Category Archives: reviews

Toradora!, Vol. 7

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By Yuyuko Takemiya and Yasu. Released in Japan by Dengeki Bunko. Released in North America by Seven Seas. Translated by Jan Cash & Vincent Castaneda. Adapted by Will Holcomb.

Despite the fact that it’s a Christmas volume, and it does feature the two leads realizing (if only to themselves) that they are in love, this is one of the more emotional, gut-wrenching volumes in a series that usually wears its heart on its sleeve to begin with. The premise involves the class (with Taiga now back after her two-week suspension) coming up with a Christmas party idea, helped along by Kitamura, who is newly popular after his very public confession and rejection. Sadly, Minorin is in a massive funk, refuses to talk to Ryuuji, and also says she won’t be at the party. Taiga decides that this is absolutely the time when she will finally get the two of them together, and pulls out all the stops to do so… only realizing after a visit from “Santa” that this isn’t what she wants at all. Meanwhile, Ami is merely sad that she arrived in the second book, too late to do anything about our tortured couple.

The astute reader knows why Minorin is in a funk, of course, as she too sees what Taiga and Ryuuji do not. Ami is merely somewhat melancholic about coming in second, though, Minorin is devastated – the narrative not helping things by having her errant foul ball destroy the class’s Christmas tree in a metaphor from hell. The final cliffhanger scene of the book is well-written but terrible – Minorin’s choice, and callback to the fourth book, is absolutely wrong and will be very bad for her. Speaking of Ami, she tries a bit here – her “you’re like her father” metaphor would work very well if Taiga and Ryuuji were not the endgame, but it obviously is so it’s wrong. I admit that I do find the leads’ codependency a bit worrying, but it’s obvious to literally everyone by now that they can’t live without each other.

Then there’s Taiga’s “good girl” act this book, as well as her discussion of Santa Claus. No question, the middle part of the book, with Taiga and Ryuuji at the post office, is one of the two highlights of the whole thing, showing off how far the palmtop tiger has come from just being a ball of rage and the loneliness – and desire to erase other’s loneliness. It allows Ryuuji to realize just how much his life revolves around her now. The other highlight is, of course, Ryuuji’s desperate run back to the apartment to be Taiga’s Santa – something she knows immediately, of course, but buys into anyway. It’s unbelievably sweet and lovely, and makes her emotional devastation after he leaves to go find Minorin even harsher. (I wonder why he was hospitalized afterwards and she wasn’t, given she ran into the cold in bare feet? Possibly he spent the entire night just staring into the air and losing core temperature.)

So yes, we are reaching peak realization. Sadly, everything is terrible as a result. We’ve got three more books till the end, so I know we can’t fix everything in Book 8, but can we at least fix something? This was a fantastic book, and hurts so good.

Infinite Dendrogram: After the Storm, and Before the Storm

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By Sakon Kaidou and Taiki. Released in Japan by Hobby Japan. Released in North America by J-Novel Club. Translated by Andrew Hodgson.

We’re taking a bit of a break from the main plot here, as we get what Dendrogram had not yet had to date: a short story collection. It’s bookended by various aftermath stories involving Ray and the past couple of books. Ray starts college properly and deals with the hurricane that is Tsukuyo, and also cleans up after the crisis in Quartierlatin. Both of these things involve B3, though the latter is somewhat more amusing as it reinforces the cluelessness of Ray as a harem lead. It’s not entirely amusing, though, as we’re reminded of another reason that Azurite hates Masters, and it goes all the way back to the first couple of books. There’s also some suggestion of future plot points, as a technical master – who we’ve met before, in a different context – finds something that might actually help the beleaguered kingdom out for once. But for the most part this book is about the short stories, which, as you might imagine, vary in quality. That said, there are no real duds in here.

The first story gives us a description of what life is like in one of the other countries, this one essentially based on Edo Japan, meaning there is no peace, just all fighting and alliances shifting all the time. A group of rather sad villains try to take advantage of this, and are humiliated. This bookends nicely with the final story of the book, in which we see more about life in the gaol, featuring Gerbera, who we’d met before but is busy sitting around the coffeeshop within it and being bitter. This is a fun story, partly as the King of Crime is basically another of those really calm, placid guys who is secretly unkillable and also because Gerbera’s POV is fun, especially her broken sense of her own power. Less successful were stories about Logan, the villain from the last two books, which is actually successful in a plot way but I also sort of hate “villain recruits villains” stories, and a Valentine’s Day story that is about a very very spurned woman beating up people in love, and is funny if you like that sort of character.

The best story in the book is also the longest, as usually seems to be the case with short story volumes. It’s mostly from the POV of Hugo, who is looking for new experiences and so heads off to a desert casino sort of country currently run by the not-Chinese not-mafia. Now that we know the actual identities of Hugo and Franklin, we can really get into Hugo’s head a lot more (it also means we get more of Cyco, who is awesome). The new character we meet here is AR-I-CA, who is so over the top that for a moment I thought the revelation would be that she’s Ray and Shu’s oft-mentioned but never seen older sister, That doesn’t seem to be the case, but she’s certainly a lot of fun – and also actively bisexual, something you don’t normally see in a light novel, or at least not this blatantly. This story also has hits of future plot, but it’s also a hell of a lot of fun.

It will be even longer till we get back to the main action, apparently, as the 11th volume will be a prequel taking place before Ray joined. Still, this should tide over Dendrogram fans nicely as they wait for the upcoming anime.

Sword Art Online, Vol. 17: Alicization Awakening

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By Reki Kawahara and abec. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by Stephen Paul.

I’m not sure why it is that odd volumes of SAO seem to be irritating me so much. It could simply be because I’m rather weary of this arc, which is an excellent reminder to authors about why you should not make your story arc ten volumes long. It could also be because, once again, this series cried out for authorial and editorial intervention and did not get it. I know that one of the reasons that publishers are so happy to pick up Japanese webnovels and turn them into light novels is that they know the work is already written to a large degree, so deadlines aren’t a thing. But this is about the 4th book or so where Kawahara has written in the afterword “I sort of cringe at what I wrote here, but decided not to change it”. Not sexual assault this time – although that’s in here as well – but the feelings between Japan, China and Korea, which is, like a great deal of SAO proper, an interesting plot point that is handled somewhat hamhandedly.

That’s Leafa and Sinon on the cover with comatose Kirito behind them, and good news for fans of one of those characters, they do get some really good scenes. Of the non-Asuna female characters that Kawahara has created, Sinon is the closest he’s had to another success, and I really liked her here, despite the fact that she deals with Gabriel Miller at his most “I am eeeeeeeeevil!” self. He also turns out to be known to her from GGO, and her battle is probably the action highlight of the book. As for Leafa, it’s almost comical in how badly she’s been treated since… well, her introduction? Here she comes down nowhere near the other characters, gets another egregious sexual assault scene (it’s even framed as ‘worms’ and ‘tentacles’, just to make it more obvious), and finally arrives too late to really affect anything for the ending “darkest before the dawn” climax. I just get so frustrated when I read Leafa’s character.

Other things, some good, some bad. Lisbeth’s discussion of how the SAO survivors are treated in school, as ticking timebombs who are required to get therapy (and, I suspect, will need to get SAO-related jobs or not get hired after graduation, similar to what Kirito is doing now) is really really interesting and therefore I wish we’d had any indication of it at all before this. There’s another traitor towards the end of the book, tied in to both the Administrator plotline and going back to the Fairy Dance plotline who is yet another “I am written to be as evil, creepy and misogynist as possible so you don’t like me”, which, y’know, objective obtained, but you already have Gabriel. On the bright side, the ongoing “what defines a real human” plotline is reasonably well handled, and we’ll see him handle it even better in the Progressive series. And, much as I am completely sick of Laughing Coffin, it is nice to have an antagonist who is not driven by lust, just love of death and cruelty. Welcome back, PoH, I look forward to seeing you get yours eventually.

I was expecting, given the title, the book would end with Kirito back in action. I was wrong, though it looks like it’ll happen early in the next book. Which will be the last in this arc, thank God. Till then, you have to read this if you follow the series, but be ready to lose more of that tooth enamel.