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The BS Situation of Tougetsu Umidori, Vol. 2

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By Kaeru Ryouseirui and Natsuki Amashiro. Released in Japan as “Umidori Tougetsu no “Detarame” na Jijou” by MF Bunko J. Released in North America by Yen On. Translated by Andrew Cunningham.

Generally speaking, my reviews these days tend to follow the pattern of “first paragraph discussing book, cover image, second paragraph summarizing plot, third paragraph giving good/bad/etc, epilogue”. And that’s what this will be too. That said, after reading this book I feel I have to put up a warning: I Swear I Am Not Making This Up. Because frankly, after reading the summary of this volume, I think one or two people might suspect I hated the book so much I just started making up absolute nonsense. Which isn’t true, I quite liked this book. But wow, the plot is indeed absolute nonsense… and yet, in the context of this world, it makes perfect sense. It’s true to the characters. It’s especially true to Umidori, and I have to admit, when she got that phone call asking her to guess who this was? I guessed it fairly quickly. Because this is a series that glories in being utterly unhinged. (And gay.)

Tougetsu Umidori is relatively happy, two weeks after the first book. She’s coming home from her job, telling Bullshit-chan she’ll be home soon, when she gets a mysterious call from someone who says they know her very well. Intimately, in fact. Despite the fact that they’ve never been to school or hung out together. As it turns out, we know the caller very well too. Because in the prologue for this book, we saw Umidori digging a grave in the back of her apartment complex and burying someone… and now they’re crying out to her, demanding that she dig them up. Unfortunately, at the same time, a mysterious cooking accident knocks Bullshit-chan unconscious, so she’s unable to help with the fact that the pencils that Umidori deep-fried and ate have gained sentience and can communicate with her. And love her. In fact, the love is pretty much mutual.

As I said, not making this up, and it’s not even the weirdest thing in the book. Honestly, the character of the pencils, who ends up taking the name Togari Tsukishigaoka, may be the best part of the book, wanting to help Umidori but also knowing what that help will cost her. The nature of the lies and what they can do to people’s psyches is explored further, and there is perhaps a worrying amount of co-dependency going on here, but in a series that has a girl in a love triangle with her best friend and a bunch of sentient pencils given human form, that’s probably the least of my problems. If there’s a weak part of this book it’s probably the villains, who simply are not as good as Hurt (who’s also back in this book, taking on the role of the tsukkomi/sidekick when needed). They mostly exist because we need a villain to drive the plot.

This is apparently halfway through the series, though the third volume doesn’t have a date here yet. If you’re looking for weird ass stuff with not-quite-monsters, this is right up your alley.

My Stepmom’s Daughter Is My Ex: “There’s Only One Guy For Me”

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By Kyosuke Kamishiro and TakayaKi. Released in Japan as “Mamahaha no Tsurego ga Motokano datta” by Kadokawa Sneaker Bunko. Released in North America by J-Novel Club. Translated by Gierrlon Dunn.

This is a really short book, even for a series that does not generally have long volumes to begin with. It’s 142 pages. I actually found myself wondering if it was supposed to have the Isana plotline going on throughout, but the main plot got away from the author, so they simply cut it out. But then, it does make sense that you’d want to keep the focus entirely on Akatsuki and Kawanami. Their backstory was always a very spiky and uncomfortable one in an otherwise mostly mild romcom series, and a lot of the books have been trying to bring them both to a point where they can finally take a step towards each other again and have it be believable. The way that it does that is by looking even further at the issues that Kawanami has with women, and how they are, in a very real sense, PTSD. As such, it makes sense that this volume feels like the series finale of M*A*S*H at times, as his own memories may not be reliable.

Kawanami wakes up one morning in his bed, dressed only in boxers. He sees a girl leaving his room in a hurry. He also has no memory of the previous evening. At the same time, Akatsuki also wakes up in her bed, in bra and panties, and does not remember what happened the previous night. A horrible thought crosses their minds: did they, y’know, DO IT? Unfortunately for the both of them, Mizuto and Yume are out of town, off on the annual family reunion that we’ve seen in a previous book. What’s worse, Kawanami goes out for karaoke and bowling with his friends, and it becomes very clear that something happened with his good friend Makoto, who is being referred to very carefully so as not to spoil the reader. As things come to a head and he has a complete breakdown, Akatsuki grabs him and the two run away to Osaka… and a love hotel.

This series has always been very horny, and the author jokes that they may have taken things a bit too far this time with that love hotel scene. No, they don’t go all the way, but certain things are done, and both of them get a nice view of each other naked. That said, the reason this is a pretty good book is the emotional catharsis that Kawanami gets, as Akatsuki points out that he’s basically cured of his reaction to women, he just doesn’t actually realize it. The bit where Mizuto points out to him the way that he’s misremembering things made it clear that this really is very similar to PTSD, and as such it’s definitely a good thing the two stopped when they did. In any case, they’re now a couple, which means we likely have only one major arc left in this series, the “what will we do after graduation?” bit.

If you enjoy this series, this is a decent read. And short. Also, while I hesitate to mention current memes in a review, it’s really hard not to look at that cover art and not think “let’s take ibuprofen together!”.

Banished from the Hero’s Party, I Decided to Live a Quiet Life in the Countryside, Vol. 13

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By Zappon and Yasumo. Released in Japan as “Shin no Nakama ja Nai to Yuusha no Party wo Oidasaretanode, Henkyou de Slow Life Surukoto ni Shimashita” by Kadokawa Sneaker Bunko. Released in North America by Yen On. Translated by Dale DeLucia.

There’s a very startling beginning to this book, which is the very, very perfunctory final battle against the forces of the demon lord. Now, yes, I am aware that there’s actually a plot involving Ruti and her blessing that will be going into Vol. 14, which involves the demon lord, but in terms of the plot of this particular book, it’s all about the end of the war and what comes after. This means that our main cast in Zoltan are ready to settle in and find something they’re going to do for the rest of their lives, but it also means that those who have spent years on the front lines – those who are still alive – are coming home, and many of them are dealing with PTSD at the very least. That’s right, this is the Banished from the Hero’s Party version of The Best Years of Our Lives, and Ruti, for one, is not really sure how to cope with it.

It’s fall festival time in Zoltan! Rit suggests trying to push some of their medications by putting them in nice-looking wooden canisters, so she and Red have their booth all set. Ruti admits that her farm of medicinal herbs is going into the red, so she, Tisse, and Mister Crawly Wawly are going to have a food booth to show everyone how they can be used without needing the Cooking Skill. And Habotan, who is still doing her level best to be a ninja fangirl, is going to sell shuriken and other ninja tools that look really cool. The festival runs into the aforementioned end of the war, though. One man comes back to tell his aunt that her son will not be coming home to her. A young woman was given the fantasy equivalent of morphine on the front, and has developed an addiction. And, of yes, there are still demon lord plans. Which I’m sure won’t impact Red and Rit’s wedding at ALL.

This is very much a book of two halves. Though we hear about the end of the war at the start, the first half is concerned with the series’ usual slow, relaxed pace. Mister Crawly Wawly now has a suit of armor he can control so he can be an adventurer (He has a card with a name. The name is AAAA.), and he and Red investigate forest fires with a mysterious cause. Ruti and Red then go to investigate a very loud mad scientist whose entire plot feels that it was written to pad out an already short book. The latter parts of the book, though, are much better, showing us soldiers that are still dealing with flashbacks, or drug addition, or depression that ends up leading to sexual assault. And while Red has some good answers, Ruti finds she doesn’t feel confident in hers. After all, she left the battlefield… something that comes out at the end of this book as well.

The next book will have the wedding (Yen says it’s the finale – is 15 an “after story” that’s not part of the main license?), so we’re almost done. Still, this book did a mostly good job of emphasizing the “war is hell” part of the series as well as the “relaxed happy life” part.