Category Archives: reviews

I Refuse to Be Your Enemy!, Vol. 1

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By Kanata Satsuki and Mitsuya Fuji. Released in Japan as “Watashi wa Teki ni Narimasen!” by PASH! Books. Released in North America digitally by J-Novel Club. Translated by Molly Lee.

Despite the fact that, if you look at forums and message boards, you’d think “otome game villainess” novels were the new vampire or Alice trend, we haven’t actually had too many legally licensed over here yet. My Next Life As a Villainess, aka Bakarina, it a very broad comedy, almost a parody, of the genre. Accomplishments of the Duke’s Daughter just has the manga so far, and seems more interested in the politics and worldbuilding than it does in anything else. This new series, though, may be the purest form of the genre I’ve heard of. It’s not subverting anything – in fact, the opposite, it’s almost painfully earnest throughout. Our heroine knows she’s going to be a villainess (actually, not even that – a mid-boss) and get killed by the hero, and does her damndest to avoid that in every possible way. All this while falling in love. Light novel fans might be a little disappointed. Romance fans should be quite happy – it’s right up their street.

Kiara has had a rough life. The daughter of a Baronet (the lowest rung of nobility), her mother died early, and her father sold her off to the family of a count. There she was fed odd potions, trained in poisons and knifework (for some odd reason) and shipped off to boarding school. What’s more, she’s been having these odd dreams where she lives in a different world as a schoolgirl playing an RPG… whose plot sounds a lot like the world she lives in! What’s more, she remembers from the dream that she (with a different, married name) is not only a spellcaster, but is brutally murdered by the heroes. So when a letter comes from the count telling her to come home and marry the guy whose last name she now recognizes, she very quickly runs away. Fortunately, she ends up hiding in the wagons of a group of young men who are sympathetic to her story… and one of them is more than he seems. Now she has to find a way to stop the fate she’s familiar with from the game from happening.

As you might guess, this is an isekai of sorts, but it’s handled in an interesting way. Kiara never loses her sense of “self” to whoever the Japanese girl whose memories she has, which the memories remaining “dreamlike”. As such, it feels a lot more realistic, even when she brings up RPG terms. On the down side, her character can be highly variable depending on the nature of the plot – she was bad at school, so has to have a few things explained to her (and the reader), but by the end of the book she’s putting her RPG memories to use as a real-time strategist, and seems to get far too good at spellcasting far too quickly. The better parts of the book are her interactions with Reggie, her love interest (yes, besides the presence of two other obvious candidates, there seems to only be one love interest here), and her “I must be mistaken no one could be interested in me” thought process is both frustrating and adorable.

The book ends on a cliffhanger, which is a bit annoying as it felt like if it had gone 10 pages more, we could have ended the series with the first volume. But there are five more. In the meantime, this is pretty solid, if a bit humorless. It’s serious romantic fantasy, with everyone acting the roles as straight as they can.

Hayate the Combat Butler, Vol. 35

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By Kenjiro Hata. Released in Japan as “Hayate no Gotoku!” by Shogakukan, serialized in the magazine Shonen Sunday. Released in North America by Viz. Translated by John Werry.

The revelation that Viz Media has licensed the newest manga by Kenjiro Hata, Tonikaku Kawaii (aka Fly Me to the Moon) for release this fall came as a big surprise to the huge number of Hayate the Combat Butler fans… OK, really, there’s just two of us now, but we were surprised! After all, Hata’s Hayate the Combat Butler still has about fifteen volumes left to release, but continues to come out at the “we won’t cancel it, but we hate you” two-volumes-per-year schedule. Fly Me to the Moon may begin and end while Hayate still coming out. Still, for those who do enjoy a new Hayate volume every spring and fall, this should give you something to sink your teeth into. It has a minimal amount of Nagi, which, let’s face it, is always a plus, and one we’ll get less and less of as Hayate barrels towards its conclusion. (I don’t hate Nagi, but she suffers from being less appealing than half the cast). Instead, Ruka is still ascendant.

I don’t think this is deliberate on Hata’s part, but as Hayate the Combat Butler rolled along, it ended up showing off a new “favorite girl” who everyone loved and was much better than Nagi… and then gradually forgetting about them till they became irrelevant. Hinagiku is the most obvious example – she may be on the cover here, but her days as lead girl are long gone, and Athena came along, stomped all over everyone else… and then became Alice, who is also barely in the plot. And now there’s Ruka, who was not as warmly welcomed by fans (who have long memories and probably guessed what would happen), but she gets the back half of this book as pure, almost serious romantic tension with Hayate, and does a very good job of it. Hinagiku does get a chapter or two here, but it’s in support of her sister Yukiji, who used to not only be cool, but play the guitar! Hinagiku is upset Yukiji abandoned her dream, Yukiji is there to remind readers dreams are not abandoned, just deferred. She promises to shape up. It likely won’t last, but is sweet to see.

Part of the problem of taking this seriously, of course, is that Hayate the Combat Butler is always first and foremost a fourth-wall breaking gag manga. Before it’s a romantic harem comedy. Before it’s a serious examination of childhood abuse and abandonment. Before it’s a supernatural action series. And the cast know it. One chapter in this volume has Risa being annoyed by the fact that she’s not “spoiled” by Hayate, and this leads into a discussion of Izumi, and the fact that her character type is inherently more popular (with both Hayate and, it’s inferred, readers). Despite what they say, it’s not just the panty flashes – it’s that Izumi blushing and helpless is funny Izumi. Also, frankly, Risa is a boke, and thus, like many of Hayate’s love interests, she’s been eclipsed by a new and better boke – Fumi, who gets her own completely ridiculous chapter. (Miki works best around Hinagiku, but since her sapphic side was revealed, has been around her less – not sure how deliberate that is).

In the end, Hata is happy to point out all the flaws in Hayate the Combat Butler directly in the text. This can be funny… and also intensely frustrating. Welcome to the experience of being a Hayate fan.

Neon Genesis Evangelion: Anima, Vol. 2

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By Ikuto Yamashita. Released in Japan as “Shin Seiki Evangelion Anima” by Kadokawa Shoten, serialized in the magazine Dengeki Hobby. Released in North America by Seven Seas. Translated by Nathan Collins. Adapted by Peter Adrian Behravesh.

It occurred to me as I was reading this second volume, and glancing at most of the color pages, that this was written to be serialized in Dengeki Hobby, a (now defunct) magazine devoted to fans of the plastic model kit. It therefore should come as no surprise to me that the book is a lot more concerned with the Evas and how they function than the inner workings of the actual cast. There are some moments where that’s not the case – Misato’s grief at Kaji’s fate here is well handled, as is her quick recovery, and Shinji’s raging grief in his attack near the end also rings true. But as I watched everything get worse and worse and worse, it occurred to me that the problem with this continuing on from the end of the original TV series is that there’s no way to back up and get much of what the start of the TV series had – fun. It’s a very interesting continuation, but it lacks joy.

Of course, there are very good reasons why fun is in short supply. This is an apocalypse narrative, continuing straight on from the first book, and there’s simply no time to settle down and have a penguin raiding your fridge. Shinji and Super Eva (I will never get used to that name) are trying to fight against a mind-controlled Hikari and her German Evangelion; Misato and Toji are trying to hold down the fort back at base, despite her getting kidnapped midway and his worrying about Hikari; the Reis are all dealing with the death of Cinq in various healthy and unhealthy ways, and Quatre is still a very troubled soul; Kaji stops Kensuke from putting on a possessed mask and losing his identity by… doing it first (yeah, I dunno either); we get the fabulous and somewhat bonkers adventures of Asuka… ON THE MOOOOOON!; and there are far, far more people turned into pillars of salt, to the point where you will get sick of the phrase.

Of these subplots, Asuka had my favorite, showing off a lot of smarts, gumption, and pure survival tactics. Despite this, she loses most of her hair and almost her existence; it takes Hikari and Shinji calling out to her to give her an identity again, and even then she’s… well, let’s leave that as a spoiler. Shinji, aside from his RAGE near the end, does not really get time to do much soul-searching as he’s constantly on the run and fighting; at one point he has Maya in his cockpit, and later on Rei Trois, but this Shinji is made of sterner stuff. Of course, he may have a few issues continuing on after the events in this book as well. And there is a LOT of apocalypse imagery – in addition to the pillars of salt, there’s ancient animals coming back to life and killing people, natural disasters killing people, the Lance of Longinus killing people… if you’re a resident of Earth in this book and aren’t part of the main cast, it doesn’t look good for you.

As I said, this book is quite interesting, and I do want to see what happens next – especially as they’re running out of disasters and we have three more books to go. But, as someone who never really cared about the giant robot battles in Evangelion, it can be a bit of a slog.