Hayate the Combat Butler, Vol. 26

By Kenjiro Hata. Released in Japan as “Hayate no Gotoku!” by Shogakukan, serialization ongoing in the magazine Shonen Sunday. Released in North America by Viz.

I’ve talked about Hayate’s parents before, and the sheer loathsome level of evil they produce. What’s worth mentioning is that they aren’t really alone, though they do stand at the top. Hina’s birth parents also left their children with an enormous debt, though it’s implied this wasn’t out of sheer malice. We also meet Chiharu’s parents here, who are having rough times and not selling their child yet, but do set their house on fire by accident. Even Ayumu’s relatively stable parents are not above giving her a gift certificate of $30 for her birthday and saying nit’s from both of them, so don’t go asking Dad for more gifts. In this title, though, being a jerk to your child is almost loving. The only reason Rumiko Takahashi’s parents are worse than Hata’s is that she actually has them ruin her children’s lives in person.

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That said, this volume of Hayate is a lot more lighthearted than the past few have been, with Athena mostly removed from the picture (she does answer reader questions at the end, which goes badly as they’re all about her chest). The cast is starting to get tenants for the apartment complex they now live in, with the ‘complex has butler!’ advertisement winning Chiharu over. It helps that Hayate is a cut above… well, everyone. His natural charm and ‘gigolo’ nature (meaning he gets every girl he meets to fall for him without trying) comes up more than once here, and it’s not something that’s easily duplicated. Of course, like many harem protagonists who have all the girls, it’s balanced by a heaping dose of bad luck – this is even lampshaded here.

As for our supposed heroine, Nagi’s growth as always is somewhat fitful. Being an apartment landlord is something of a lazy way to keep earning money while she’s in exile, and we again see her skipping anything that involves physical exertion. But she is developing relationships outside of just Hayate and Maria. Chiharu’s addition to the apartments allows Nagi to have a fellow otaku to bounce things off of (though a horrified Chiharu reminds us several times how young Nagi really is), and in one of the sweetest chapters of the volume, confesses her loneliness to Ayumu in order to trick her back to a surprise party being held for her. She’s never going to be #1 in fan’s hearts, but she is slowly improving.

It is somewhat odd being back to 1-2 chapter long silly gag stories after the epicness of the Athena arc, but that is Hayate’s stock in trade, and the main reason why the manga is so popular. (Indeed, the anime has never animated Athena’s arc – and made it really obvious they’re deliberately avoiding it – likely as it would be too distracting in a ‘gag’ anime.) But those gags are still strong, and for those who are still hanging out for their twice-a-yeaar fix of Hayate, this volume will serve nicely.

Emma, Vol. 2

By Kaoru Mori. Released in Japan in two separate volumes by Enterbrain, serialized in the magazine Comic Beam. Released in North America by Yen Press.

After the first omnibus set up the romance between our two reserved leads, the second volume keeps them apart until the very end. It’s better for both of them, really. Emma finds work at an estate Oop North that’s owned by a wealthy German couple, and impresses everyone at how fast she picks up on things and the smattering of actual education she has. Meanwhile, William is buckling down and doing everything that’s asked of him, behaving like a perfectly good heir – much to the shock of his sister, who wonders whether a pod person has possessed him. Honestly, I wish that were the case, because William still gets his moments of impulse, and they’re horrible – or will be soon.

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Emma is by her very nature reserved and repressed, so it’s nice to see a few more loud, boisterous women added to the cast. The mistress of her new home is very casual about walking around naked, and Eleanor’s older sister Monica makes an immediate impression by storming into William’s house in the pouring rain to drip on his carpet and yell at him for stringing her sister along. Honestly, though she misinterprets what Eleanor says, she’s absolutely right, and sadly her anger leads to William being very stupid. Of course, I say this with a 21st century mindset. In his mind, he’s never going to see Emma again, so why not? After all, Monica’s “oh, I just picked the beau who worshiped me most’ marriage seems to have gone well…

We also meet William’s mother, though at first we’re not quite sure who she is. She offers a nice balance between the over-the-top dramatics of Monica and Mrs. Molders and the stoicness of Emma and Adele. We’re also not quite sure why she’s living away from the family – I’m sure that will come up soon. In any case, she offers the coincidence needed to reunite our star-crossed lovers, as she’s friends with Mrs. Molders, and therefore can borrow Emma from her to be her companion at a ball held to celebrate her son’s engagement. Emma’s shyness as she is prepared to debut in society is adorable yet painful, and the corset certainly doesn’t help. In fact, it may be the corset more than the revelation of William’s engagement that causes her to faint.

The end of this omnibus is absolutely beautiful. After so long apart, and some a shy, repressed love story in the first volume, Emma finally loses it and begins openly sobbing and holding William. Their kiss this time around is much more passionate, and I’ll be honest, I was expecting the worst possible choice to walk in. Luckily, it’s just his mother, and she’s possibly one of the few people who wouldn’t care. Still, this is a nice lead-in to the horrible fallout that I’m sure will happen in the third volume. I wonder if Monica will actually challenge William to a duel of honor? In any case, for those who missed this when CMX put it out, go get it. It’s a classic.

Attack on Titan, Vol. 16

By Hajime Isayama. Released in Japan by Kodansha, serialization ongoing in the magazine Bessatsu Shonen Magazine. Released in North America by Kodansha Comics.

There is a term that has become popular, particularly with the rise of TV tropes, called ‘The Woobie’. It is a character who you are meant to feel sad and sorry for, sometimes to the breaking point of plot and characterization. While the entire cast of Attack on Titan has, at times, fallen into this category, I’d argue the two biggest woobies in the series are Eren, who got the cover of the last volume staring in dull surprise and Historia, who gets the cover of this volume staring in dull surprise. (It is possible that the reader who still has to keep up with Isayama’s art qualifies as a woobie as well.) The suffering the two of them go through is meant to be complementary, and most of this volume discusses what might happen if Historia takes over Eren’s role in the story, by literally eating him.

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There’s a lot of backstory questions answered here (though the story posits new ones as well), with Historia’s family, Kenny Ackerman, and Eren’s father all getting closer and more disturbing looks. Kenny in particular gets more depth, though he’s still really unlikeable no matter what he’s gone through in the past. That said, though, only Historia can make the final decision, a decision that her family has made over and over again. She correctly wonders why her family has simply let the Titans roll right along, and realizes that just having this godlike power does not necessarily mean she will keep the compassion to use it.

And so she rebels, and it’s wonderful, as she tells everyone who’s attempting to show her how to live her life to get lost and saves Eren, even if he’s not particularly wanting to be saved at the moment. (Notably, it’s Ymir’s advice in a flashback that’s the tipping point.) Luckily for her, the struggle she just went through has been juxtaposed with the rest of the cast attacking the secret underground cavern, showing off how unstoppable they are in battle (well, OK, Hange gets hurt, but I’m sure she’s fine), and showing up in time to allow Historia’s choice not to be in vain, and to allow Eren to finally stop feeling pathetic and make his own choice to protect everyone.

This is not a perfect volume. There’s more torture, which I still loathe, even if it doesn’t actually succeed in getting information this time. The flashbacks are very dispassionate, not carrying the emotional load of the main storyline, even when they should. And I’ve already bashed the art, but I can’t help it – sometimes the desperate, tormented faces we’re supposed to see, particularly Grisha and Kenny, merely look hilarious, and distract from the tragedy we’re supposed to be witnessing. Still, overall more good than bad, and we’ll see if Historia et al. can escape from here and try to take on a giant Titan. Wow, fighting Titans, it seems like forever since we’ve done that.