Gakuen Polizi, Vol. 1

By Milk Morinaga. Released in Japan by Futabasha, serialized in the magazine Comic High!. Released in North America by Seven Seas.

First off, this is clearly a series meant to be marketed to the same group that loved reading Girl Friends, and is touted as a top new yuri series. All I can say is, unless things progress a whole lot in Vol. 2, some folks might wonder what the fuss is all about. Midori occasionally blushes or wonders why she feels a need to connect with Aoba despite everything, Aoba sometimes reflects on her overly touchy-feely hijinx, but honestly, this is a high school comedy far more than it’s a yuri series. That said, everything ELSE people liked about Morinaga Milk’s manga is here – cute art, over the top characters reacting in funny ways, and a core of serious story underneath it.

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Our hero is Aoba, a naive yet vibrant girl who grew up wanting to be a defender of justice and, since magical girls and sentai warriors are hard to come by in real life, has joined the police while still in high school to still defend what’s right. For her first assignment, however, she’s sent to a school that seemingly has no issues – the most that happens here is girls fighting over a diet. She runs into the seemingly stoic Midori, a stoic girl whose stoicness lasts about five seconds in the face of the overwhelmingness of Aoba. Midori has a tragic past where her partner was hurt because of her actions, and has been sent to this school to sit tight until she graduates (her dad is chief of police, so they can’t just fire her). Naturally, she’s a bit sour on justice, and wants nothing more but to sit quietly and draw her yaoi manga. Hands up, who thinks that’s going to happen?

There’s no real attempt to move these characters beyond their obvious stereotypes – Aoba in particular is cheerful, naive, acts before she thinks, mood swings wildly, etc. But that’s OK here, really, as this is a series where you want to watch Aoba do dumb stuff and slowly bring Midori out of her shell of tragic past. They’re supposed to be secret police – the school doesn’t acknowledge their jobs exist – which of course leads to Aoba whipping out her badge at the slightest provocation. It also allows the series to touch on the difficulties of reporting things to the *real* police – discussion of a train groper notes that since all the girls say the groper is a “ghost”, the cops wouldn’t do anything, and in a later story involving a stalker, Aoba feels that he got let off far too lightly. It’s noted that different officers respond to cases differently, and that’s certainly the case with our heroines.

By the end of this fist volume Midori seems to have taken it upon herself to ensure that Aoba maintains her idealistic demeanor, something that may be disrupted by the cliffhanger, which shows us that her old partner is returning to the school to reunite. (Please don’t be evil, please don’t be evil… she’s gonna be evil, isn’t she?) Gakuen Polizi is not going to win any awards for depth of yuri feelings. But it has more depth of character than I was expecting, and I hope its second volume continues to touch on how Aoba and Midori can bring out the best in each other as partners.

Seven Seas License roundup

Seven Seas has this odd habit of waiting till I do a post talking about new licenses and then revealing their own, partly to ensure they get noticed but mostly I suspect to annoy me. Still, they’ve announced four new titles for late this year into next year, so let’s see what they have.

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First, and least surprising, is the sequel to dance in the Vampire Bund, Scarlet Order, which runs in comic Flapper. Along with the alice books, Vampire Bund has been one of Seven Seas’s moneymakers, so it was a no brainer to get this one. It has vampires. And lolicon. And lolicon vampires!

Clay Lord is a relatively recent title from Ichijinsha’s Comic Zero-Sum, which means it’s sort of josei but technically sui generis. The story of a boy and his golem, this one may appeal to fans of Black Butler and similar stories.

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Evergreen is probably the title I’m most excited about, mostly because I’m very fond of Toradora!, which is by the same author. (As for the artist, after glancing through her other works, I think I will merely whistle and pass gracefully by.) I had actually expected to see Golden Time next, also by Takemiya, and also running in Dengeki Daioh, which serializes Evergreen and Toradora!. The plot description reminds me a bit of Book Girl, as it stars a male lead who’s closed off and reclusive due to some tragedy in his past. Instead of Touko, though, we get the class beauty helping him out.

Lastly, we have Hitomi-sensei no Hokenshitsu, which runs in the dreaded Comic Ryu. Given the monster success of Monster Musume, it’s not hard to see why Seven Seas went looking for other titles in this magazine, particularly this one, which also involves monsters and comedy. This looks a bit less skeevy than Monster Musume, and involves a cyclops nurse at a monster high school helping kids out with their problems, and the emphasis seems to be firmly on the comedy. I’d give it a shot.

What interests you most?

A Mostly Yen License Roundup

Yen Press had a lot of license announcements today, and this post is mostly going to talk about those. But first.

Amazon blew a couple of Viz licenses the other day, though they were quickly taken down. One was not commented on, so I won’t either. The other, which Viz was forced to admit “Yes, we have it, wait till AX for details”, was the first arc of Jojo’s Bizarre Adventure. This legendary Shonen Jump manga has long been known over here in the States for its ridiculous powerups and battles, its sheer weirdness, the musical name jokes, and a truly ridiculous amount of not-quite-BL, to the point where the female fandom is huge, and it may even have been more influential than Slam Dunk or Saint Seiya in bringing in those fans to Jump. Viz had published the 3rd arc of the series (considered to be the most accessible) a while back, but it didn’t really sell well. But recent anime adaptations have brought it back into the limelight, and Viz is now going back to release the “Phantom Blood” arc, the first JoJo’s adventure. I suspect it will be the 3-volume re-release from the early 2000s, but we’ll wait for more details. In the meantime, get hyped. JoJo’s is addictive, fun, tragic, and ridiculous.

Now, let’s talk Yen Press and Yen On. First off, in already released news, I was pleased to see that the 2nd Magical Index light novel is scheduled for February 2015. This would point to the series being on a quarterly release, as opposed to SAO’s three times or Book Girl’s twice a year. Given the sheer SIZE of Index, this is likely necessary to keep fandom invested.

There are some more volumes of the Kingdom Hearts franchise that Yen is putting out! I’ve never really kept up with this series, but I know it was huge when Tokyopop put out the manga, and my guess is it’s still huge. Secret was also officially announced; it’s been coming out digitally in chapter format recently. it’s the latest from the author of Judge and Doubt, so my guess is it has a lot of dead teens.

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Akame ga Kill! hails from Gangan Joker, a favorite target of Yen Press. Featuring an idealistic young man getting caught up in a hideous international conspiracy, it apparently has a very high body count, lots of assassins and psychopaths, and is filled with shonen GUTS. Sounds like it will fit right in alongside Higurashi and company.

Sword Art Online is just getting started, with its 3rd light novel, the first part of Fairy Dance, coming out this December. But Yen On has also just announced their license of the Progressive series, which began to come out 10 years after the original. This apparently retells the events of the first two books from Asuna’s perspective, showing a lot more of how she developed into the badass we bet at the start of the first SAO novel. They’ve also licensed the manga adaptation, which runs in Mediaworks’ Dengeki G’s magazine.

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Kagerou Days is selling like hotcakes, which is less surprising when you realize it’s a spinoff of the insanely popular Vocaloid franchise. Based on a series of songs, it’s been adapted into a light novel and a manga (which runs in Media Factory’s Comic Gene), its plot is about a shut-in who is forced to leave his apparently after getting sent a cyber-girl though an email. It is apparently far more interesting than it sounds, and an anime based off of it aired this spring.

Lastly, Yen have already licensed Sword Art Online (and Progressive) and Accel World, now we her they’re getting a new series of novels by the same author, which is not even out in Japan yet. It’s called Absolute Solitude, and will no doubt be exciting, whatever it is.

No, there’s no Baccano! license here, but lots of exciting stuff. Anything you plan to pick up?