By Gwon Gyeoeul and JINSA. Released in Japan by D&C Media. Released in North America by Ize Press. Translated by Kakao Entertainmnt.

This second volume does not really focus at all on our main character’s past life in Korea, choosing instead to focus exclusively on the “game” world and how Penelope can extricate herself from it without dying. Which makes this feel more like a traditional villainess book, and so therefore it’s much easier to read and more relaxing; on the other hand this does make it a bit more “the same old same old”, at least until the end. It’s been apparent from the start, but this book merely underlines it, that if she is going to clear a “love interest” and escape, the choice that will help her the most is in fact the crown prince, and that Eckles is not remotely the safest bet, but she still can’t quite see people as people rather than as stat counters, and so that revelation is probably going to take another book or so. In the meantime, at least she’s getting to do some archaeology. Though perhaps in a more Indiana Jones way than she’d like.

Penelope and her family are off to the massive hunting party being held by the royal family. Last year Penelope threw a huge fit, hopefully this year will go better. Though honestly, it’s not. She can’t take Eckles, who’s left back at the mansion to slowly turn more yandere by the day. Reynold is being a bit too tsundere, and Penelope doesn’t realize that’s what he is. Derrick simply cannot stop being an asshole no matter how he feels. Oh, and Callisto is there, and wants VERY much to continue their earlier conversation about love. And then there’s the ladies’ tea party, where she runs up against a group trying to get her to do a repeat performance from last year. Clearly it’s time to go hunting… assuming that she doesn’t get lost. Or run into giant bears. Or have to defend the prince from assassins…

The most telling part of the book comes after all of the hunting party and the chaos that follows, where Penelope has ended up restoring her reputation, and gotten her various love targets to fall for her enough… that the game decides she doesn’t need affection counters anymore, and she can only see them if she pays obscene amounts of money. Which, good news, she now has, but it also shows that she cannot stop seeing anyone as a real person here, and gets paranoid when she’s unable to work out how they feel about her. Which is a shame, because when she’s mostly winging it, such as in the first 2/3 of the book, where the game gives her a few basic opportunities but mostly she makes the right choices by simply making the right choices. This is especially true with Callisto, who is rapidly becoming the Final Love Interest whether she wants him to be or not, and I think they’d be good for each other if she can ever get away from gatcha life.

This is apparently 4 volumes + 1 After Story in total, so I suspect things will get really dark next time. Still, this remains a lot of fun, especially if you read the manwha (I haven’t) and enjoy text.

By Gwon Gyeoeul and JINSA. Released in Japan by D&C Media. Released in North America by Ize Press. Translated by Tapas Entertainmnt Inc.

I have not really dipped my toe too much into the Korean end of the villainess market. I generally have an allergy to vertically scrolling titles that I blame on being old, and aside from taking a look at Beware the Villainess, which runs on the deep rage of the heroine, I had not been taking in the manwha/webtoon end of the genre. But I saw that this also had a novel coming out, and I like text, so I decided to give it a try. It’s decent enough, though it definitely lives and dies on how much you like the heroine, who can be a lot, especially in this first book. I was actually reminded a bit of I Swear I Won’t Bother You Again!, as abuse in a past life leads to the actions the heroine takes in this life. In the case of Villains Are Destined to Die, though, the past abuse was in Korea, and this new “villainess” runs far more on bitter cynicism than anything else.

The premise will be familiar to many: Our unnamed heroine stumbles across a mobile game called Daughter of the Duke’s Super Love Project, and gets obsessed with it, particularly the Hard Mode, where you play as the adopted daughter who is the villainess in the Normal Mode of the game. In fact, she tries to hard to beat the ending she apparently dies, and finds herself in the body of Penelope Eckhart. Her family now hate her, the servants despise and abuse her, and if she doesn’t do anything she’s going to be tortured and executed within a year. Fortunately, she has her knowledge of the game – though she never got close to winning hard mode – so this shouldn’t be too difficult… except that she’s only given three option dialogue trees, and they’re all terrible options.

Fortunately, and this happens almost immediately so it’s not much of a spoiler, she gains the ability to turn off the “you have three bad options” screen fairly quickly. She does still see affection meters, though, which are all so abysmal you wonder what Penelope was like before our heroine”s reincarnated self took over. We gradually find out, and it turns out that the heroine and Penelope have a lot in common in terms of how they grew up – which makes things more interesting, as the influence of her past abuse makes this new Penelope far too distrusting and bitter, and a few times she shoots herself in the foot in her efforts to save herself. She also has the same issue a lot of these reincarnated villainesses have, which is she sees this world as a game, and doesn’t see the others as people. She’s got a tough road ahead of her, even if she is softening a bit by the end of this book.

I didn’t even mention the men in the series – angry brother 1, angry brother 2, yandere crown prince, mysterious sorcerer, and grateful slave. That said, I also didn’t mention the game’s heroine, who has not even shown up yet by the end of this volume. Villainess fans who want something a bit more bitter may find this to their liking.