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The Promised Neverland, Vol. 9

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By Kaiu Shirai and Posuka Demizu. Released in Japan as “Yakusoku no Neverland” by Shueisha, serialization ongoing in the magazine Weekly Shonen Jump. Released in North America by Viz Media. Translated by Satsuki Yamashita.

At long last, we get to meet the famous William Minerva… or at least his echo. I liked the self-awareness that both Emma and Lucas had when they got to the elevator and went “…really? An elevator to freedom/ Is it THIS easy?” No, of course it isn’t that easy. In fact, it turns out that William Minerva may no longer be with us, though that doesn’t stop him from leaving a recording that helps our heroes to buckle down and not give up. It also reveals that this WAS meant to be a safe harbor, and it’s the demons who corrupted Goldy Pond and turned it into a hunting ground. There’s lots of odd otherworldly touches in the early part of this book, like the literal pond of gold whose water doesn’t get you wet, that reminds the reader that The Promised Neverland is as much science fiction as it is horror or mystery.

Meanwhile, I’ve been saying ever since he was removed ffrom the plot that Norman would prove to not be dead, and that is the case. That said, the chapter featuring him is one big “what the hell?” after another, and is meant to plant seeds, especially given that one of the kids in Emma’s group at Goldy Pond (who seems to have a learning disability) keeps repeating Norman’s number. How long has it been since the start of the series? Norman’s in much the same place he was at the first volume – solving tests, amazing folks with his intelligence, and trying to escape even though it’s even more impossible than it was at Grace Field. What’s more, the guy who’s his minder is the same guy who betrayed “William Minerva”. And, lest you forget that Promised Neverland is also a horror title, there’s that two-page spread of the room of experimental humans Norman walks past. In just one chapter you get about thirty things to think about.

Back at Goldy Pond, the next hunt has been scheduled early because the demons want to eat Emma SO BADLY. Fortunately, our heroes are prepared for it, and so we get a few chapters of the kids showing they’ve been holding back and taking out the mook demons. This includes one who leers at the reader and says “How Cute”, which makes me wonder if this homage to Kaguya-sama was in the original Japanese or if this is just a Viz invention. There’s lots of scenes of the kids seemingly cornered only to win out in the end, which I will happily read over and over again, and not every battle runs along the same lines, which is important in a long-running shonen title like this. That said, I doubt this series will be going to 90+ volumes like One Piece. But it is going to double digits, as the cliffhanger shows Emma confronting the strongest and cleverest of the hunting demons.

I hope I don’t need to repeat myself: Promised Neverland is consistently excellent, and I like how it’s really showing off that just because it left Grace Field (the cliffhanger to the first anime season) does not mean it’s all over. Essential.

The Asterisk War: Whispers of a Long Farewell

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By Yuu Miyazaki and okiura. Released in Japan by Media Factory. Released in North America by Yen On. Translated by Haydn Trowell.

Last time Saya stole Claudia’s thunder a bit, but in this volume Claudia definitely takes the spotlight: this is her book, and we get glimpses of her childhood, how she’s been changed and affected by wielding the Pan-Dora, and just what her REAL wish it, as everyone agrees it can’t simply be “I want an interview with a known political prisoner”. In fact, it’s a lot more close to home than that, and a lot darker. That said, in amongst the darkness we do get some good fights, as Ayato finally has to face off against his roommate, who turns out to be from a family of ninjas, to the surprise of absolutely no one. And of course the other girls are somewhat stunned at Saya admitting her feelings directly to Ayato, and are wondering what comes next, though honestly, knowing how harem titles work, they should not be surprised the answer is “not much.”

I did give Saya credit for confessing last time, but it’s hard to take “you don’t have to answer me right away” as anything more than backing away at the last minute. That said, that’s more on the author than on Saya herself, and she’s right that she doesn’t want to affect the Gryps team while they’re still competing. Julis and Kirin are both providing what little humor is in this volume with their reactions, which are pretty much exactly what you’d expect. Additional lightness is provided by Laetitia, Claudia’s childhood friend and “rival”, the sort of rival that you always see in these sorts of things, who is constantly talking about defeating Claudia one day but in reality is caring and worried. Just because I really enjoy each new volume of Asterisk War does not mean it isn’t hitting each cliche with perfect precision.

The bulk of the book stems from Claudia’s somewhat open declaration of war last book, and the Powers That Be deciding that things are so dangerous now that assassinating her in a very obvious way is actually the lesser of two evils. Fortunately, she’s clever and able to avoid getting killed right up till Ayato can show up. Unfortunately, Ayato is related to her REAL wish, and to his horror, it’s a bit of a death wish. As I said before, given what Claudia endures is using her Orga Lux, it’s unsurprising that she’s gotten somewhat jaded and tired – she’s seen being killed by the entire cast, including Julis, Kirin AND Saya. But not Ayato, and this leads to the second confession of the book. I’ll be honest, I did briefly wonder if the author had the stones to kill Claudia off. But honestly, having her survive was not only the more cliched (and thus Asterisk War) option, but it allows for a really lovely it where Ayato asks what she plans to do now, and she literally has no idea – she hadn’t imagined surviving.

I’m not sure how her newly “repaired” relationship with her mother and the rest of the PtB will go, but I do know that the next book will have the next tournament bout, and it’s not good news for our heroes – Claudia and Ayato are very depleted on resources. Are they really going to lose? OK, probably not. But Asterisk War remains good frothy fun, with some really good character development this time around as well.

Yona of the Dawn, Vol. 17

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By Mizuho Kusanagi. Released in Japan as “Akatsuki no Yona” by Hakusensha, serialization ongoing in the magazine Hana to Yume. Released in North America by Viz Media. Translated by JN Productions, Adapted by Ysabet Reinhardt MacFarlane.

This volume of Yona of the Dawn doesn’t quite reach the absolute heights of the previous two. Of course, since that downgrades it to merely “excellent”, there’s no need to worry. We start a new arc, as it turns out that one of the latest outbreaks of war is happening right where Yona and her crew are going to next. Imagine that, huh? (Seriously, there’s a wonderful self-aware moment midway through this volume where Yona wonders what her life would have been like if Hak and Su-Won had not been at odds, and she realizes she’d be a sheltered princess in the palace, not caring about the outside. Moreover, there would be no Yona of the Dawn. And so, as a reader, we are delighted that instead Yona is out and about and doing things like “Starving child? Huh. Better shoot down a bird from the sky for him to eat!” without even batting an eye. This is the Yona I want to read about.

The starving kid is what kicks off the story – he’s from a village that is now part of the Kai Empire, but decades ago was part of the Kohka Empire. Shifting borders happen all the time when large nations are at war, and one of the points of this book is that people don’t care enough about the little villages along the border that are forced to deal with all this. For the most part the village has tried to stay out of the way of everyone, but that’s not going to work anymore, as, having suffered a humiliating defeat, decide that rather than let Kohka retake the land they lost, they’re going to burn it to the ground and kill everyone in it. Fortunately, they’ve got the Happy Hungry Bunch in town. Unfortunately, almost the entire group is down with a bad illness.

Hak is not ill, but even he can’t take on a huge group of soldiers all by himself. Yona is fine as well, but Hak knows very well this is not a fight for her no matter how much she’s improved – the numbers are too bad. And then there’s Zeno, the last of the not-ill group, who has been, for the past several volumes, “the goofy one” for the most part, who has to fly into action after all the others (including the sick guys, who try their best but are severely underpowered) are taken down and Yona is surrounded, and… well, immediately gets a sword through the chest. Ow. Fortunately, it turns out that Zeno has a few secrets of his own, though given that it’s part of the cliffhanger, it will be till the next volume before we get to see that. There’s also a short story at the end showing Jaeha’s past with his predecessor, which again reminds us of the difficulties of being a Dragon.

Yona is always exciting and fun (even in the most serious of scenes, there’s usually one or two asides that are hilarious – my favorite this volume being Yun’s “I know I’m a great catch, but I’m a boy.” Rest assured, this volume of Yona will keep you thoroughly entertained.