By Takibi Amamori and Imigimuru. Released in Japan as “Make Heroine ga Ōsugiru!” by Gagaga Bunko. Released in North America by Airship. Translated by Matthew Jackson. Adapted by Hayame.

The strength of this series does tend to be the fact that, in regards to everything except his own attractiveness to women, Nukumizu is a pretty savvy guy. While you want to beat his head in with a shovel during casual, downtime moments, when the chips are down and you’re having a crisis, he will be the one that’s there to offer the best thing to say that will make all your problem feel like they’re in focus. Unfortunately, it won’t make all your problems go away, and in other respects, as the girls note, Nukumizu is the worst. Not only is he absolutely a sucker for a pretty face, something his matter-of-fact narration denies but is obvious regardless, but he has hung out with all these insane losing heroines for so long that he will naturally assist them even if the idea is not only lunacy but literally illegal. If their teachers weren’t there this would be the final volume as they’d be expelled.

It’s the start of the new school year, and the literature club is in trouble. After a disastrous club presentation, none of the first years will give them the time of day, and without a fifth member they’re disbanded. Fortunately, their advisor has a first-year who will join… except somehow she’s already serving a two-week suspension. Riko Shiratama is cute and nice, and the guys love her, while the girls… don’t love her as much, but don’t despise her yet. Unfortunately, she has a problem. You see, her childhood crush is getting married, and it’s not to her, so she’s actually… a losing heroine! As such, Nukumizu is quick to offer the club’s help to let her get over her issues. Even if that means breaking and entering. Which she’s already been arrested for once already.

Riko makes a good addition to the cast, essentially being Kaju only without the incest, and she also reminds me of the new first-year in Chitose Is in the Ramune Bottle, in that she’s a lot more straightforward and honest about her feelings than the rest of the cast, and that means she’s going to make a lot of them very unhappy. Elsewhere, assuming your favorite isn’t Lemon, who’s barely in this because she had the last book, you should be pretty happy. Chika is a wreck, Kaju is obsessed and creepy, Shikiya is going to try to airhead her way into being married to Nukumizu, etc. As with a lot of these “balanced harem” series, though, the balance can be off, and if your favorite isn’t Anna, you may not like how I suspect this series would end if the author weren’t a coward. Anna gets several long scenes, both comedic and serious, with Nukumizu, and she identifies so much with Riko’s crush that she even genuinely loses weight in order to help. You could argue she and Nukumizu would be very bad for each other, but I mean, what series are you reading again?

All this plus the student council president seducing women while dressed as a man. Next is the eighth….. no it’s not. Short story collection? Short story collection.

By Takibi Amamori and Imigimuru. Released in Japan as “Make Heroine ga Ōsugiru!” by Gagaga Bunko. Released in North America by Airship. Translated by Matthew Jackson. Adapted by Hayame.

I think these volumes have started to hit their stride, in that I’m no longer incredibly annoyed with the main characters quite as much anymore. It helps that, for the most part, when I want to roll my eyes at Nukumizu, someone is there to do it for me. The conceit of this series is that its male lead is very familiar with the concept of light novel harem romcoms, but he’s also a normal teenage boy, and so, like all normal teenage boys, too dim to understand flirting and attraction towards him (a healthy dose of self-loathing helps too). The girls, meanwhile, are all very aware that they’re in a harem romcom, and are trying their best, but… (waves vaguely at Nukumizu). There’s a running gag which comes up a few times here where the girls try to have a romantic, sweet moment, and Nukumizu just watches as it goes right over his head, and they say “that right there…” to him. He never gets it. That right there is why this series is ongoing.

Yes, that’s Tsukinoki on the cover art, which means that for the first time we’re not seeing a Losing Heroine. That said, it’s the last time we’ll be able to see her, as graduation is here, and she and Tamaki are worrying about getting into university more than the current romcom plot. The current romcom plot is that Lemon has asked Nuzumiku out on a date, and after taking him to the aquarium and watching him be completely confused about why she would be doing this, she confesses she wants to quit her clubs. Plural. Both track and the lit club, which would be bad news for him and Komari. They end up making a bet – if he can beat her in a race, she’ll stay with both clubs. Of course, she’s an outstanding athlete who could compete in Nationals, and he’s a skinny, out-of-shape nerd. So she gives him a handicap… which likely still won’t be enough.

As noted above, this is not Tsukinoki’s book but Lemon’s, though the other girls all get a good scene or two. My favorite was Shikiya, who realizes that, like Araragi, Nukumizu is a guy who would “save anyone”, and she likes that a lot less than Senjougahara did. Lemon, meanwhile, is dealing with an issue she’s had before – she’s simply too good at track, and the coaches are understandably concentrating on her to get the school some notice and to get her into Nationals. She, however, is worried about all the other track girls, who are not as good as her and therefore not getting the attention. Of course, as it turns out none of the girls feel resentment towards her at all, mostly as Lemon is a sweetie pie who has not a single selfish bone in her body. Once he wins (sorry to spoil, but come on, this IS still a light novel), he solves the problem by telling her to be more selfish. The girls not being as good as she is is not her problem. Go for the gold. Too bad love isn’t like a track meet, no matter how much she tried to make it so.

So now our leads head into second year, and I bet that means a new character being introduced who’s a giant flaming loser of a girl. We wouldn’t have it any other way.

By Takibi Amamori and Imigimuru. Released in Japan as “Make Heroine ga Ōsugiru!” by Gagaga Bunko. Released in North America by Airship. Translated by Matthew Jackson. Adapted by Hayame.

Given that this is a series that, about half the time, frames itself as a parody of the standard light novel high school harem genre, I should not have been surprised with the outcome of this volume. And yet. I was surprised. I had certainly seen the previous four volumes, showing Nukumizu’s sister Kaju as, shall we say, dangerously obsessed with her brother, but other series have also done that (looking at you, Goodbye Overtime), and have known that it’s OK to show them as being far too close for a brother and a sister without saying straight out “there is sexual desire here, this is meant to be incestuous for real”. Losing Heroines goes there, and so this comes as a content warning for those who might be put off. That said, I think most who would be put off wouldn’t have gotten this far into the series anyway, and it’s not as if Nukumizu has the ability to understand anyone’s attraction to him, much less his sister.

It’s time for the middle school students to visit prospective high schools, and that means our protagonists have to show off what makes their school great. For some this is easy due to talent (Lemon, who may be held back a grade but boy can she run). For some it’s easy due to personality (Anna, despite her foibles, can be outgoing and personable). The literature club is in trouble, though, with its two introverts who hate dealing with others. Nukumizu, however, has other problems. It’s Valentine’s Day soon. He heard his sister recently on the phone talking about… a guy! And she’s got plans in the calendar the siblings share that imply dates! She’s 14, that’s far too young to date, surely! Everyone else tells him he’s overthinking this, but they’re not getting through to him, as he’s in full big-brother mode. Hijincks, of course, ensue.

As always this is a well-written book, with a lot of laugh out loud gags. Anna is funny whenever she opens her mouth, and her chocolate cannonball was deserving of the interstitial art it got. Nukumizu, as always, is so good at reading the hidden subtext of most of the relationships of others around him that he fails to see the actual TEXT of girls throwing themselves at him. He is told by his friend Ayano that he needs to realize how he looks to everyone around him who doesn’t have the full story, and Nukumizu… brushes him off. And let’s talk about the elephant in the room. Not only does Kaju provide a story for the literature club about a brother who has knocked up his little sister, but she’s also really desperate to help her friend Gondou with her own doomed relationship, despite the fact that Gondou knows that Kaju is really thinking about herself. She knows she can’t have sex with her brother. She knows he just sees her as family. And, as this volume makes explicit, she HATES that.

Now that we’ve unlocked the barn door and let the horses out, I assume that she’s going to get more blatant in future volumes, which does not thrill me. But she also won’t be the focus, so I’ll bear with it for now. For romcom diehards and people who don’t understand why I don’t like that sweet, sweet incest.