Category Archives: reviews

Strike the Blood, Vol. 18

By Gakuto Mikumo and Manyako. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by Jeremiah Bourque.

I think the author is finally, as we near the end of Strike the Blood, getting the hang of things. As such, I will stop implying that the entire book is written by an AI bot, as I have in previous books, and give credit where credit is due. This is the second of two books expanding on an OAV that came out years earlier, and manages to pull off something we haven’t really seen done before due to the nature of Kojou’s vampiric abilities – mind controlling him to become evil. (You’ll pardon the spoiler, but anyone who is reading a review of the 18th volume of a series and also hasn’t seen the earlier OAV is probably limited to one or two people.) The book manages to divide itself fairly well into halves, with the first part being a political romance of sorts, and the second half being our usual action movie. La Folia gets a large role, which is great, and Sayaka does as well, which… is not so great.

Kojou is in a good mood, as he’s headed up to the long holiday break, where he can finally relax and not have to worry about saving the world… or so he thinks. Instead, La Folia invites Kanon to a ceremony in her home country of Aldegia so that she can try to mend tensions between Kanon and the rest of the family, and Kojou and Yukina to essentially be her bodyguards. (Asagi, Yabe, and Nagisa also tag along.) Of course, this is merely part of a larger plan, which is to get out of various arranged marriages set up for her by saying Kojou is her fiancee. Part one of her plan goes far smoother than anyone intended, possibly as Kanon is a giant sweetie pie. The second part goes OK, despite the fact that La Folia’s father is one of those huge, killer dads who will never let anyone date his daughter and has a giant sword to back him up. And this is all BEFORE the terrorist plot, when La Folia and Yukina are kidnapped… and Kojou is brainwashed.

The last book made it pretty clear that Kojou, in the future, has more than one partner, and this book hammers home that this is perfectly valid for vampire Primogenitors. As such, anyone who was rooting for someone other than Yukina will be pleased to know they’ll still get a place at the table. (Well,l no, they likely won’t, as I sense Strike the Blood fanatics don’t like Yukina much.) In any case, La Folia is perfectly happy to share, especially as Kojou cannot help but be the best guy she’s ever met. He’s like that. As for Sayaka… her absence from the series for so long had made me forget how much of a comedy jealous dumbass she is 90% of the time, honestly. Sorry, Sayaka. I have also told the author multiple times that his humorous scenes aren’t funny, so props to him: the scene with brainwashed Kojou acting like a Byronic hero and spouting lines so cringeworthy that Asagi and Yabe took actual damage? That was really, really good.

As with a lot of recent books in this series, the epilogue serves to set up the next book in the series, with will be back on Itogami Island and no doubt will continue to make it completely uninsurable. In the meantime, Strike the Blood fans, especially fans of La Folia, will be quite happy.

I’m in Love with the Villainess, Vol. 3

By Inori and Hanagata. Released in Japan as “Watashi no Oshi wa Akuyaku Reijou” by GL Bunko. Released in North America by Seven Seas. Translated by Kevin Ishizaka. Adapted by Nibedita Sen.

If a lot of this third volume feels a bit like Chekhov restocking his armory, that shouldn’t be too much of a surprise. The second volume of this series ended at a very satisfactory place, to the point where I was very surprised to see a third volume. This is not uncommon in the light novel or manga genre, with a lot of “short” series becoming very popular and the author trying to extend things a bit. That said, this book is clearly written knowing that there will be a fourth volume coming later (it’s already out in Japan). As such, we get a lot of events here that… don’t really go much of anywhere at all. We know they will eventually, but for the moment they’re just sitting there, on the mantelpiece. Of course, that’s not to say there’s nothing going on in this book. We go to an “enemy” country, fight off demons, and try to prevent assassinating the Pope. There’s something for everyone.

As you can see by the cover art, which feels like a culmination of 100 years of yuri, Rae and Claire are happily together now with their adopted children, May and Aleah. It’s about a year after events in the second book, and they’re both teaching at the academy and being very lovey-dovey. Even setbacks like one of their daughters turning out to have zero magic power is dealt with sensibly and with love. Then… they’re asked to join a political “exchange” with the Nur Empire. Rae is familiar with this plot from the side story sequel to the Revolution game, which, much like its predecessor, has somewhat unimpressive romantic routes and a fantastic non-romance route. The empress, Dorothea, is not here for decorum or political gamesmanship. Its imperial princess is currently too meek to really start any sort of revolution. Oh yes, and the Pope has just shown up, and she looks… exactly like Rae.

The intrigue is quite good throughout, as are the few tragic moments. What I enjoyed most about this book, though, is seeing that the relationship between Rae and Claire is just as fun to read now as it was when Claire was a “villainess”. Rae, honestly, feels like the more immature of the two most of the time. They also both manage to wear the “oblivious to love” hat at different times, as Rae can’t seem to figure out (or at least is deliberately ignoring) a student’s crush on her, while the third princess ends up falling for Claire after Claire essentially enacts a classic otome game “route start” scene in front of her. That said, these two are crazy about each other. I especially loved Claire attempting to act like a bully again, to try to excite Rae, only for Rae to completely fail to pick up on it. The book also has several short stories after the main action, which involves weddings, holidays, and nightmares that involve Claire realizing how lucky she is that Rae is… well, the sort of person she is.

This definitely feels like “Part One of Two”, and I expect most of the dangling plotlines will come up there. But there’s still so much here to love. This is a very hard book to put down, even when you want to, and fans of Rae and Claire will be very happy with it.

Slayers: King of the Phantom City

By Hajime Kanzaka and Rui Araizumi. Released in Japan by Fujimi Fantasia Bunko. Released in North America by J-Novel Club. Translated by Elizabeth Ellis.

So the title of the last book was Gaav’s Challenge, and as it turns out the challenge for Gaav was living past the first six pages of this book. Instead we get a new big bad, Hellmaster Fibrizio, last seen as the dead little boy Lina and Xellos came across. (You remember, the one where I praised Slayers for showing off how humans are irrelevant in a demon war? My bad.) Because this series has a main heroine rather than a hero, Fibrizio proceeds to kidnap *Gourry* and hold him hostage, forcing Lina and company to journey all the way back to Sairaag to rescue him. But wait, wasn’t Sairaag completely blown up, with everyone in it, in the third book? Yup. But it’s back, and so are all its dead residents. That said, the tree in its center has been replaced with a rather ominous temple. Can Lina save Gourry and defeat Fibrizio without using yet another universe-breaking spell? Eh, probably not.

This novel was adapted into the last chunk of Slayers Next, though readers will note quite a few changes. There is *some* romance here – Sylphiel is in love with Gourry, which is why she returns in this book to try to save him, and she spends much of her time trying to force Lina to admit she loves Gourry so that Sylphiel can move on with her life. Lina does not really do this, occasionally unconsciously realizing she wants Gourry around her, and making up an excuse at the end to keep adventuring with him (even as the rest of the cast break off and goes home), but there is nothing remotely resembling the kiss we got in the anime. Indeed, Gourry, much like the rest of the cast, is irrelevant for the final battle – this has always been Lina’s series, with the others as minor supporting characters, and that’s true here as well – she takes on Fibrizio on her own, though she gets a little possessive help at the end.

Other interesting things: Sairaag being populated by its dead residents, including Sylphiel’s father, is eerie, especially as Lina and Sylphiel can tell they’re fakes, and even THEY know deep down they’re fakes. I’d have liked to have seen a more emotional reaction to this from Sylphiel, but, like Lina, the author shies away from that sort of thing. The Sword of Light takes its leave here, as it turns out to be demonic in origin, so Gourry’s gonna need a new sword (expect this to be the start of the next book). And, as mentioned, Amelia, Zelgadis, and Sylphiel all split at the end, with Amelia returning to Saillune to report to her father (Lina watches the justice-happy Amelia and wishes her older sister is more sensible, a great in joke for those who know the alternate Slayers continuity with Naga the Serpent). Fans of the anime know they’ll all be back for Slayers Try. Fans of Slayers also know that Try was widely despised by the author of the books. Let’s just say, don’t expect them back for a while. (Indeed, I don’t think we ever see Sylphiel again.)

And so we’re now all caught up with the Tokyopop paperbacks from eons ago, the first arc of the series is complete, and we can move on to brand new (in English) content! As for this book, it was a good, solid ending, with a few good gags but mostly relying on battles and suspenseful writing to keep a reader engaged.