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Der Werwolf: The Annals of Veight, Vol. 5

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By Hyougetsu and Nishi(E)da. Released in Japan by Earth Star Entertainment. Released in North America by J-Novel Club. Translated by Ningen.

Honestly, I’m starting to feel that the author is spoiling me at this point. Der Werwolf 5 has Veight and Eleora going to Rolmund, which is essentially not-Russia, pretending that she defeated Meraldia in order to suss out the political situation back in her country. And thus we get an entire book filled with political machinations, double-dealing, duels, and Veight telling everyone he’s just a humble vice-commander. It’s excellent, and reminds you how good this author can be at making just two people sitting in a room discussing economics interesting. Which is a good thing, as we’re not done with this arc yet, nor does it sound like we will be next time. Rolmund still runs on a lords and serfs-style of rule, and their agricultural yield has not been all that great lately. And, honestly, no one was really expecting Eleora to win. (Which she didn’t, but let’s not split hairs.) As a result, things are… complicated. At least till Veight gets through with them.

Given that Veight is in diplomacy mode here, there’s not quite as much derring-do, especially as he and his fellow werewolves have to keep their true nature hidden during the visit. (I don’t expect THAT to last either.) He does get a duel against Count Von Evilcount, who he wipes the floor with despite the count having the sword equivalent of an Agonizer. Actually, he ends up fighting LOTS of duels, though only a few are people legitimately trying to cause him harm, and it gets to the point where by the end of the book he’s telling old war stories (edited for state secrets) to the easily impressionable son of one of the crown princes. Actually, he’s feeling out all the royals, be it eating not-so-poisonous berries from a private garden, having blunt discussions with the most ambitious of the group, and realizing that at the rate it’s going, Rolmund is going to be dealing with mass starvation and death in a generation or two.

There is a running gag here (among the many running gags in Der Werwolf) about Eleora being very repressed and precise, and everyone except Veight noting how much she’s relaxed and mellowed out since the invasion of Meraldia. She does not, thankfully, seem to be joining the group of women in love with Veight – honestly, this is still a harem with one big front-runner, and things will likely not be helped by Veight, to provide a cover story, says that Airia is his fiancee. Pretty sure that will get back to her, and also pretty sure that she won’t mind one bit, provided he doesn’t try to walk it back. But with Eleora we don’t get that dynamic, we just see that Veight has the ability to change those who come into contact with him, as we see when she manages to overcome her trust issues and reunite (sort of) with her uncle.

We’re just at the start of this arc, and I’m pretty sure things are going to go pear-shaped next time. Till then, enjoy the light novel equivalent of a John le Carré book.

The Poe Clan, Vol. 1

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By Moto Hagio. Originally released in Japan as “Poe no Ichizoku” by Shogakukan, serialized in the magazine Betsucomi. Released in North America by Fantagraphics. Translated by Rachel Thorn.

As with a lot of stories by Moto Hagio, it can be hard to describe how The Poe Clan works as a collected manga story because the reader has a tendency to get lost in the feel of it. Indeed, sometimes I got a bit too lost – the final story in the book, The Birds’ Nest, made me feel at times as if pages with important continuity had been removed to add to the impact. But of course the impact IS the point. This is especially clear in the first part of the book, which features the introduction of Edgar, his sister and Lost Lenore Marybelle, and Alan, the teenage boy who gets entangled in Edgar’s life and later becomes his companion. It actually reads like it was written after the later material (it may well have been – chronological publishing order is not required, especially in early manga collections) and has a lot more action and violence than the back half of the book, which relies on menace and mood. It’s hard to put down.

Oh yes, I haven’t mentioned, this is about a clan of vampires. Or vampirnellas, as they are referred to throughout the book. Edgar and Marybelle are adopted into the family, which tends to live its life on he run and trying to live like typical English aristocrats while not getting noticed. Unfortunately, Edgar is very good at getting noticed, being a gorgeous teenage boy and also having that brooding thing going on. His sister is also highly noticeable, but for the opposite reason – she is a ray of sunshine in everyone’s lives, causing even passing strangers to be mesmerized by her (or accidentally shoot her – you know how it is). Needless to say, her eventual fate, while not a surprise (with a cover like that, you aren’t expecting Edgar and Marybelle to have wacky adventures) hangs over the rest of the book, as well as most of Edgar’s actions. As for Alan, well, there are some homoerotic elements to their relationship, particularly in the final story, but Alan is so far not as good a character as the siblings.

The art is, as you’d expect, amazing. Flip to a random page and chances are you’ll find something that will have you staring. A possible exception to this are the ‘comedy’ elements of the final story, particularly the production of As You Like it, which has lots of goofy faces that help to alleviate the mood from the rest of the plot, which involves a seeming murder that may be a suicide and tortured young men in love. Much is made of the almost inhuman beauty of the vampirnellas, particularly Edgar, an no linework is spared in conveying that to the reader. This is absolutely a work you will want to keep on your shelf. (That said, the spine of my copy has “The Poe Clan” written from bottom to top, which contrasts sharply with most books in my collection, so use caution when shelving.)

The second and final volume of this series hasn’t been scheduled yet by Fantagraphics, but I hope to see it sometime next year. If only for more shots of brooding boys and gentle girls.

So I’m a Spider, So What?, Vol. 6

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By Okina Baba and Tsukasa Kiryu. Released in Japan as “Kumo Desu ga, Nani ka?” by Fujimi Shobo. Released in North America by Yen On. Translated by Jenny McKeon.

Alas, for those who want to know what happened after the cliffhanger on the “hero” side of these books, you’re still going to have to wait. The sixth volume takes place entirely in the “past” part of the books, showing our spider heroine, Ariel, Sophia and Merazophis mostly going from town to town and bonding, while at the same time the world recovers from the battle that happened in the fifth book. The non-Spider parts of the narrative bounce between Sophia, who may be a vampire baby but is also a reincarnation, so we get her thoughts on everything that’s going on, and Ronandt, the elder mage who honestly spends most of the book as ridiculous comic relief till he finally snaps out of it. There is one big battle near the end, featuring a much better Giant Spider Invasion than the one we saw on MST3K, but for the most part this book is far more introspective than previous volumes. There’s barely any stat listings!

I am at last allowed to talk about the spider heroine while using a name. Ariel names her White, fitting her appearance. This is in fact something of a power play, as naming something works the way it does in a lot of high fantasy, but it doesn’t have much effect on White as she’s already ridiculously powerful. Indeed, after Ariel figures out exactly HOW White is able to continue to be immortal, she reluctantly concludes that she HAS to ally with her, as not doing so could be disastrous. As for White herself, her thought processes are still “teenager with no real moral or ethical sense’, who’s able to cheerfully force a baby to march through the forest in order to build up their stats. That said, she’s definitely better off being influenced by Ariel, as we find when she has to confront her parallel minds, who have gone rogue and decided to destroy all of humanity. Thus we get the one battle of the book, as it’s spider vs. spider.

Ronandt, as I said, is still reeling from his first encounter with White, and unfortunately proceeds to learn exactly the wrong lesson from it, which is to try to study the spiders in the labyrinth to see how they grow stronger. The humor here has a dark edge to it, as while it’s somewhat amusing to see Ronandt run around nude and be treated as creepy by anyone who sees him, it also reminds the reader that White is a SPIDER, and that the ways that she gets stronger are not human ways. Nor should they be. This leads to a rare heartwarming moment in this mostly cynical book, where he realizes why he became a mage in the first place and goes out to stop the spider invasion even though he knows it will mean his death. (Fortunately, White gets there first.) I also liked him bonding with Julius, here a young and emotionally broken hero rather than the confident (and dead) older brother figure we meet later.

There’s some other good stuff here, such as the confrontation with the Pontiff who runs the world’s largest religion, or Sophia’s reflection on her past life (she was the stereotypical bullied nerd) and why she hates White so much (White was sort of like Komi in that her paralyzing inability to communicate came off as cool beauty.) It’s enough to make this volume very good indeed, even though I wish we’d checked back to the future with the other reincarnated cast.