Negima! Magister Negi Magi, Vol. 35

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By Ken Akamatsu. Released in Japan as “Mahou Sensei Negima!” by Kodansha, serialized in the magazine Weekly Shonen Magazine. Released in North America by Kodansha Comics.

Sometimes when you’re reviewing Volume 35 of a series, it can be a bit difficult to know what to say. Especially when so much of the volume is people punching other people, sometimes with lightning. But as we head breathlessly towards the climax, we are reminded that Akamatsu always manages to make things interesting, even when we don’t expect it.

Note that Negi is not on the cover for the 2nd volume in a row. Instead we get Ayaka in costume, surrounded by the five girls who probably ended up getting the least attention in the series. I mean, even Zazie gets to be an actual demon. The twins and the cheerleader girls, though, ended up suffering from Akamatsu trying his best to write a plot that would feature 31 different girls and not quite making it. We get another brief reminder of Sakurako’s insane luck skills, but other than that, their main function is to be the ‘reassuringly normal ones’ when Haruna returns to Mahora Academy (even if, as Madoka intuits, that’s an insult by now).

As for the fighting, it’s rather interesting that even after all this time, Negi still wants to try to resolve things through discussion. It tends to separate out Negima from other shonen fighting titles – yes, there’s a love of physical combat, but every time we confront a villain and prepare for battle, there’s an offer to try to mediate. This doesn’t just extend to Negi, as even his followers do the same – Nodoka’s overture of friendship to Fate may get her socked in the jaw, but that doesn’t make it less sincere. (I would like to take the time to note, since I suspect I won’t get the opportunity again, how much I love Nodoka’s character arc in this entire series. She’s come a long way from ‘that one who’s like Shinobu from Love Hina.) But of course, for all the attempts at peacemaking, in the end it comes down to a lot of fights – which, luckily, Negi is also very good at.

One of the surprises in this volume is the fact that the connections between Magical World and the ‘real’ world of Mahora Academy have become so broken down that the fight is now literally coming to the school. This, of course, allows a lot of the cast who were left behind to appear again, as I noted above. It also allows Evangeline to finally give up and embrace her not-villain status. For a supposed morally bankrupt vampire, she’s really been one of the more noble characters in the series, and Negi’s influence has done her a world of good. As Zazie notes. Speaking of which, Zazie’s sudden penchant for conversation, and lampshading of Eva’s sudden affection for her classmates, is easily the funniest part of the book.

And yes, there’s people being stripped, and discussion on which of the girls Negi likes best, because this is still Akamatsu, after all. In the end, though, we’re left with another killer cliffhanger, as we find out what’s actually beneath that world tree. Oh yes, and Kodansha remembered to keep the extras this time!

Manga the Week of 7/25

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The last week of the month has always been the quietest since Tokyopop left us, and this month is no exception. Let’s see what we’ve got.

Kodansha has two titles hitting Diamond. Arisa reaches volume 8, and finds that her love may be a building which is on fire. Meanwhile, Phoenix Wright: Ace Attorney wraps up with Vol. 5, saddening all the fans of the game who aren’t aware that the Edgeworth manga is apparently due out later this month. (Despite having no cover art online yet.)

And, because it’s such a small week, I’ll note that Udon has a new volume of its Apple artbook, featuring more pinups from the best Korea has to offer.

Aaaaaand that’s it. So? Any titles for you?

One Piece, Vol. 63

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By Eiichiro Oda. Released in Japan by Shueisha, serialization ongoing in the magazine Weekly Shonen Jump. Released in North America by Viz.

There’s always a risk that Oda runs because he puts everything into his manga. This is not a title like Bleach, where a 5-minute fight can take three months of real time. There’s always at least ten different things going on. The difficulty is in trying to keep all that happening and not confuse or alienate the audience with too much information all at once. And in this volume, I’m afraid a lot of the time Oda doesn’t quite manage it. He’s simply trying to do too much too fast here, using too many characters that we haven’t grown to care about yet.

This is basically a volume in two halves. The first continues the melee battle on Fishman Island, as the Straw Hats get in between a civil war/coup started by Hody Jones and his brand of outlaw scum. Of course, they’re powerful outlaw scum, so King Neptune and his good guys are getting pounded. Meanwhile, Luffy has succeeded in getting Princess Shiratori outside, but this quickly leads to even more chaos. And then there’s Jimbei, who is down by the grave of the princess’ mother, feeling guilt and sadness. There are some nifty fights (Zoro is, as usual, badass) and the odd goofy comedic moment (Sanji seems to finally get better here, after briefly turning to stone (which I’m sure isn’t meant to be metaphorical at ALL.) But mostly the chaos is what’s driving everything, and this does make things incoherent at times.

Some things to note: Nami’s subplot is actually quite interesting. She’s recognized, sort of, as being an ex-member of Arlong’s crew, and certainly Jimbei’s guilt is directed quite a bit in her direction. But we don’t really see her reacting much beyond faraway looks and the occasional sweatdrop. I like to think that it’s Oda showing that Nami is finally starting to move on from her past (we get a nice page-long flashback from Nami for those readers who may have forgotten it), but also we see that she can also see things from the other side now, and is more aware of the prejudice and persecution that fish-people have suffered. Not that she’s forgiving Arlong anytime soon.

Which leads us into the big flashback. This is an unusual flashback in that it doesn’t seemingly stem from a crewmember’s past and end with them joining Luffy – unless that’s meant to be Jimbei. Instead, we meet Fisher Tiger and Queen Otohime, two characters whose dreams and ideals for their people are contrasted against each other. Fisher Tiger knows what’s right and tries to follow that, but the constant abuse of humanity against his people has ground him down. As for Queen Otohime, her naivete is contrasted with her nobility and pure stubbornness, and we learn that even if fishmen and humanity can try to move closer together, it only seems to take one person with different ideas to screw everything up. As you might guess, prejudice is not an easy fix, especially when it involves slavery.

The aftermath of the queen’s death will have to wait for the next volume, as she dies on the last page (Oda even notes there’s no room for extras this time). But it’s not going to be pretty. Oda is showing us that the world is a complex, contrasting, and sometimes horrible place. Even if he’s trying to jam it into a narrative already overstuffed with political battles and revolutions. Next volume should have a lot of fights, which will actually come as a relief after all this buildup, I think.

(Also, Oda’s response to the reader asking who the father of Makino’s child is is classic Odatroll. He clearly knows all about the Shanks/Makino shippers, and is baiting them mercilessly.)