By FUNA and Keisuke Motoe. Released in Japan as “Rōgo ni Sonaete Isekai de 8-Man-Mai no Kinka o Tamemasu” by K Lanove Books. Released in North America by Kodansha Books. Translated by Luke Hutton.

(A reminder that the English Vol. 9 is the equivalent of the Japanese Vol. 10.)

Last time I said that the next book would have Colette get attacked, but I was not expecting this to literally happen on the first page of the new book. It does end up being a good introduction to one of FUNA’s most common tropes, another Roaring Rampage of Revenge. Mile’s group doesn’t do this quite as often, and usually it involves people who try to con them getting humiliated. Kaoru’s moments of extreme violence are taken more seriously, and tend to be in more traumatic situations, though after the time skip she seems to have mellowed to being closer to the other two heroines. And Mitsuha, well, her shtick is that she’s a flake, even more than Mile and Kaoru, so it makes sense that her revenge is the most emotional, off the cuff, and complete. There’s no stopping it, you just have to give in and accept your bad decision has ruined your life.

As Mitsuha and Colette walk down the street, someone comes at them with a knife, and stabs Colette in the back/abdomen. Mitsuha, as noted above, goes nuts. Colette ends up being OK after some surgery, though she’ll have a scar (which horrifies Mitsuha but Colette is proud of). The assassin is questioned, but come on, you’ve read the last few books, you know who’s responsible for the assassination attempt, it’s that empire again. After this, we deal with Mitsuha’s restaurant getting a scheming golddigger, the recuperating Colette getting some suspicious visitors in her hospital room, an accident at the gunpowder factory that Mitsuha has to deal with (not intentionally caused this time); The noble teenage girl group suffering from being too popular; starting a new junior noble girl group for youngsters; and having this turn into an Idol Project.

As always, I try to look at the more serious parts of this series, which have been hard to come by sometimes. But given that the premise is Mitsuha trying to ensure that she has enough of a safety met to live on in both worlds in case she ends up being unable to go back and forth, and she continues to think about the future of everything she’s done even after she dies, it can get quite dark. She pointedly has a discussion with Former Count (now Marquess) Bozes about what to do with her land, stores, and people she looks over in the event she’s killed. To her this is sensible and planning ahead. To Bozes, who still regards Mitsuha as a teenage girl who should be out there having teenage fun, it’s depressing as hell. Mitsuha KIND of gets this (she knows not to have the discussion in front of Beatrice or Sabine), but also does not get it at all.

Not that this series is ending with Mitsuha’s death. It’s FUNA. Oh, and we get the obligatory grateful orphans desperate to work for food, so check that off your bingo card.

By FUNA and Keisuke Motoe. Released in Japan as “Rōgo ni Sonaete Isekai de 8-Man-Mai no Kinka o Tamemasu” by K Lanove Books. Released in North America by Kodansha Books. Translated by Luke Hutton.

(A reminder that the English Vol. 8 is the equivalent of the Japanese Vol. 9.)

I mentioned last time that I think the series has gotten into a bit of a rut, and while this volume does not remotely solve that issue, it is nice to see the author deliberately leaning into the rut. The first long-ish chapter has Beatrice reminding Mitsuha that she was promised an even bigger party when she comes of age, which means Mitsuha has to whip out fireworks and light shows and the like. This infuriates Sabine, who notes that when *she* comes of age in three years or so, Mitsuha will need to get even GRANDER! Likewise, Mitsuha’s promise to keep a princess safe are taken as keeping her KINGDOM safe, and Mitsuha deciding to solve the problem using only her own men and minimal deaths means the winning nation can’t take any advantage of it. Mitsuha is a realistic isekai protagonist – in that she never thinks ahead.

This book, like a lot of this series, is divided into chunks that may as well be short stories. 1) The above story, where Mitsuha is asked to pull out all the stops for Beatrice’s coming of age party; 2) Mitsuha talks with an Earth scholar about ways to analyze the other world… and things that she didn’t think of when inviting other scientists over there; 3) The empire who attacked last time is now desperate, and decides to attack a different kingdom… one which has Princess Reina (remember her? Princess Kaa-Kaa-Kaa?), who Mitsuha promised to help if she was in danger, which means we need to resort to attack helicopters; 4) One of Mitsuha’s young noble lady-run businesses is attacked, the young lady has her arm broken and face beaten, and a guard is killed. Sadly, the cops and the nobles are on the side of the company that did this, which means it’s time for Mitsuha to snap and go on a roaring rampage of revenge.

I’ve called this series the “Easy Mode” of the three FUNA series, and I still think that. Compared to Mile, and DEFINITELY compared to Kaoru, Mitsuha gets off very lightly. Her dimensional travel has become so blase she not only talks about how she’s managed to teleport herself while leaving her sweat behind, but has to clarify that she does not leave behind her poop – though she does teleport to Japan to use the toilet every time. These are the little details of Mitsuha’s life that I did not need to know. Likewise, her desire to have as few people die as possible in a dangerous war between nations contrasts nicely with her swearing of total vengeance on the company that murdered and beat employees in her company. Mitsuha may grump about everyone thinking she’s twelve, but she acts like it much of the time, especially when someone goes after anything she cares about. Of the three series, this is the one most likely to end with the world being destroyed by a temper tantrum.

Next time apparently Colette is attacked, so we may see even more of this. You know what I’m about to say. Recommended for FUNA fans.

By FUNA and Keisuke Motoe. Released in Japan as “Rōgo ni Sonaete Isekai de 8-Man-Mai no Kinka o Tamemasu” by K Lanove Books. Released in North America by Kodansha Books. Translated by Luke Hutton.

(A reminder that the English Vol. 7 is the equivalent of the Japanese Vol. 8.)

All of FUNA’s series tend to suffer from the same issue, which is that there does not seem to be a goal other than “have cute overpowered girls do fun stuff”. I Shall Survive Using Potions had an obvious end point, but timeskipped past it and started over again. Make My Abilities Average had an even more obvious end point, so moved the main cast to a different continent to do the same old stuff. Mitsuha has also done the continent – or at least country – hopping thing, and we’re a couple volumes now into her antics in this new country. And… it’s gotten a little boring? Most of Mitsuha’s out of nowhere powerful moves are not a surprise anymore, and her tendency towards, if not sociopathy, than at least a sort of apathy, are also less than surprising. Mitsuha is in a rut. Fortunately, we may see a way out – but I’m not confident the author will take it.

This is a book of two halves. The front half is sort of a series of short stories. We see Beatrice glom onto Mitsuha for a trip to Bozes County, where she finds that she’s not Mitsuha’s number one friend, or even number two, and this upsets her. Then Neleah, the third princess in Vanel and part of Mitsuha’s social group of girls, uses her makeup connections to blow away the competition… though she unfortunately finds she can’t then run away for seven years till the fuss dies down. Mitsuha is forced to attend another party, and struggles with being the center of attention. The second half of he book, meanwhile, has Vanel going to war with the country two nations over, Noral, and Mitsuha struggling to help out the country she has a financial and emotional investment in while not helping them so much they get arrogant.

The most interesting parts of this book feature Mitsuha briefly having an attack of melancholy or sense. She meets at one point with her friend Micchan (this is a Japanese friend, not the Vanelian noble), who is home on break from college, and comes to realize that as time goes on they’ll likely see each other less and less. She briefly muses on the fragile nature of friendships over time… then says “well, whatever” and goes back to her shtick. There’s also an increasing sense that she is losing control of her many balls that are in the air. Beatrice has already realized that she’s keeping things from her. Sabine has almost entirely figured out everything about Mitsuha’s powers except maybe the divine interventoin. And a lot of people on both Earth and her isekai’d land are figuring out she can teleport, and where she’s getting her infinite goods from. There’s a reckoning coming…

Except there isn’t, this is written by FUNA. I expect more wacky antics next time. But hey, when all you have is cute tweens, every light novel starts to look like a nail.