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The Magic in This Other World Is Too Far Behind!, Vol. 6

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By Gamei Hitsuji and himesuz. Released in Japan by Overlap. Released in North America digitally by J-Novel Club. Translated by Hikoki.

Last time I said that it wasn’t all that surprising that another hero came from Japan, and now after this volume we find that there’s actually a close connection between this fantasy world and Suimei’s own. Given the sheer amount of backstory we’ve gotten on Suimei and his own magic studies, this isn’t too surprising. It’s not good news for anyone who isn’t as powerful as Suimei, though, and there’s some genuine concern at the end of the volume over his splitting with Hatsumi and heading off to once again research a way to return to his own world. Fortunately, through the magic power of trauma, Hatsumi has finally regained her old memories, and so now she recalls enough awesome sword experience… to know that she can run away if need be. Not win. These new enemies are tough. The old enemies are pretty tough too, actually, and the book itself is essentially devoted to three huge fights and an epilogue.

The most interesting of the three fights, though not necessarily the most enjoyable, is the one on Reiji’s side. Reiji is a fairly dull hero, but he’s also pretty pure and noble and cliched as a hero as well. This is why the bad guys seem to think that he, rather than Hatsumi, is going to be the one they make their “main hero” to save the world – he’ll inspire the little people more. Of course, that assumes he’s actually doing heroic things, rather than yelling at Mizuki. Mizuki has been a flat character for a while now, and I wanted her to develop and be able to do more. But not like this. Weaponizing her chuuni tendencies makes her just as annoying as it sounds, and I fear we may have to deal with this version of her for some time. (Combining this with Lefille becoming a little girl again, it’s like the author was asking what things I dislike the most in Too Far Behind and then leaving heavily on them.)

Suimei does get a bit more complicated in this volume, not always for the better. Seeing him terrified of fighting the dragonewt because of past trauma involving his father was interesting, but in the end it didn’t really seem to hamper his battle abilities. More interesting was the discussion at the end with whatever entity is possessing Mizuki and making her fantasies reality. We get a glimpse of a Suimei who did something very nasty, and I’m fairly certain that it’s going to come out in the next book or two and have horrible consequences. Mostly, through this book, Suimei has been a pretty nice guy despite pretending that he isn’t. But he’s not perfect, and he’s a teenager. That said, it’s sort of hard to square this backstory with him and Mizuki and the “dur hur, I don’t know why all these girls are mad at me” harem idiot except “convenience of the plot”.

Overall, this is a good volume of Too Far Behind! if you like fights, and there’s some good plot-related stuff as well. It just had a couple of issues that kept niggling at me through the book. It also had no interstitial illustrations, the second volume to be missing them. Someone should have a chat with the illustrator.

Cutie Honey: The Classic Collection

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By Go Nagai. Released in Japan by Akita Shoten, serialized in the magazine Weekly Shonen Champion. Released in North America by Seven Seas. Translated by Zack Davisson.

This one-volume omnibus of the original Cutie Honey came out here in North America after the sequel volume, Cutie Honey a Go Go!, and unlike the other recent classic property where the sequel came first (Harlock), I think it’s for the best. A Go Go had most of what made the original so attractive, but packaged it in a modern way, complete with Natsuko as an adult police officer. Here we get unfiltered Nagai, and… it can be a lot to take. The constant nudity, the lesbian tease used solely for male titillation, the cartoon violence and horror, the fourth wall breaking. This is almost a college course in what classic manga of the 70s was like, and reminds me why it didn’t get brought over for so long. Still, at its heart this is worth reading, if only to see why Cutie Honey also ended up inspiring female readers. Honey fights evil and wins WITHOUT the help of a guy. In fact, the guys are useless.

The premise, in case anyone was unaware: a scientists builds an android named Honey, who doesn’t even know she’s an android at first, and stashes her at a girl’s private school, where she befriends the young, cheerful, and prone to getting captured Natsuko. But the evil organization Panther Claw want the secrets that Honey has within her body… and kill her father to get at them. Together with a reporter who happened to be interviewing her father when Panther Claw attacked, his family, and Natsuko, Honey fights back against the all-female villain team of Panther Claw. Heads will roll. Indeed, they frequently do. Is there anything that can stop this senseless battle? Possibly one of the villains being attracted to Honey, but alas, the series is cancelled before that goes anywhere.

Yeah, that’s right, this is done in one because it got dropped pretty fast (though it wasn’t axed as fast as Cutie Honey a Go Go0. Honestly, in many ways it’s for the better. Cutie Honey is a Warner Brothers Cartoon in most ways. The characters are two-dimensional and stereotypical, the humor is broad and sometimes verges on gross, it can be fairly sexist despite its empowering premise, and it’s super violent, with most of the cast ending up dead. That said, the sheer verve and imagination of Go Nagai kept me turning pages, and I was never bored. The wisecracks may be vaudeville-style, but they’re frequently hilarious anyway. And the fights are really nice to see, with Honey pretty much going all out on her own – the reporter is far more useless here than he is in A Go Go – and showing off her assets. So to speak.

By the end of the book you can see that Nagai has sort of ground to a halt – the series should have ended after the school is destroyed and Natsuko dies, but the manga was tying in to the anime that was running at the same time, and so it staggers on a bit, complete with annoying cameos from one of Nagai’s other gag manga. It ends like a 5-car pile up, with a naked Honey singing her anime theme song while blushing and asking readers not to look. But they do. While certainly a product of its time, I can appreciate the zest that Cutie Honey brought to shonen manga, as well as a lighter side to Go Nagai’s works.

Didn’t I Say to Make My Abilities Average in the Next Life?!, Vol. 4

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By FUNA and Itsuki Akata. Released in Japan as “Watashi, Nouryoku wa Heikinchi de tte Itta yo ne!” by Earth Star Entertainment. Released in North America by Seven Seas. Translated by Diana Taylor. Adapted by Michelle Danner-Groves.

It has to be said, this book is not as funny as the first three books, and by definition is therefore not as strong, since I tend to read this series for the laughs. There’s still lots of amusing situations, Mile being ridiculous, people underestimating the Crimson Vow, etc. But the humor is also turning a little dark as well. We know that our four heroines are an unusual team, and have a certain tendency to be practical to the point of death, but the “let’s break all their legs and then break more legs because we need a complete set” gag verges a bit on sociopathy, which I’m pretty sure is not what the author intended. For the most part, this book is meant to show off how the Crimson Vow have sort of become too overpowered for the area they’re currently in. Fortunately, by the end of the book they’re moving on, touring other countries to see what trouble they can get in.

The main thrust of the plot involves our four girls going on a rescue mission, as several teams have gone to investigate in the woods and not come back. They find the teams captured in an archaeological dig that is being done by beastmen, who end up being mostly mooks for folks as powerful as Mile and company. Especially when Mile ends up coming up with the World’s Worst Stinkbomb, which is probably the funniest part of the book even if it’s also pretty gross. The most interesting part comes when we see who’s actually behind the beastmen digging for relics. It’s refreshing, after 150-odd pages of “this was going to be a dangerous fight–LOL, nope!”, to actually see Mile and company get their asses handed to them. (Honestly, when Mavis ended up overdosing on Mile’s “magical steroids” drug, I was wondering if we’d explore actual consequences, but apparently not.) That said, Mile ends up winning in the end, as she is Mile.

The discovery, once it is revealed, ends up being far more of a shock to Mile than it does the others, and it almost makes her decide she’s going to abandon the others and set out on her own – fortunately, Reina and Mavis are very good at reading Mile like a book. (Poor Pauline, though…) So now we get a world tour with the excuse of Mile trying to figure out what’s really happening with this world, and what it was like in the previous civilization. It’s implied we may run into Adele’s old companions in the next book, though we do get a short story devoted to Marcela, who is likely finding that “what would Adele do” is not alwayhs the best thought to have in any given situation, and is also a quintessential ojou-sama.

So I’m still reading this, but it wasn’t quite as fun as the previous books. I hope things tick upward next time.