Sakuran

By Moyoco Anno. Released in Japan by Kodansha, serialized in the magazine Evening. Released in North America by Vertical.

The oiran, or high-ranking courtesan, is a very popular character in manga of the Edo period. We’ve seen them solving crimes, manipulating high level politicians, and craftily playing one side against another. We have even, occasionally, seen them entertaining clients. However, a lot of those plots have been typical manga fodder, and the life of a typical Edo brothel worker is far more painful, degrading and tortuous. Sakuran shows us the story of Kiyoha, a strong-willed and rebellious girl who must be broken (but not completely) into the role of a courtesan.

We meet Kiyoha when she’s a child, and a good deal of the book is witnessing her grow up. Well, to a certain degree. One good thing about Anno’s characterization of her heroine is that Kiyoha can be quite unlikeable at times – willful, stubborn, quick to violence. They’re qualities that *also* make for a good oiran – the job is so grinding and will-breaking – this is forced prostitution we’re talking about – that only the strong can hope to survive. (Note that Kiyoha makes friends at one point with another cute and lively girl, and briefly bonds with her… before the other girl dies (the dialogue makes it unclear if she killed herself or was beaten to death). And indeed, once Kiyoha comes of age and rises to the level of oiran, she is noted for both her young beauty and her cynical smile.

We see Kiyoha try to escape quite a few times, but it’s made clear that the ideal way to escape is to have a man take so much notice of you that he proposes – buys out your contract. We see this with Kiyoha’s mentor Shohi, who I think comes off the best out of everyone in this manga. She’s certainly cruel and sadistic to Kiyoha, but it’s that sort of ‘it’s in order to make you stronger’ mentoring that always seems to pay off in the end. There’s nothing Shohi can *do* for Kiyoha in this environment except that. Notably, Kiyoha’s own love affair, which is made out to be more ‘illicit’, does not end nearly as well.

The ending of Sakuran can be seen as a bit bleak. After her most successful escape attempt yet, Kiyoha realizes that things on the outside are not any better for her than life in the brothel. She says in dialogue that she returned on her own, and in her inner monologue (showing us scenes of her being punished and tortured) that she feels better now that she knows there’s no ‘better world’ to go to. Kiyoha, unlike Shohi, does not seem to be the sort who can simply gain the favor of a rich man in a way that would get her out of there – I think she’d sabotage it. At least in the way she is now. The manga is open ended in that you question how broken she really is. I like to think that she still has a lot of strength in her.

The tension between what is needed to be a good oiran and the fact that it also makes a person realize how awful their life is and yearn for freedom is the core of Sakuran. Combined with Anno’s stunningly gorgeous artwork (you can argue everyone looks too similar, but that’s more a function of the time period than the artist), you have a manga whose images and ideas will stay with you long after you read it.

GTO: The Early Years, Vol. 13

By Toru Fujisawa. Released in Japan as “Shonan Jun’ai Gumi” by Kodansha, serialized in the magazine Weekly Shonen Magazine. Released in North America by Vertical.

It always seems as though there’s more dumb comedy in the Early Years manga than comes up in its sequels featuring Onizuka. Now, I’m sure if I went back and checked all of GTO this would not be the case – GTO has some monumentally silly things going on, and I’ve noted just last week how much dumb fun is in 14 Days in Shonan – but here Onizuka has the better excuse of actually being an immature high schooler, meaning that he and his friends lend themselves even well to situations that make one cry with laughter and weep at the stupidity of all involved.

First, though, we get some more epic fighting, as Onizuka still has to resolve his rivalry with Mafuyu, who is determined to take on Eileen, the one that killed his brother. Now, I figured out that Eileen was actually the name of a tropical event right off the bat, meaning it can be grating seeing everyone going around just NOT GETTING that Eileen isn’t a woman. But it leads to some interesting situations, as well as some epic surfing. We also get a very shonen moment where Onizuka is taking on a group of washed-out ex-military Americans, as he notes that saying ‘dreams will die’ and ‘know your limits’ is something that happens to other people. Oh, and showing them the wrath of a true Japanese person, of course. (It almost reads like the U.S. and Japan are rival gangs here, probably deliberately.)

After this, which takes half the volume, the other half is devoted to far shorter and sillier situations. We are reminded that this manga takes place in the late 80s/early 90s with Onizuka’s obsession with bootleg video porn. We see a chapter devoted to Onizuka’s mother, and realize just how horrible it must be trying to deal with a kid like him. There’s an amusing parody of Kindaichi Case Files where Onizuka and friends try to solve the murder of one of their own (spoiler: he’s not really dead). And after his mother finally throws him out, we see Onizuka and Danma moving into a roach-infested rathole of an apartment, which brings its own levels of disgusting humor.

And then there’s the Russian night vision goggles. First off, I really like how Onizuka and Danma are shown here as the leaders of their gang. Even though everything spiraled out of control because of their underlings being stupid and not getting the point, they still don’t back down from a fight, because, well, they’re leaders. Secondly, the idea of a shonen title spending this long discussing night vision goggles being used to masturbate while watching a neighbor strip through a peephole is simply mind-numbing. I’ve noted before that Shonen Magazine seems more ‘mature’ than its rivals Jump and Sunday, and apparently that was the case 20 years ago as well. This leads to an amazing finale, which for once features Danma as the stupider one. He likes to pretend he’s the more mature, especially given he actually has a girlfriend and has gotten lucky, unlike Onizuka, but the peephole situation (which I don’t care spoil) shows he can be even more perverse when it gets right down to it.

I can see why this was such a big success for teenage boys in Japan. Even though I doubt that’s the market for it here, fans of Onizuka should really pick up this prequel, which features less teaching but just as much badassery.

Manga the Week of 8/15

Sure, wait weeks for manga and then 38 turn up all at once. Midtown finally found all the Viz manga that most of us got this week. See my post on last week for that.

In titles I didn’t talk about last week, Kodansha has a new Air Gear and Cage of Eden, which both fight a war between entertaining folks with awesome shonen battles and pure blatant fanservice. Most of the time it tends to lean more towards the latter, but then they are Shonen Magazine titles. They also list Fairy Tail 12, but I think that’s part of the giant pile of reprints they’re doing this August – all of Fairy Tail, Ninja Girls, Shugo Chara, Wallflower and Parasyte are getting reprints.

It’s rare I use a Korean title for my featured image (in fact, it may have never happened before), but Lizzie Newton Mysteries has gotten a lot of good word of mouth, and might appeal to those who liked Young Miss Holmes. Meanwhile, the other debut from Seven Seas is I Don’t Like You At All, Big Brother!!, which is being released in a 2-for-1 omnibus. The cover art, and blurb saying it’s for fans of He Is My Master, kind of make me want to pull away from my keyboard in horror, but I have been assured that this title is better than it sounds, so will trust in that. And in the title I’m most excited about from this publisher, A Certain Scientific Railgun 5 continues to throw sisters at Misaki. I’m hoping after the cliffhanger horror of the last volume, she won’t completely lose it.

The BL imprint Sublime has two new debuts. Bond of Dream, Bond of Love seems to continue the trend of huge grumpy guy paired with small happy guy, and also has a character from the Tea For Two BL manga (remember Blu?) that came out several years ago from the same artist. Starting with a Kiss has a much saucier cover, but seems to be about the same type of situation, except this time the happy guy is a hotheaded guy. Also, the Japanese imprint for this series was SUPER BBC, with a lightning bolt in between. That’s totally irrelevant to this North American release, but makes me happy, and also wonder if SubLime will ever license some Blake/Avon slash.

Viz is also putting out some titles this week, despite the majority of Midtown’s list appearing elsewhere 8/8. A new Inu Yasha VIZBIG Edition, covering volumes 34-36. Vol. 6 of Itsuwaribito… no, I’m sorry, that’s a lie, it’s not coming out. No wait, I’m lying again, it totally is! And the penultimate volume of Kekkaishi, which given it’s penultimate had better be resolving everything.

Lastly, we have a giant pile of Yen. Bamboo Blade has reached its final volume, and I will be very sorry to see it go. The Betrayal Knows My Name is up to Volume 4, but still has a long way to go – and is still running in Asuka. Bunny Drop 6 is out for what will I’m sure be a smaller but just as dedicated audience of fans who didn’t drop it cold after Volume 5. The Melancholy of Haruhi Suzumiya has a non-spinoff manga, as Vol. 13 is out (and Midtown finally gets the Nagato Yuki the rest of us got last month). There’s new Nabari no Ou and Omamori Himari. There’s the 2nd volume of Magical Girl deconstruc… wait, it isn’t really. Anyway, new Madoka Magica. And Soul Eater hits Vol. 10, and will hopefully be creepier and more striking than Soul Eater Not was.

Even without the Viz blitz that hit Diamond this week, it’s a big week at Midtown. What’re you getting?