Durarara!!, Vol. 2

By Ryohgo Narita, Suzuhito Yasuda, and Akiyo Satorigi. Released in Japan by Square Enix, serialization ongoing in the magazine GFantasy. Released in North America by Yen Press.

In this second volume of Durarara!!, I was reminded once more of how mentally unbalanced the entire cast is. In Volume one we had Izaya and his ‘I will pretend to murder wannabe suicidal teens’ schtick, but here we manage to get our cover boy Shizuo, who seems to have a bit of a rage problem; Erika and Walker, who turn out to not just be crazy otaku but *really* crazy otaku; and the creepy incestual text (to call it subtext would be wrong; the bathing sequence speaks for itself) between Namie and Seiji. It’s enough so that when you see the supposedly three normal teenagers in the cast, your first reaction is to say “I wonder how warped we’ll find they really are?” rather than assuming they’re there as relief.

I’m also impressed with the way this series handles metatext. The characters aren’t necessarily aware that there is a fourth wall – there’s no talking to the reader or anything – but you can see the artist and writer playing around a bit with the medium. Walker’s monologue about how he and Erika are simply insane naturally, and that it has nothing whatsoever to do with all the anime and manga they consume, is a clever stab at Japanese moral guardians (even as the scene itself can be deeply disturbing – if you dislike implied eye torture, you may want to be warmed, even though it doesn’t actually happen). Likewise, Anri’s description of Mika’s past activities are done as a cute 4-koma, helping to show the dissonance between Mika’s looks and personality and her creepy stalker reality.

Celty gets the first chapter to herself, but otherwise takes a back seat until the cliffhanger. The main plotlines we seem to be following now are a) Celty and her head, and b) the Dollars gang that everyone seems to either be interested in or a part of. Kadota suspects the gang is Izaya’s doing, and you can certainly see why – it’s exactly the sort of thing he *would* do. But isn’t it a bit too obvious? Then we also have Mikado and the high schoolers, who, while interacting with the others, don’t seem to be getting drawn into their plots just yet, aside from Minako’s continued curiosity about Dollars. I quite liked Mikado during his meal with Anri – we see him reject the blunt, vicious reply he’d like to say, but when Anri shows she’s aware of her own flaws (and her own tendencies to use others), he doesn’t hesitate to be direct. They’re good kids.

Someone once told me that Durarara!! is a superhero comic where there aren’t any actual heroes, only supervillains going about their daily life. The word ‘villain’ might perhaps be a bit too strong, but not by much. These eccentrics are not your wacky moe harem cast, and the cliffhanger, which implies that the missing Mika Harima has been put to a very, very bad use shows us that things may only go downhill from here. Despite all this, however, Durarara!! remains a fun, breezy ride. It’s just a ride filled with sociopaths.

Manga the Week of 4/25

Well, this shouldn’t take long. There’s a tiny, tiny amount of manga out next week (from Midtown Comics, a fact I try to emphasize every week when people say “But what about X, which Amazon released this week?”). In fact, there are two titles.

Stare into this girl’s soulful gaze and try not to buy Air Gear 23, you heartless monster. (At least I hope it’s a soulful gaze. It could be drugged to the gills for all I know.) The series is ending in Japan this spring, this reducing our number of manga with surprise Obama cameos in it by one.

Then there’s Volume 12 of GTO: The Early Years, aka Shonan Jun’ai Gumi. In the recent Shonan 14 Days, Onizuka had to really do his best to avoid violence (well, until it happened anyway), noting he is supposed to be a teacher. None of that here – Onizuka may be a Yankee with a heart, but he’s still a gang leader, meaning there’s lots and lots of fights. And more fights. And still more fights. It’s fantastic.

That’s it. Given the last three weeks, I for one welcome the break (though I’m getting SJG anyway). How about you?

Cross Game, Vol. 7

By Mitsuru Adachi. Released in Japan in 2 separate volumes by Shogakukan, serialized in the magazine Shonen Sunday. Released in North America by Viz.

As we reach Viz’s penultimate volume of Cross Game, the tournament is upon us. Meaning that, after a brief break last volume, baseball finally returns in a big way in this volume. Not that this is a bad thing, of course. Adachi finds new ways to make things interesting. An old, proud villain getting what’s coming to him. An old friend on a rival team trying his best. Akaishi dealing with distractions putting him off his game, just as Azuma did last volume. Ko finding that if he sacrifices control, he can throw even faster. This is still a sports manga, and the baseball chapters are very good.

Speaking of Akaishi, it’s interesting contrasting his relationship with Akane to Ko’s here. Akane spends most of the last half of the volume in hospital, which, as I noted before, is throwing Akaishi off his game due to his being distracted. The way she handles this is great, and shows me that I think she’s pretty much written Ko off. (She gets the 2nd best line of the book. “Boys are nice, aren’t they?” It’s funnier in context.) Later, we see her conversation with Ko, which is almost entirely elliptical and filled with unspoken meaning. She’s pushing Ko towards Aoba, just as she tries to push Aoba towards Ko at the start of this volume.

Ko, honestly, doesn’t need that much pushing. I think he understands where his feelings lie on the matter – at one point he notes Akane looks like Wakaba… too much like her – but he simply isn’t the sort of guy who presses things in a straightforward way. His training to become a great pitcher took Aoba by surprise, and I think his feelings need to do the same. We’re hearing more and more about Ko being a “great liar”, and that’s not just discussing his ability to say the opposite of what he means with a straight face. We have several moments here where Ko is clearly being honest and forthright – with Aoba at Wakaba’s grave, and with Azuma when discussing Ichiyo’s “bet” (Ko clearly knows Ichiyo is going to get married Koshien or no.) However, the constant background chant of “liar, liar, liar” makes us wonder if this is how Aoba sees him – deceptive, shifty, not saying what he means.

As for Aoba, I’d noted several reviews ago that Cross Game features a hero who’s similar to Adachi’s heroines, and Aoba is a heroine that’s quite like Adachi’s heroes. She still has trouble accepting things. Not just the idea that Ko might be interested in her – something Ko denies to her face – but the idea that she has any worth beyond sports. Her attempts at common ‘feminine’ activities – cooking, sewing – are disasters, and the fact that everyone looks to her as an inspiration in baseball must hurt horribly given that she can never truly participate. Akane says point blank that if Aoba learns to like herself, she might learn what Ko really sees in her. And even Ko is, I think, starting to realize that he can’t pull the “I’ll do anything but date you” thing forever. His brushing off of Aoba when he goes to Akane in the hospital, saying “you’d be a third wheel”, is startling, and one of the few times I think Ko means to provoke a deliberate reaction.

The baseball team, in case I forgot to mention it, has made it to the finals by the end of the book. If Seishu wins, they go to Koshien. Of course, while we’d like to see that, the final volume will be about Ko and Aoba, as always. They both took Wakaba’s death in different ways, creating behavioral habits that were designed to avoid having them be hurt again. And as they grow up – Ko, drifting away from any conflict, and Aoba, angrily punching past obstacles – they realize that this can’t go on forever. Something has to give. In the final volume, we’ll see how Adachi handles it. And who wins.