds on Veight’s greatness. (I will assume that if this sort of thing bothers you,. you dropped the series ages ago.) Veight is filled with parental love and also Japanese ideas on how to raise children, which differ a bit from “give them to childcare people and see them once a year” that this world’s nobles tend to do. Friede is also not your typical child – while she can’t transform into a werewolf, she has all of Veight’s other abilities, enough mana to level a warship, and by the end of the book is learning swordfighting, martial arts, and diplomacy. Which may be needed, as she’s packed off to the Rolmund Empire at the end of the book, as Eleora wants to meet her.

Again, the biggest flaw in this book is is irrelevance: it’s After Stories, so if you wanted to drop the series neatly, doing so just before this book starts is a perfectly good response. That said, it doesn’t really do anything wrong, and gives us more of Veight being Alexander the Great as a wolf, only with more sense. He’s still resolving disputes, still occasionally being forced to fight 20-against-1 battles, and still insisting that he’s just a humble vice-commander. In addition, as much as Veight is hoping to usher in a time of peace, there are always going to be bad guys – someone in this book is kidnapping girls from other kingdoms and has them all holed up in a house in Meraldia… which Freide promptly finds in about two seconds, which bodes well for her. She’s a fun kid, who was raised thinking her dad was a normal goofy dad, and only now finding out that everyone reveres him. Which means she’s now in the “dad is so cool!” phase of her life.

So yes, if you really do like Der Werwolf, this is a fun read, and has a nice side story about Woroy trying to start his own city and realizing that the best way to do it is by inventing rollerball. Certainly the series was popular enough to be grabbed by a larger publisher… but we don’t have to worry about that till after Vol. 13.

A Tale of the Secret Saint, Vol. 1

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By Touya and chibi. Released in Japan as “Tensei Sita Daiseijyo ha, Seijyo Dearuko Towohitakakusu” by Earth Star Novels. Released in North America by Airship. Translated by Kevin Ishizaka. Adapted by Matthew Birkenhauer.

It has to be said, I have a type. They don’t necessarily have to be the heroine (though they certainly are here), but if you get a really strong woman, usually holding a sword, who’s also kind and brave and cheerful… and a bit dumb? Let me tell you, that is my meat and potatoes. So as you can imagine, I was delighted to find that Secret saint offered me a full-course mean of ditzy strong girl. Now, this doesn’t mean the book is excellent. Like a lot of light novels of this sort, if you try to examine the actual plot it ends up having a lot of holes to poke through. But if you don’t, you get the story of a young girl who, near death, ends up getting memories of her past life as a powerful Saint, and her attempts to secretly use that power to help herself while also keeping it a secret from everyone else. Except… she’s terrible at this.

Fia, the youngest daughter in a family of knights, has not had a very good life so far. She’s trying to follow in her siblings’ footsteps, but despite training constantly, she’s not a great knight. Her father ignores her, her brothers disparage her. Then when she goes on her coming-of-age ceremony, she ends up accidentally healing a monster… who then tears a big hole in her. She then remembers her past as a Saint… and now knows how far Saints have fallen in the last three hundred years. Fortunately, with the knowledge from her past, she not only passes her ceremony with flying colors, but also ends up as a knight guarding the royal family! With her ability to make extra strength healing potions, keen instinct for both monsters and humans, and complete lack of common sense, can she keep everyone from knowing who she is now?

As noted above, the fun part of the book is Fia’s increasingly hilarious attempt to pretend that everything she’s doing is perfectly normal and not suspicious at all. No one really buys it… but she never QUITE lies, and they aren’t really able to read her enough to get a bead on her. Her personality made me happy. That said… first of all, her backstory, both as Fia and in her past life, seems far too brutal for a light, fluffy story like this one. “I can put up with an abusive knight captain because it’s nowhere near the abuse I got from my brothers” is not a good punchline, and it occasionally jars. There’s also the fact that the narrative is not good at telling us how much of this is Fia herself and how much is Fia’s past memories. The implication is that her observational talents and sudden tactical genius is all because of her past, but you could also argue that it merely unlocked something in her all along. It’s confusing and I wish it was delineated better.

But honestly, if you don’t think too hard about it, this is a winner. Fans of My Next Life As a Villainess who wonder what Katarina in an RPG would be like can read this and see: she’s be much the same.

Villainess: Reloaded! Blowing Away Bad Ends with Modern Weapons, Vol. 2

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By 616th Special Information Battalion and Wuhuo. Released in Japan as “Doushitemo Hametsushitakunai Akuyaku Reijou ga Gendai Heiki wo Te ni Shita Kekka ga Kore desu” by K Lanove Books. Released in North America by J-Novel Club. Translated by Shaun Cook.

Fans of genres that have twenty billion books in said genre tend to fall into two distinct types: those who don’t just want to read the same old plotline and characters, and those who do, because it’s their comfort food. In most ways, Villainess Reloaded falls into Category Two. This is a magical academy series with villainess overtones, and so we get a lot of the usual staples: heroine tries to avoid her fate but doesn’t realize everyone loves her; lots of magic discussion and magic experimentation; a beach episode; and yes, for a brief moment, we meet the game’s heroine, who Astrid proceeds to try to avoid. There’s even a maid who seems cool and frosty but secretly cares about her charge! That said, there is one teeny, weeny problem with this being a comfort novel that’s more of the same: Astrid has no morals or ethics, and is turning more evil by the day as we read about her antics.

The book covers Astrid’s final year in elementary school and first year in middle school. She’s experimenting with new ways to fire guns, including howitzers, but is running into an issue: a lack of electricity won’t let her make the truly big guns. That said, she also has other things to worry about. Her father is against her doing much of anything. She meets Adolf’s younger brother, who immediately becomes infatuated with her. (He’s 6, she’s 10.) The Magic Research Club that already exists on campus is an excuse to hang out and eat cookies. And worst of all, she needs money to fund her magic experiments. This means sneaking out on weekends to become an adventurer, going on dragon-slaying quests, and meeting with a cabal of Witches who are holders of the lost magic… which was lost because it’s pretty much “magic you can use to torture or kill people”. Will Astrid join them?

She absolutely will. This should not surprise me, given that I dropped Her Majesty’s Swarm, by the same author, for having similar issues, but the heroine of this tale is morally bankrupt. That said, I will give it major points for thinking of “what if a villainess tried to avoid her fate by becoming MORE EVIL”, which is certainly *not* more of the same old stuff. Seeing Astrid experimenting with blood magic, first on animals and then on herself, to try to remove her conscience is creepy as hell, and the fact that it’s clearly the author’s intention to creep us out doesn’t really help. We do occasionally see her backing away from the darkness – she thinks about killing someone as part of an experiment but doesn’t because she’s not “quite that heartless”. Oh yes, and there’s also the fact that, like Katarina, she thinks of her fate as something that is inevitable unless she puts up a constant struggle… which also makes her a warmonger in terms of her politics.

I’m not sure I could describe this series as enjoyable. Fascinating, perhaps. I’ll be reading the next volume in the series. That said, if you enjoy villainess books in general, there are others that can scratch your itch far more than Little Miss Sociopath and Her Armory.