Kodansha and Crunchyroll Partnership: What Are We Getting?

For those wondering what I mean, here’s Crunchyroll’s presser.

Kodansha not having a weekly digital equivalent to Viz’s Shonen Jump was always a major stumbling block, and this should fix that right up.

So… what are we getting? Attack on Titan and Fairy Tail you already know. UQ Holder! and The Seven Deadly Sins were announced at NYCC by Kodansha for next year.

That leaves 8. Let’s take a look.

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The biggie here is definitely Space Brothers, which has an anime to its name, and which Kodansha Comics has already admitted they’d love to put out if it wasn’t 20+ volumes and seinen. If it does well digitally, perhaps we can see it in print. I once heard this described as “Twin Spica for MANLY MEN”, and that’s not far off. It’s called Uchuu Kyoudai in Japan, and runs in Weekly Morning.

Mysterious Girlfriend X (Nazo no Kanojo X) runs in Monthly Afternoon, and also has a tie-in anime. It’s 10+ volumes, and is sort of a weird romantic comedy. It also has an obsession with drool that I recall made me avoid it, but hey, whatever floats your boat.

A Town Where You Live (Kimi no Iru Machi) has everything a modern manga publisher doesn’t want: it’s 20+ volumes (and weekly – it runs in Shonen Magazine), a harem comedy, and its author had a prior series get cancelled for low sales over here (Suzuka). That said, it has a very active online fanbase, and let’s hope they pay to see it coming out over here.

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Back a long time ago, I license requested Yankee-kun to Megane-chan, aka Flunk Punk Rumble. Sadly, it was one of my license requests that did not get fulfilled. But now we have the author’s new work, Yamada-kun and the Seven Witches (Yamada-kun to 7-nin no Majo)! It has bodyswaps, it’s funny, and it has a female creator. Can’t wait.

As the Gods Will (2nd Series) (Kami-sama no Iutoori Ni 2) is, as you might imagine, the sequel to As the Gods Will 1, which is (oh dear) a survival game horror manga that runs in Shonen Magazine. Despite picking up with the sequel, and my utter boredom with this genre, I hope it does well.

My Wife Is Wagatsuma-san (Wagatsuma-san wa Ore no Yome) is one of the more interesting romantic comedies Kodansha’s putting out these days. A loser guy (no, wait, come back) who really wants the cute girl he likes to (no, really come back!) like him wakes up one day, 10 years in the future, married to his dream girl! But he has no memories of the last 10 years. He has to figure out how they got this way. The author also writes a prison horror comic, so this must be the light relief.

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…oh wait, here is the comic in question! Fort of Apocalypse (Apocalypse no Toride) is by the author of Wagatsuma-san but with a different artist. It runs in Shonen Rival, and has prisons AND zombies. I suspect it may be the darkhorse hit of this whole deal.

Coppelion, a Young Magazine title, is one of those series everyone expects to be the announcement at every single con but it never is. Genetically modified cute girls plus post-apocalyptic Japan, who can possibly resist? It’s 19+ volumes, which explains why Kodansha resisted. But now… digital!

Which of these has you most excited? For me, it’s Space Brothers and Yamada-kun.

From the New World, Vol. 1

By Yusuke Kishi and Toru Oikawa. Released in Japan as “Shin Sekai Yori” by Kodansha, serialization ongoing in the magazine Bessatsu Shonen Magazine. Released in North America by Kodansha Comics.

The question of “how much fanservice is too much” has come up often in discussion of manga in North America, and it’s usually the case that we have a lower tolerance of it than Japan does. That said, there’s simply so much of it, particularly in Kodansha’s Weekly Magazine and its monthly spinoff, that sometimes you just have to smile and nod at the boobs and move on. I review Fairy Tail every month, and Negima back when it ran, and rarely commented on the fact that every 4 or 5 chapters would just be a blatant “look at all the naked women” bath scene or shower scene or whatever. It was rarely connected too much to the plot, so could easily be edited out of my memory.

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It’s impossible to do that with From the New World, whose fanservice goes above and beyond the call of duty. The series has an intriguing post-apocalyptic premise, which a town teaching kids magic and the kids then going over the fence to explore the forbidden countryside. There is some horror thrown into the mix, as one of the lead characters gets unpersoned about 1/3 of the way through, to such an extent that the others don’t even remember she existed – that was handled quite well. And the action scenes, when they do come, are pretty decent. The story starts with a “here is how everything fell apart” flashforward, so no doubt we will soon see the entire world destroyed or something like that.

But it needs to be said: Saki and Maria (and Reiko when she was with them) have naked bathtime fun, with groping. There’s jealousy of the guys in the group, which leads to “you must THINK ONLY OF ME” and more groping. And then at the end it goes above and beyond, and there’s a full-on lesbian sex scene. I expect hot springs nudity from my Kodansha titles, but this boggled my mind, and compared to the prior mood of the series seemed so utterly jarring. I’ve no doubt that part of this was on purpose, but only part – I think a great deal of this series sells on guys buying it to see girls having hot lesbian sex. (FYI for yuri fans, think Kannazuki no Miko more than Maria-sama Ga Miteru.)

So I went to research what the hell was up with this… and wish I hadn’t. The manga is based on an award-winning novel, and also has an anime to its name. Apparently there is a vague plot-related reason for the hot lesbian sex, which I sort of guessed. But apparently two of the guys are also supposed to be in a relationship with each other. This was made clear in the novels, and toned down but kept there in the anime. The manga seems to have removed the male relationship entirely. And from what I can gather, the yuri fanservice gets even more blatant as the series goes on. I guess the editors know what sort of audience they want the series to connect to.

If you can get past the sex scenes and nudity, there’s a dark and twisted science fiction story here that might eventually pay off. I just found it impossible to do so. Which, given the amount of manga I read with nudity and yuri in it, says a lot.

Attack on Titan, Vol. 8

By Hajime Isayama. Released in Japan by Kodansha, serialization ongoing in the magazine Bessatsu Shonen Magazine. Released in North America by Kodansha Comics.

This review has spoilers for the big reveal that everyone on the internet already knows.

The eighth volume of Attack on Titan begins in a very interesting place, as we start off with a day in the life of Annie and her fellow military police. As you can imagine, they’re just as quirky a squad as our heroes, in their own way, but their bosses are no Erwin Smith – you sense a certain uncaring laziness to them. Annie gets into an interesting philosophical discussion on the nature of idealism and power, and I certainly get her point that at times it can be terrifying to have a true believer in charge of things. All this is upended, however, when she runs into Armin, freshly returned from the outside. Eren is about to be captured/dissected, and he has a plan…

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Of course, all this is a ruse, as Armin has merely figured out what the rest of us suspected two volumes ago: Annie is the female titan. From the moment that we saw Eren could become a Titan, we wondered if it was something unique to him (likely due to his father), or if other titans had similar secret identities. There’s a rather amusing joke here where Armin describes the various subtle clues he discovered that led him to think Annie was the culprit, and then Mikasa chimes in “plus they look alike”. (Speaking of Mikasa, there’s an undertone of jealousy in her conversations about Annie I didn’t really like. I know she and Eren are close, but I really don’t want to see their relationship go down a romantic road.)

So there’s a big, city-destroying battle between Eren-Titan and Annie-Titan that ends with Annie encasing herself in amber in order to avoid getting captured and tortured. More importantly, we know certain Titans now have motivation beyond “kill and eat”. Certainly Annie, as a Titan, took delight in killing, particularly with Levi’s team members. But she also seems to have a troubled past with her own father (more similarities to Eren), and a deeper reason exists here. As for everyone else, the rest of the 104th squad are quickly quarantined in case, y’know, Titanism is contagious, but they all seem to be OK.

Then there’s the other big reveal in this episode (which is right about where the anime ended, if you want to start reading from that point on). In the fight with Annie, Mikasa destroyed a chunk of the outer wall. Inside… is a Titan, in suspended animation. A Colossal Titan. The revelation that the walls are full of Titans sort of waiting patiently for something is rather mind-boggling, and I wonder if the obviousness of the Annie reveal was to make this plot twist more impressive. It also finally ties in with the religious leaders who have popped up occasionally throughout this series, and who were clearly aware of the secret of the walls. Bringing devout believers into a series like this is unnerving – on purpose – but not quite as unnerving as seeing the formerly eccentric and happy Hange almost murder a man in cold blood. War does things to people,’s psyches, and war secrets do not help all that much.

The cliffhanger announces that Wall Rose has now been breached by Titans, so I presume Vol. 9 will have a lot more action. There’s many places this story could go from here, a pivotal volume in the series.

(Also, go look for the “Annie Are You OK” video on Youtube, and you will never get Smooth Criminal out of your head while reading this.)