Category Archives: reviews

Der Werwolf: The Annals of Veight, Vol. 6

By Hyougetsu and Nishi(E)da. Released in Japan by Earth Star Novels. Released in North America by J-Novel Club. Translated by Ningen.

A lot of these light novels were originally based on webnovels where readers no doubt left comments on what made them happy and what made them unhappy. This may be why each succeeding volume of Der Werwolf has managed to top itself when it comes to Veight’s superhuman powers of humility, with a number of “I’m just a lowly vice commander” lines or their equivalents here, even while he strategizes, leads armies into battle, decides the course of a throne war, and manages to get the best military leader of the Empire settled in Veight’s own land. It beggars belief a bit, and the rest of the cast are finding it less and less tolerable. Veight’s past has almost never been focused on, but what little he’s mentioned implies he was a standard Japanese NEET who was crushed by women and expectations and therefore has a horrible opinion of himself. If anyone’s going to be able to force him to admit his own accomplishments, it’s going to have to be someone who can take that into account. Sadly, the only other person who knew is now dead.

After the political maneuvering of the last volume, this volume is mostly wars and battles, as Ivan kicks off the throne war in earnest by killing his own father. He’s got the most military-minded of his brothers on his side, and also has more troops. Prince Ashley is technically in charge, but has the weaker hand. Veight, though, can see that his own lands would benefit more from negotiating with Ashley than with Ivan, and thus has Eleora to throw her troops behind Ashley. Most of the book consists of, as you’d expect in a climate like this one, waiting and preparing for battle, rather than battle itself. Veight can also help things out by secretly transforming and leading his werewolf corps, who take out a few bigwigs. That said, in the end it’s Eleora and Ashley who end up on top… though the body count is lower than I expected. There’s also lots of the usual banter you’d expect from Der Werwolf.

I was pleased to see Airia managing to make a short appearance in the book despite mostly communicating with Veight through letters. This leads to the other big thing that has only gotten bigger since the series began, which is Veight’s denseness when it comes to other women liking him. Again, this is meant to be a reflection of his sad former Japanese life, but frankly I think much of it comes from the fact that the series is not yet ready for him to be having love affairs – something he himself says here. That said, saying that he was Airia’s fiancee comes back to bite him, as he has to deny it in front of her, and then can’t figure out why she’s so angry. I still say she’s the obvious leader in the campaign for Veight’s heart, but he doesn’t do himself any favors by shooting himself in the foot like this.

The next volume looks to wrap things up up North and have Veight return to his own people. In the meantime, this is a solid volume of Der Werwolf, which gives readers more of what they want.

Invaders of the Rokujouma!?, Vol. 29

By Takehaya and Poco. Released in Japan as “Rokujouma no Shinryakusha!?” by HJ Bunko. Released in North America digitally by J-Novel Club. Translated by Warnis.

I’ve been saying for a while now that the “harem total” in this series is not going to get larger or smaller, and in this volume I am proved wrong. That said, if you’re going to add someone to a pile of girls who are as much a found family as romantic rivals, go big or go home. God joins the party here, in the presence of the being who greeted Koutarou in Volume 1. For a while it was thought to be Harumi/Alaia in some way, but now we know that that wasn’t thinking quite grandiose enough. Before we get to that point, though, we continue the theme of the previous books, as one by one the cast vanish from Koutarou’s life, essentially his worst fear, and he has to deal with it. He doesn’t deal with it very well. Fortunately, the dwindling group of women in his life are able to figure out what is going on long enough for him to go back to the place it all began… and also set up some intriguing alternate universes.

The cover art… and the plot… and every single thing about the book, really… might make you assume this is the last book in the series. It’s certainly the final part of the “main” plot that the author originally came up with – this is where he envisioned it ending, no matter how many books it turned out to be. But the cast are becoming third-years (except for the graduated Harumi), and we’re going to be seeing what happens next starting with Vol. 30. As for this book, there’s not much to it aside from emotional beats. They’re very good emotional beats, don’t get me wrong, but I do wish Koutarou had sort of figured out that when he is standing next to a girl and reminiscing about all the good times they’ve had since book 1, she’s going to be the next to go. There is a bit of a “memory reset” at the end, but it’s entirely voluntary, and you understand why they did it.

The interesting thing, to me, was the concept of the alternate universes brought up by Nalfalaren. The one we’ve been reading is the only one in like 5 billion or so where Koutarou revives her with all nine girls who are “part of her” at his side. In other words, this is the only harem end universe. We see one of the alternate universes towards the end of this book, as Koutarou has to deal with a world where none of the cast ever showed up in Room 106 and he ended up dating Shiori Kashiwagi, who readers may recall as having a crush on him a few books back, and is entirely a normal girl. It’s good to know someone is there to help Koutarou get over the tragedies in his life regardless, but it’s still nice to see the ending I think readers wanted, which is ambiguous but also feels right.

Next time we’re getting a continuation, but we’re also going to start to see some of those “alternate universes” where Koutarou was able to settle on one of the girls. Either way, you don’t have to worry about the cast vanishing from your lives anytime soon.

Kitaro: The Trial of Kitaro

By Shigeru Mizuki. Released in Japan as “Gegege no Kitaro” by Kodansha and Shogakukan, serialized in various magazines. Released in North America by Drawn & Quarterly. Translated by Zack Davisson.

This is the final volume of D&Q’s Kitaro collections, and, while Kitaro has never really been serialized in a plot or characterization way, it picks an apt final story to end on. The largest story in the book is the titular Trial, where Kitaro is brought up against the Yokai Supreme Court and charged with helping humans at the cost of yokai. Which, admittedly, there’s a grain of truth to. A number of Kitaro’s adventures have featured him helping hapless humans who are being used and/or outright tortured by yokai – indeed, we’ll see some later in this collection. That said, no surprises for guessing who’s really gotten Kitaro into this mess. After much foofaraw, the trial ends with Kitaro agreeing that he will not only help innocent humans beset by yokai, but also the reverse – such as not helping the shady TV producers who are manipulated by Nezumi Otoko into the documentary stat starts this all off.

As this is the final Kitaro review I’m writing up (presumably), I’d like to expound once again on Nezumi Otoko, the Donald Duck to Kitaro’s Mickey Mouse. The trial story features perhaps Nezumi Otoko at his most iconic – setting up the entire situation in the first place for cash, teaming up with an even worse yokai, framing Kitaro and testifying against him, and then quickly rolling over when things turn against him. Of all the many and varied yokai we’ve seen over the course of the series, Nezumi Otoko’s actions are perhaps the most jaw-dropping – even the evil yokai are more consistent in what they do day to day. But of course Kitaro gives the reason why Nezumi Otoko is who he is – he’s half human, and it’s the humanity in him that makes him crafty and a bit of a complete snake. That said, for Kitaro to continually hang out with him after everything shows he has the patience of a saint… or that Nezumi Otoko has the love of the author.

The rest of the stories in the volume are more typical, featuring the classic Kitaro way of doing things… get devoured and killed by the enemy, then come back and do something about it. The most interesting story other than the trial episode has to deal with a cursed toilet in the middle of the woods (yes, really) and Kitaro also losing all his hair… which, as is pointed out by Nezumi Otoko, is one of the sources of his strength. Honestly, without it he’s almost unrecognizable. I also liked the story of the merman who blackmails/tortures Kitaro into getting him fish, and actually ends up living in a mansion as a human. This leads to the dark punchline where Kitaro agrees to turn him INTO a human, and then the merman finding out that life as a human is not all that greater after all. Also, watch out for the cute maid working in the merman’s mansion who walks off with Kitaro in the end – Mizuki rarely drew cute girls in this series.

The seven volumes of Kitaro released over here, as well as the compilation that came first, do so much to show off the strengths of Shigeru Mizumi as an artist and storyteller. They’re a must for any library. Ge! Ge! Ge-ge-ge-no-geeeeee…