By Ajigozen and Yura Chujo. Released in Japan as “Hitojichi Hime ga, Shōsoku wo Tatta. Kuro Ōkami no Kishi wa Rinkoku no Shiitagerareta Hime wo Zenryoku de Aishimasu” by DRE Novels. Released in North America by J-Novel Heart. Translated by Emily Hemphill.

It’s always awkward when a book doesn’t really do anything wrong but leaves me a bit cold. Most of this second and final volume is fine. There are a few action scenes, which are exciting. The lead guy is perfectly fine, vacillating between stolid handsome hunk and soppy “I’m so in love with my wife” annoyance. There’s a few plot twists near the end that work pretty well, and the evil nobles are cartoonishly evil without feeling like they also kill babies and kick puppies. And yet, I think I came away from this book shrugging. In the end, I think it comes down to having the wrong narrator. This is Sonia/Nia’s story, but except for one or two POV scenes, mostly in the first book, we rarely see inside her head, instead spending all our time with husband Ark. I appreciate that not all shoujo romances have to have a woman’s POV, but this story would have worked better with it.

After getting unofficially married at the end of the last book, Ark and Nia move to their new domain, which as it turns out is dealing with a nasty outbreak of bandits… which are fairly obviously being sent by the second prince of Sylvario, Nia’s brother. Fortunately, when she was Sonia, the princess formed a bond with the denizens of the towns, which helps them win everyone over fairly quickly. The medicine also helps. Ark is a distant third. Once it’s determined that the foreign prince is behind this, it’s decided to bait him into a trap and capture him, which works so well that everyone wonders if they’re in some sort of Reverse Uno situation, but no, the prince really is that stupid. That said, he’s not the only antagonist…

Towards the end of the book we get several genre shifts to go with the “disgraced noble” that we’ve been dealing with all along. There were hints of a “secret saint” plot, and they turn out to be correct, and we also get a villainess plotline that reminds me far too much of the recent arc of Bakarina – the third princess reads very much like the original evil Katarina Claes, and her fate is likely going to be much the same. (Isekai’d otome game villainesses seem to do very badly in this world, in fact, as she’s not even the first one.) I would argue that the identity of a secret royal who can end up being a potential love interest for Prince Alphonse is perhaps one twist too far, and mostly serves as a way to allow our main couple to actually get it on without getting a cold stare of shame. But for the most part they work well. They just didn’t excite me.

If this was ongoing, I likely wouldn’t get more of it. Fortunately, we’re done here. This was good, but in the end, I wish I’d read it from the other POV.

By Ajigozen and Yura Chujo. Released in Japan as “Hitojichi Hime ga, Shōsoku wo Tatta. Kuro Ōkami no Kishi wa Rinkoku no Shiitagerareta Hime wo Zenryoku de Aishimasu” by DRE Novels. Released in North America by J-Novel Heart. Translated by Emily Hemphill.

This is another in the Heart imprint that is primarily narrated by the male love interest, though the princess does get several POV scenes throughout. It’s important in this story because it helps drive the narrative more if we’re following the Knight gradually realizing what has happened to the princess and the circumstances she’s had to live with before we move to her side and get her own thoughts on this. It also helps sell the love a bit better, which is good, as this is a series that very, very much runs on “love at first sight”, and if that’s not a favorite of yours you should be very aware. But it’s fine, they’re both good kids, and frankly it’s a lot less terrifying than the power couple that may have happened if the royal hostage had not vanished. Sonia and Alphonse are, at their core, far too similar to work in a series like this.

Brigandia and Sylvario were at war, and Brigandia has won. Now it’s time for reparation, but Sylvario suggests that in return for less of those, they offer their fourth princess in marriage to Brigandia’s third prince. Which is fine… but the princess leaves Sylvario and never turns up in her new country. Ark, the head of the knights, goes to figure out how in God’s name a princess’ carriage with full guards and accoutrements could have been waylaid by bandits or other such reasons for “vanishing”. Unfortunately, he rapidly finds that no one in the towns along the way even noticed a royal carriage. And when he gets to the royal residence, he finds to his horror that Princess Sonia was an unwanted child who was abused by everyone around her. The reason she vanished… is she left in an unmarked carriage with two servants and zero guards.

This book assumes that you are familiar with and enjoy the tropes associated with this sort of series, and therefore does not need to go into great detail about them. Sonia’s only loyal servants, Laura and Tom, are both clearly far more than they seem and trained as spies/fighters/etc., but that never comes up in the actual narrative because “battle maid/butler” is just what you’d expect from the only loyal servants of an abused princess. I also appreciated Sonia’s intellect and craftiness, with possibly the best scene in the book having her take on a rival love interest in what amounts to a rapid-fire quiz game. She’s a sweet girl, and the dorky love that she and Ark fall into is cute, assuming you like dorks who blush a lot, but I also appreciate that she’s not the usual “nice and forgiving” trope we tend to see, and that she really does want to see her abusive family destroyed, and will happily do what it takes to help that along.

This will not set any originality records, but it hit all the right buttons for me. I greatly look forward to the second book (which is apparently the final book).