Category Archives: reviews

Wonderland, Vol. 1

By Yugo Ishikawa. Released in Japan by Shogakukan, serialized in the magazine Big Comic Superior. Released in North America by Seven Seas. Translated by Molly Rabbit. Adapted by Marykate Jasper.

I have to admit, I did not buy this manga for the premise. Horror is something I tend to be very wary of, and this read very much like it would be a “watch people get gorily murdered in visually arresting ways”. And, well, it is. But it’s the visually arresting part that kept me reading on. The author has been doing seinen stuff for years, ranging from action titles like Fighting Beauty Wulong to seinen skeeze like Yoiko, about an elementary school girl with the body of a fully grown adult. Lately, though, he’s been specializing in weird horror, and this certainly falls under that. It also falls under something that North America may have been growing sick of in the last few years – Alice in Wonderland take-offs. Unlike most that we see, there’s no Mad Hatter or Red Queen here, though, as it takes one premise – shrinking down to tiny size – and runs with it.

Our heroine is… not the girl on the cover. Instead it’s Yukko, a typical teen girl who wakes one morning to find that she’s shrunk down to the size of a doll. Her pet dog, now much bigger than she is, seems OK with this. Her pet cat… sees her as a tasty mouse, it would appear. Indeed, by the time Yukko gets her bearings and attempts to deal with this, both of her parents have been murdered by said cat. She tries to get out and get help… only to find the entire prefecture is suffering the same problem – they’re all tiny. Now she has to team up with other survivors and figure out how to remedy this… though that may take a backseat to just surviving, as the cats of the neighborhood REALLY love to beat these tiny humans to death. And then there’s Alice, who IS the girl on the cover. She seems to have animal ears, speaks at first in an alien tongue, and shows up mysteriously with no explanation. As the teaser for the second volume asks, who is she?

The story and character development here are, it has to be said, not great. Yukko is plucky, Alice is weird, and I really liked the dog, but for the most part these people are here to react to the scenery. But what scenery it is. The artist does a good job of showing off tiny humans vs. real-sized objects and animals, and how it’s become a matter of life and death almost immediately. I’d still call it a horror title – there’s lots of gory deaths here, and you spend a lot of the book waiting for the next she to drop. But the hint of a VAST GOVERNMENT CONSPIRACY makes me think it will end up more of a thriller than anything else, with Yukko and Alice teaming up to try to learn why this happened in the first place. I’m not sure if I’m into Wonderland for the long haul (it’s 6 volumes total), but this is a compelling enough start. Plus, let’s be honest, Big Comic Superior? When’s the last time we saw a title from there? This deserves your support for that alone.

My Next Life As a Villainess! All Routes Lead to Doom!, Vol. 1

By Satoru Yamaguchi and Nami Hidaka. Released in Japan by Ichijinsha. Released in North America by J-Novel Club. Translated by Shirley Yeung.

Sometimes you come into a title with a lot of buzz and hype and are greatly disappointed. This is not one of those times. I’d heard great things about this series, especially its humor and the “denseness” of its heroine, Katarina Claes (the series’ nickname is “Bakarina”). I’m pleased to say they seem to be accurate. This book is a hoot from beginning to end, as what could be yet another “protagonist dies and ends up in a game world” series – and yes, we’ve seen this premise before here even with a reverse harem – ends up getting bulldozed by Katarina stomping across the plot like a berserker. This is not to say that she’s evil – the opposite, in fact. She may be a loud tomboy, but Katarina’s innate niceness throws off the entire cast, and what should be her just trying to alter history so that she’s safe ends up being her creating a vortex of partners around her – male AND female.

The premise: a girl (we never do learn her original name) rushes out of her house after spending all night playing an otome game and gets kit by a car and killed. She wakes up in the game, as 8-year-old Katarina. Unfortunately, Katarina is the antagonist. IN Magical Academy seven years down the road, the spoiled and rich Katarina bullies and torments the player character heroine, and in the endings is either a) exiled penniless to the country, or b) killed. But now Katarina has the memories and the wherewithal to change her future. What’s more, she’s a rambunctious but basically nice girl, and so the arrogant haughtiness vanishes as she attempts to find various ways to fix things. She succeeds beyond her wildest dreams… but is completely unaware of the fact that her fiancee the Prince is now in love with her. As is her adopted brother. As is the Prince’s brother. As is her best friend Mary, showing that everyone falls for Katarina. Katarina notices absolutely none of this. After all, why would anyone be attracted to her? She has a villain face!

Like Obsessions of an Otome Gamer, this plays with its premise a bit and does not take itself seriously. Unlike Obsessions of an Otome Gamer, there’s no serious plotline to worry about. Everything here is for the sake of the comedy. The primary source of the comedy being Katarina’s thought process, which beggars belief at times… well, OK, all the time. Watch our heroine as she becomes an 8-year-old farmer, works on ways to create more convincing toy snakes to throw at her fiancee, and decides the solution to eating and drinking too much at tea parties is to take her own portable toilet the next time she’s there. Most of this volume deals with Katarina as a child, with only the final chapter having the now 15-year-old Katarina start university, and she still hasn’t met the heroine of the game. Still, I think she’s good. The book balances her narrative POV at the end of each chapter with the POV of the other characters, showing what they were like before they met her and how she changed their lives. It also has a good moral, spelled out at the end: treat people as human beings. Katarina is so blunt and straightforward that she can’t help but charm everyone she meets. (Also, kudos to the author for including the girls being in love with her but not making it for the sake of comedy – Mary and Sophia are the same as the guys, and there’s only one “but I’m straight!” from Katarina, said right after she’s spent a lot of time gushing about Mary’s beauty.)

I highly recommend Bakarina to light novel readers. You will laugh. You will cry… wait, no, you won’t. But you will laugh more. You will also wonder why Japanese authors try their hardest to avoid using the romanization “Gerald” (first Jellal and now Jeord).

The Hero and His Elf Bride Open a Pizza Parlor in Another World

By Kaya Kizaki and Shiso. Released in Japan by Shueisha. Released in North America by Yen On. Translated by Kevin Steinbach.

First of all, you will note the lack of a volume number in the title – this seems to be a one-shot novel. And thank goodness for that. Not that I didn’t find this novel about a pizza hero and his cute, clumsy, and jealous elf fiancee (yeah, they don’t actually get married here) charming, but it’s really the sort of premise that can’t hold up over an extended period. It barely holds up over the course of this book, and it’s a very short book. But on its own, as something you’d read over an hour or so on a train ride or at the beach, it’s perfectly pleasant. The pizza is pretty much the most original thing about it – characters are of the sort that the moment you see their design you immediate know what they’re like and how they’ll talk. And that includes our hero, who is as generic as he appears. But he’s nice. And earnest. He also likes pizza.

Our hero is Kaito, a working drudge who is hit by a pizza delivery bike and killed, in the time honored Japanese light novel tradition. He needs a goddess who offers him three worlds he could reincarnate as a hero in – sword master, magic master, or pizza master. Sadly, Kaito is a bit overwhelmed and dithers too much, so the first two options are taken by other dead light novel protagonists, leaving him with pizza hero. (You get the sense that the goddess nudged events towards this happening, and also perhaps nudged Kaito into being a bit more pizza-obsessed than one normally is.) He’s reincarnated in a small town populated by thin elves who eat only vegetables and greens, at the behest of their Queen. Kaito will soon change that… with PIZZA! He’s also given the village leader’s daughter Lilia as an assistant/wife, and while Kaito finds the wife part disconcerting at first, he gradually falls for her.

There’s no real satire or deconstruction going on here, I will warn you – everything is pretty much what it seems. Lilia is essentially Index as an elf, with a truly voracious appetite and a tendency to get upset whenever Kaito speaks with any other girl. We also meet the Queen, Eleonora, who is haughty, stubborn, and loves pizza (they ALL end up loving pizza) but needs to keep up appearances. She also falls for Kaito, as does a rich yet ill girl, but given this is one volume and that volume ends with Kaito proposing to Lilia, there’s no real harem action besides “cute girls like the hero because he exists”. The plot is a series of short stories revolving around Kaito making pizza (he gets the knowledge and most of the ingredients via magical cards, with is very convenient) and making elves happy by serving pizza. Even the village-destroying dragon is won over by pizza.

Again, this is light, pleasant, and utterly inessential. If you’re looking for a quick read, or like pizza, it’s there for you.