Nia Liston: The Merciless Maiden, Vol. 5

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By Umikaze Minamino and Katana Canata. Released in Japan as “Kyōran Reijō Nia Liston: Byōjaku Reijō ni Tenseishita Kami-goroshi no Bujin no Kareinaru Musō Roku” by HJ Bunko. Released in North America by J-Novel Club. Translated by okaykei.

Last time I asked for less of Nia hitting things, and that’s what I got – Nia’s antics being super overpowered are confined to the final quarter of her part of the book (the last fifth of the book is a short story starring Fressa), and most of the rest of it is devoted to what I’m actually here for, which is the magivision stuff. Admittedly, I’m more worried about Nia on that front. After the first couple of books talked about her programs, each successive one has cared about them less and less, which this fifth book in the series only noting that she’s filming a lot and that it makes her tired. It’s even pointed out point blank that Reliared and Hildetaura are having far more popular shows and are coming up with far more innovative ideas. Nia briefly worries about it, and thinks they need to come up with some ideas in her own domain, but then goes back to earning cash. Maybe her “downfall” is due to low ratings.

The start of this book has Nia hired by the second prince to film the wedding of Zackford and Phyledia, so that he can better show off the strengths of magivision to his kingdom. This requires a ridiculous amount of prep, as filming is still brand new, so there’s all sorts of rules to follow and contracts to sign. It ends up coming off perfectly, though. Back at school there’s now a junior magivision club, which our heroine is not a member of, but her advice is sought out when it turns out that their ideas and actual filming experience are subpar. She also continues to train her underlings in chi… and is very angry when she finds out that one underling has been training others without her permission. Finally, she’s accosted by space pirates, which allows her to do the overpowered Nia Liston things that are increasingly difficult to hide as being her own invention and not her “master”.

It will not surprise folks that I find the quiet character moments in this book more interesting than child whupass time. The best scene in the book is when Nia takes the newlyweds into a side room so that she can show them the magivision video they spent the previous day flying all over to record – greetings from all their family and friends who were unable to attend the wedding. They’re brought to a side room as Nia knows they’ll cry and she doesn’t want that to be public. It’s very sweet. We also meet new supporting players who I suspect will get more to do later, but I did like the surly punk-looking one who, after observing the art of magivision, realizes that not only does this actually interest him but he could probably be really good at it. We’ve all had those “eureka” moments when we find something that we love and can achieve. It’s nice to see here as well.

Is Nia still marching slowly towards her doom? Is her doom a late-night cable magivision show where she sells pocket fisherman and veg-o-matics? Is this the era of Nia Popeil? Probably not, as long as she can keep punching things.

Adachi and Shimamura: Short Stories

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By Hitoma Iruma and raemz. Released in Japan by Dengeki Bunko. Released in North America by Seven Seas. Translated by Molly Lee. Adapted by Emlyn Dornemann.

I wasn’t really expecting a lot out of this short story volume. The stories are, with one exception, microstories, ranging from half a page to about 6-7 pages, and feel like the sort of bonus you’d get if you bought the book in a certain store (they probably were). But they’re laid out cleverly if that is the case, thematically giving the book a weight and progression it might not otherwise deserve. We see Shimamura finally expressing herself in ways she really never has before, we are taken once again into the deep, deep, drowning waters of Adachi’s obsessive love, and we even get a short story from the point of view of Yashiro, which honestly reads more like she’s an AI than an alien. But the last quarter of the book is one story, from the POV of Adachi’s mother, and it’s both the most interesting and the hardest to read. Our heroines are very, very much like their mothers, and that’s both good and bad.

The first third of the book is the closest to the normal series, as it’s all from Shimamura’s POV, showing her hanging out in the gym with Adachi around the start of the series, several stories after they’ve become a couple, and a few stories of her office life after they’ve gotten an apartment together. The second third is Adachi’s POV, which is much the same only it’s a lot pricklier and more desperate, both in a good and bad way, and also shows us Adachi’s idea of heaven, which is kind of sweet but also very worrying. After a few stories from the POV of various side characters (but not Hino and Nagafuji, who are absent from this collection), the final story, a full quarter of the book, has Shimamura’s mother dragging Adachi’s mother to a “sleepover” with both their families, which turns out to be an attempt to have Adachi and her mother try one last time to communicate with each other.

The Shimamura stories were adorable, honestly. They have a healthy dollop of Yashiro, as you’d expect, but for the most part what you get out of them is that Shimamura has come to terms with loving Adachi, and she’s extremely soppy about it. Adachi’s stories are less interesting except for one, where she finds herself in a black and white cityscape where every person in the world is a teenage Shimamura. It’s said that this is Adachi’s idea of heaven, and she does not dispute it – she thinks of this as the goal after her life, an afterlife where she can care about only Shimamura with literally no one else. It’s eerie, but shows the bottomless depths of her love. As for the story with Adachi’s mother, it’s painful to read. She confesses to Shimamura’s mother that she finds interaction exhausting as it’s hard to “read the room and manage all their feelings”, which Shimamura’s mother boggles at, wondering why she bothers to do that. The story ends with Adachi’s mother giving her daughter the only advice she feels she can: “please don’t turn out like I did”. Chilling, but compelling.

So yeah, this is still a series by Hitoma Iruma, meaning I recommend it, with reservations.

Since I Was Abandoned After Reincarnating, I Will Cook With My Fluffy Friends: The Figurehead Queen Is Strongest At Her Own Pace, Vol. 6

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By Yu Sakurai and Kasumi Nagi. Released in Japan as “Tenseisaki de Suterareta no de, Mofumofu-tachi to Oryouri Shimasu: Okazari Ouhi wa My Pace ni Saikyou desu” by M Novels F. Released in North America by Cross Infinite World. Translated by Emma Schumacker.

This is the final volume of the series, and so it has quite a lot to pack into its pages. We have to resolve the Queen situations, of course. And then there’s Laetitia’s past life issues. There’s also the fact that several countries appear to be at war with several other countries. I’m going to be honest, of the six books, this one has the least amount of cooking with the fluffy friends. There’s pancakes coated in honey at the start, but that’s about it, really. That said, it’s quite good, and manages to have some nice elements of romance, thriller, and isekai. Admittedly, the romance may be the least important element. Now, don’t get me wrong, there is romance here, as our clueless couple finally manage to get together. But I get the sense that the author is not nearly as interested in this as they are with the thriller, backstabbings, and isekai shenanigans.

We’re getting closer to when Glenreed has to choose his queen. He’s pretty much decided, but unfortunately for him, Laetitia can’t get rid of the “temporary” in her head and is doing everything she can to try to help him find someone else. She meets with the fourth of the queen candidates, Fillia, who… seems nice. Unfortunately, the obnoxious princess from a foreign country is lurking around Laetitia, doing her best to frame her for something every chance she can get. As this is going on, meanwhile, Laetitia and Glenreed are learning some secrets about this world, secrets which go back over 600 years, and are apparently responsible for the prosperity each of the countries around them has had. Unfortunately, things come to a head when Laetitia confesses her past life memories to Glenreed, which leads to him… pulling a sword on her and trying to kill her? What’s going on here? And did the evil princess somehow manage to poison herself?

The twist for this final book is an interesting one, tying in past lives, curses, and free will. The question is, do you rule wisely for years and then risk leaving your beloved country to a son or daughter who might not rule wisely? And if that’s the case, shouldn’t you do something to stop it? That said, we’re all meant to agree with Laetitia, and I do. You have to let people screw up, you have to let them learn from mistakes, because that’s what leads to progress. The message is a bit heavy-handed, but I didn’t mind it. In lighter news, I was very happy to see Laetitia admit that she was in love, though I was worried, as the confession on her end came in the second side story, after the main one had ended. And for those who like tear jerkers, we also get a reunion with the one thing she cares about more than anything else from Japan. No, not her family, her dog.

In the end, this was a good series, and one which did manage to justify its length. Recommended for those who like to see women who can kick your ass as well as cook sweets, and decide to prioritize the sweets.