By Takibi Amamori and Imigimuru. Released in Japan as “Make Heroine ga Ōsugiru!” by Gagaga Bunko. Released in North America by Airship. Translated by Matthew Jackson. Adapted by Acro.

I feel that as this series has gone on it has very much decided to be a normal romcom with an oblivious protagonist rather than a satire/deconstruction of same, and I like it better this way. Sure, I still want to strangle Nukumizu, but that’s the point, and everyone else in the story agrees with me. Unfortunately, because this is a romcom, all the women in the series who are not otherwise seeing someone seem to be falling in love with him. Including new candidates this volume, because unlike previous ones, the plot forces him to stay involved the entire time and not try to blow everyone off. What it shows is that when he tries, he can be observant, caring, and genuinely nice… provided he’s not thinking about it. Once he does, and he gets into that “no, I’m overthinking this, there’s no way she could be interested in me that way” mode, that’s when he makes girls want to punch him.

This is one of those series where each volume has the heroine of that particular book, so as you may have guessed, this volume focuses on Shikiya, student council secretary and vaguely emotionless weirdo. That said, the book starts with Tiara Basori, the uptight vice-president of the student council, confiscating Tsukinoki’s later BL novel, which features… erm… a genderswapped student council president and Nukumizu in RPF. Naturally, she threatens to submit it to the faculty, which will definitely lead to Tsukinoki getting suspended at least, the dissolution of the literature club, and possibly Nukumizu, who’s in the book, also getting suspended. As such, there’s a new goal for Nukumizu to achieve… find a way to blackmail Tiara and get that book back! Of course, this is not an issue, because, as Shikiya says, “Tiara is easy.”

Note that easy means a romantic pushover, and not easy in the western way. She falls for Nukumizu almost immediately, it’s honestly one of the better jokes in the book at how comically fast it is. That said, she’s also the duller, more standard part of the book. The more interesting bit is with Shikiya and Tsukinoki’s fractured relationship, and how no one really wants to talk about it. Shikiya has been amusing but an enigma in the first three books, and in this one we see that her emotional difficulties are actually a major issue for her, and that she regards other people smiling – even if it turns out to be just a faked smile – as something that she can’t really do. As with every other girl in this series, if she and Nukumizu became a couple, they’d be a good one. Also like every other girl in this series, that would require Nukumizu to be self-aware, which he painfully isn’t. Right now he has a better chance of scoring with his “still walking the incest line but not going over it” younger sister.

Still, if you like romcoms with a greater emphasis on “com”, and don’t mind the fact that everyone in the cast is a failure pile in a sadness bowl, this is perfect for you.

By Takibi Amamori and Imigimuru. Released in Japan as “Make Heroine ga Ōsugiru!” by Gagaga Bunko. Released in North America by Airship. Translated by Matthew Jackson. Adapted by Acro.

Finally, with its third volume, I think this series is winning me over. Oh, I will admit, Nukumizu can still be irritating as hell, but it’s by design, and everyone (including himself!) calls him out on this. I did worry when we saw the appearance of the first winning girlfriend, Karen, but she’s kept to a minimum, so I can merely try to forget she exists. (Their subplot was, I think, meant to reference Nisekoi, but Karen is exactly the sort of heroine who usually wouldn’t win a manga like that, so I’ve no idea.) Mostly, though, this volume works because a) Komari’s subplot is interesting, works very well with her character growth, and tugs at the heartstrings, and b) Anna is finally becoming the sort of annoying character I can enjoy, rather than merely one I tolerate. I am now prepared to like her. Honestly, she’s almost becoming the voice of reason in this series, because Nukumizu is too caught up in his usual stuff.

Nukumizu thankfully tells us that this series can’t afford both a sports festival AND a culture festival, and besides, Lemon got focus last book, so no wants a track meet. So it’s just Culture Festival time, with the Literature Club being half-heartedly threatened by the Student Council, only one of whom really seems to have it in for them. More to the point, Tamaki and Tsukinoki are retiring from the club, and have chosen Komari to be the new president, with Nukumizu as a very reluctant vice. This is a good aesthetic choice, but will require her to – shock, horror! – speak in a group and deliver the literature club’s minutes at a meeting, something this introvert is seemingly incapable of. Given she’s already running herself ragged trying to do everything for the festival, can Nukumizu figure out what’s wrong *and* communicate properly with Komari about it? Spoiler: he manages neither of these.

There’s a bit near the end of this volume where Nukumizu is trying to figure out where he went wrong, and he realizes that while he and Komari are both introverts who say they want to be left alone, he really does, whereas she’s actually lonely and genuinely wants to be around other people. Leaving aside his stunning misreading of his own personality, Komari’s arc here reminded me that a lot of times in light novels and manga that feature the shy, introverted character, the goal is always to drag them out of their shells and make it so they can open up to everyone and communicate better. There’s a “we can fix you” aspect to them. And since Nukumizu thinks in light novel cliches, he assumes that’s what this is. But of course he forgets what Komari was dealing with when he met her – being in love with the president who helped her find a place in the club. She’s had that pillar taken away, and wants Nukumizu to understand that she would like him to be her new pillar. Sadly, as with Anna and Lemon, that would require Nukumizu to have more self-awareness than a bug.

Since I ended up enjoying this a lot more than the first two, I will forgive yet another oddly bordering on creepy younger sister who adores her big brother, mostly as it rests on the correct side of “incest is weird, don’t”. Anyway, we’ve run through our core heroine team, so who’s the next loser? Judging by the cover, it’ll be Shikiya, assuming she can wake up for it. For fans of this sort of series, “deconstruction” or no.

By Takibi Amamori and Imigimuru. Released in Japan as “Make Heroine ga Ōsugiru!” by Gagaga Bunko. Released in North America by Airship. Translated by Matthew Jackson. Adapted by Acro.

I had better get used to these books being backloaded in the second half, because I had the exact same experience with this volume that I had with the first. The start of this volume is packed with scenes designed to make the main characters annoying in a funny way, but I mostly found them annoying in an annoying way, particularly our narrator, who may be trying to contrast with the usual light novel romance narrators, but not by much, because like all of them he’s emotionally sensitive to everything but his own mind. As the book goes on, and it delves into the ongoing issues of Losing Heroine #2, and the way that sometimes even after you’ve been rejected you still have to see the guy you like every day, it gets a lot better. When he’s dealing with other people’s love lives, Nukumizu excels. When he’s dealing with his own inability to know what love feels like, you find yourself rooting for Anna. And I hate rooting for Anna.

As mentioned, our three losing heroines have all been rejected, but life still goes on. Anna attends a reunion and is horrified to discover her childhood friend and his new girlfriend acting like they’re already married. Chika is still in the same literature club with the girl who is now dating her crush, and is still being very smug about it. And then there’s Lemon, who seems to be… walking around town with Ayano? What? Is he cheating on his new girlfriend? Is Lemon trying to horn in on a brand new relationship? Nukumizu absolutely does not want to get involved, but he and Anna are forced to when they run into Ayano’s actual girlfriend, Chihaya, who also worries that something is going on between them, and decides to solve the problem by planting tracking devices on her boyfriend and following him around. This is a bad idea, FYI for new couples.

Lemon, frankly, has always given off the impression that she’s supposed to be the dumb one in our cast, but that’s mostly because the characters are all varieties of trope because this book is trying to be a deconstruction (which it succeeds at roughly 1/3 of the time). In reality, she studied hard with her childhood friend and crush so they could go to school together, and concentrates so hard at track because her family are all known for their brains and she doesn’t want to disappoint them, so plays to her strengths. She’s pretty emotionally mature here once she stops literally running away from her problem. As for Anna, who is clearly the secondary protagonist in these books, she kinda likes Nukumizu, and would be amenable to dating him, but she’s still too hurt by her previous relationship. so she needs him to do the job of asking her – and he’s NOT emotionally mature, so that’s not happening. I expect it won’t be happening anytime soon.

All this plus a very funny parody of Villainess isekai which, frankly, could easily be one – Chika should take that to a publisher ASAP. A combination of really irritating and quite heartwarming. In that order.