By Mizue Tani and Asako Takaboshi. Released in Japan as “Hakushaku to Yōsei” by Shueisha Cobalt Bunko. Released in North America by J-Novel Heart. Translated by Alexandra Owen-Burns.
Generally speaking, I try not to frame a character’s decision in a novel by “well, it’s just terrible writing”. For one thing, it’s lazy reviewing to do that. There are all sorts of reasons why a young woman who was not only raised as a commoner and is now engaged to an Earl but was raised as a commoner with a connection to fairies and thus grew up with basically no friends or peers, would, when sent off to a supposed friend’s household to learn about etiquette, then told she’s the new maid, given a room in an attic, and relentlessly bullied and physically abused, would not say “hey, I wonder if something is wrong here?”. But Lydia thinking “oh hey, this must just be some sort of nobility training I haven’t figured out yet, so I will endure it and not say anything” is, without a doubt, the stupidest she has ever been. The book gets much better in the back half. But I almost dropped this because of that plot point.
After the events of the last arc, Lydia and Edgar are finally engaged. She’s doing her best to try to trust that he loves her and not assume that he is romancing every woman in London. Unfortunately Lucinda, a young noble girl arrives at Edgar’s place and talks about how they’re engaged, mentioning a series of secret letters. She’s honestly so deluded hat even Lydia doesn’t really buy this, but Lydia is also dealing with a serious case of “I am but a lowly plain commoner”, so it really doesn’t help her mood. Edgar, meanwhile, is trying his best not to hit on any woman that looks his way. But it’s hard! It’s less hard with Lucinda, who is, not to put too fine a point on it, a brat. He also worries that Lydia accepted his proposal without any romantic feelings for him at all. This is a much more likely worry.
As with most Earl and Fairy books, things improve greatly once we’re dealing with fairies and not Lydia and Edgar acting exactly like the circa-2007 shoujo romantic leads they are. There are some nice reveals, and we can see why a series of annoying coincidences led to Lydia getting into the awful position she spends most of the book. It is somewhat darkly humorous that she’s at possibly her lowest ebb in the series, collapsing from starvation and fatigue, not from a fairy plot or from Edgar’s enemies, but from noble servants just being terrible people. When Lydia gets out of her head, she proves to be not only a capable Fairy Doctor, but also quite adept at actually handling noble society. The problem is that we spend a large bulk of the book in her head, as does she’ Sometimes reading self-loathing can be grueling. It is here.
I double checked to see when the inevitable shoujo “we’re in wedding outfits!” cover art is, and it’s Book 18, so I worry that each book before them will introduce a new girl to make everyone in the cast slightly unhappy. Recommended for those who loved Black Bird and Hot Gimmick when they came out from Viz.
