Category Archives: reviews

Arifureta: From Commonplace to World’s Strongest, Vol. 11

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By Ryo Shirakome and Takayaki. Released in Japan as “Arifureta Shokugyou de Sekai Saikyou” by Overlap Bunko. Released in North America digitally by J-Novel Club. Translated by Ningen

It’s been over a year since I reviewed the 10th volume of Arifureta. In between that time we’ve had two volumes of Arifureta Zero, as well as a volume of short stories, and we also had the anime come to an end and remind us that some stories really work best when you can’t SEE all the fanservice. That said, all good things must come to an end, and while this is not the final volume of the series, it certainly feels like Vol. 12 is going to be. We get all the setup for the final battle here. Yes, that does mean a “darkest before the dawn” start to the book, and Yue fans will likely not be happy that she ends up possessed by the evil God and therefore not in most of the book, but after that it’s basically a curtain call for anyone who’s ever been relevant in this series and also several people who haven’t – like most of the rest of the students.

So yes, Hajime and company are told by the bad guys to come meet the evil God and his evil assistant, and they’ve taken the students hostage (which doesn’t work) as well as Remia and Myu (which does). After a brief “it’s OK, I’m really a good guy” shtick that fools almost no one, we get reminded why Ehit is so powerful, and they basically mops the floor with everyone, including Hajime, and takes Yue’s body for their own. They also say that in three days, they’ll destroy the world and then move on to destroy Earth. Fortunately, that means they have three days, so the rest of the book consists of preparing to fight back, heartwarming scenes with Hajime and his loved ones (Kaori and Tio get “I love you” scenes, and Aiko and Liliana are clearly upgraded to “will be added to the group in the near future”), and wacky fanservice and comedy, because likely there won’t be much time for that in the final book.

Despite bringing back almost everyone from previous books, the writing glides right through it, assuming (correctly) we won’t remember three-quarters of everyone here. There are also some students, who haven’t gotten anything to do in nearly six books, who get to briefly shine in the spotlight, which is nice to see. Certainly nicer than seeing Kouki – again – side with the villains. Now, much of this is Eri mind-controlling him, but I’m sorry, I just cannot work up any sympathy for him by now. I can’t see him dying, particularly given there’s three different people still trying to snap him out of it, but wow, I absolutely do not care if they succeed or not. And Tio gets another good character building book, with a side story of her own, and it shows off the super-powerful lonely princess equally with the anal pleasure-obsessed pervert.

The novels are still quite popular, and I suspect once the main series is finished the “After Story”, which is still being written to this day on the web, will be put out officially in Japan. That said, for the moment, this is the big lead up to the finale next book, and contains most of the good things about the series, as well as a few of the bad. Fans should enjoy it.

Baccano!: 1710 Crack Flag

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By Ryohgo Narita and Katsumi Enami. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by Taylor Engel.

Yeah, I avoided this one for a while I will admit. I don’t like tragedies, even when I know they’re coming. What’s more, this book was famous among Baccano! fandom as the pinnacle of the series, and therefore had a lot to live up to. Does it do that? pretty much, yeah. Balancing out the mystery of exactly what’s going on, the achingly sweet and awkward romance between Huey and Monica, and the creeping feeling of impending doom that powers the 2nd half, Crack Flag is a huge winner. And that’s not even mentioning our villain. Pardon the language, but “Fuck Fermet” has been a refrain among the fandom for years, and while we’ve seen why in other books, no more is it driven home than here. Fermet wants nothing more than to bring despair to people, and with Huey and Monica we get the ultimate example of that in action. Izaya only wishes he were this evil. (I may have said that line before.)

The book says 1710, but it actually begins in 1707, two years after the events of The Ironic Light Orchestra. The poet and playwright Jean-Pierre Accardo is at a party for nobility, feeling very out of place, until he runs into Lebreau Fermet Viralesque and his 6-year-old charge Czeslaw Meyer. Through a relaxed, easy conversation, the two form a bond. At the same time, Huey and Monica’s bond is deepening as well, even if he’s still reluctant to admit it. Unfortunately, the arrival of a huge galleon from the Dormentiare family drives Monica to despair… though, as with most tragedies, we quickly learn that if the parties involved had actually spoken to each other, there’d be little she had to worry about. Will Huey be able to break through her walls? Can Huey break through his own walls? And, whatever you do, don’t go to the theatre tonight…

This is a brutal book (the author says in the afterword he won’t be getting quite this dark again, which, OK, 1711 would like to have a word with you), so let’s concentrate on things that are happier – Huey and Monica. It’s so WEIRD seeing Huey like this given, well, 1711 to the present, and it drives home how much she and Elmer mean to him. And yes, I don’t want to leave Elmer out – he does his best here, and while his own thoughts are still rather terrifying, he’s a terrific character. We also see here how Maiza went from “this alchemy stuff is all bullshit” to suddenly becoming ALL ALCHEMY ALL THE TIME, and I am rather amused that all it took was just a throat-slitting (and recovery). And Carla is fantastic, taking no shit from any men around her and doing her best to figure out what’s going on in Lotto Valentino. We’ll be seeing more of almost all of them in future books, thank goodness.

So yes, this book hurt to read, but it was also one of the best in the series. Narita says 1711 is next, and I guess in terms of stuff he had to write from scratch he’s correct. But first we’re getting another bonus volume. Just as Another Junk Railroad was an expanded version of the freebie that came with the audio drama, the next book is an expansion of the 5-part novel that came with the Anime DVD releases. It answers that hideously terrifying question: “what if Elmer and Graham met?”.

Reset! The Imprisoned Princess Dreams of Another Chance!, Vol. 1

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By Kei Misawa and poporucha. Released in Japan as “Torawareta Ōjo wa Nido, Shiawasena Yume o Miru” on the Shōsetsuka ni Narō website. Released in North America by Cross Infinite World. Translated by Evie Lund.

If Japanese light novels are good at anything, they’re good at “take a premise and do slight variations on it for years”. As such, it can sometimes be very hard to read a book without thinking of that OTHER book you just read. Three are few readers who will pick this book up and not think “huh, this sounds just like Tearmoon Empire”, a series that also has a princess who is imprisoned end up traveling backwards in time to when she’s a child and trying to fix things so that she doesn’t die. Fortunately, the two books do not take the same approach. Reset is not a comedy, for one, and everyone pretty much sees our heroine accurately for who she is: a spoiled young princess who was sheltered her whole life and is now trying to be a slightly less sheltered young princess and not always achieving it. Mostly this succeeds, though there is one major head slapping moment towards the end.

Annabel is the princess of a country called Najir, and has recently married Daniel, the prince of a neighboring country. Unfortunately, one day he shows up furious, accuses her of betraying him, and she in thrown into the dungeons. If only she knew why this happened – she has no idea. What’s worse, her knight and protector Ed is brutally beaten and killed, causing her latent magic (which she’s never been able to use) to explode, destroying a huge chunk of the castle. Then… she wakes up as a twelve-year-old. Now she has to figure out how to change the future. But she doesn’t have a magical diary to help her, or any clue whatsoever. She’ll have to rely on the natural intelligence of a young girl who was home tutored her entire life and rarely left the castle till the day she died. This will go well!

The book’s chief strength is also its chief weakness, which is Annabel herself. She’s not from Japan, she’s not a reincarnation, and she’s not remotely snarky or sarcastic. She is an innocent lamb who is trying her best to figure out how she got from what seemed like a happy and loving marriage to “you are evil and I am imprisoning you”. She decides that ‘sheltered’ is the thing to work on first, so leans on her family to allow her to go to the same school as her older brother. From here she tries to activate her still latent magic (which does not go well most of the book), tries to research the neighboring country to figure out why they did this to her, and also falls in love with Ed, who is also in her school, and is quietly wonderful. Unfortunately, while less sheltered, she is still naive as heck, so there is a scene where, searching for an important item she lost, she allows two men to lead her down a dark alley and try to sell her to pimps. It’s such a jaw-droppingly stupid moment you want to scream. Yes, it’s there for plot reasons so she can activate her magic, but man alive, there must have been a better way.

This is a series still being written, so I’m not sure when we’ll get the next volume. Certainly the main problem has not been solved. Still, if you like Peggy Sue stories (called yarinaoshi loop stories in Japan, thank you, helpful afterword), this should entertain, though be aware that Annabel is very, very “young naive princess”.