Ouran High School Host Club Vol. 16

By Bisco Hatori. Released in Japan as “Ouran Koukou Host Club” by Hakusensha, serialized in the magazine LaLa. Released in North America by Viz.

The series continues to wrap up, which unfortunately means that this volume, while excellent, is a lot more serious than previous ones. We have to resolve Tamaki’s family situation, and that’s just unhappy – his grandmother seems to despise him, his father is strangely aloof and uncaring, and halfway through this volume he’s forced to abandon everything else that might possibly influence him. It’s really brought home here how good he is at putting up a facade, even when he’s alone – it helps to drive home just how crushed he in in the moments when that facade cracks.

This is not to say there is no comedy at all, luckily. Hunny and Moru finally have their fight, and Mori’s demands turn out to be both sensible and amusing. I liked the contrast with their father’s playing shogi, and reminding me a lot of Genma and Soun in Ranma. Likewise, the accidental kiss between Tamaki and Haruhi here is very well done, absolutely terrifying both of them, and giving Tamaki a great moment of self-doubt when he’s discussing the incident with… um, his dog, but it makes sense in context. I really liked “Don’t worry, the new Tamaki is not as stupid as the old Tamaki.” Very true!

Sadly, he then moves back to the main mansion, no longer in exile. While he initially thinks that’s cause for celebration – as does everyone else, and I love his discussion of it with Haruhi – it turns out to be a trap, one he realizes only after he’s walked into it. What’s worse, he realizes that the ones he loves are at risk, and that he has to protect them at all costs. Because this is a manga, you know what that means – telling Haruhi that she can leave the club if she wants to now, and that his affairs are none of her business. Yeah, you can imagine how well THAT goes. But to no avail – for this cliffhanger, we see Tamaki’s father ordering the Host Club shut down.

As for Haruhi, she’s still not very good at all about dealing with her feelings for Tamaki, even if she now realizes them. Her expression after the accidental kiss is funny but also a wee bit disturbing – how repressed has she been that this will freak her out that much? And it’s bookended with the end of the volume, where she’s alone in her apartment during a thunderstorm, painfully aware of how much Tamaki has helped her and his absence right now. Hopefully her emotional breakdown here will lead to greater resolve.

There are two short stories at the end of the volume. The first gives us backstory on how Haruhi’s mother and father got together, and is very sweet. You can see why Haruhi wants to live up to her mother’s dream. The other introduces us to the twins’ grandmother, who is just as eccentric as the rest of the family, and is another good look at how, while the twins seem to run roughshod over everyone they know, in reality they are quite easily manipulated. At least before the manga begins…

So we’re definitely at a low ebb in the manga, and unfortunately we have to wait till December for the next volume. This particular volume was quite good, though, especially if you like the serious, more angsty side of this manga.

A Certain Scientific Railgun Volume 1

By Kazuma Kamachi and Motoi Fuyukawa. Released in Japan as “Toaru Kagaku no Railgun” by ASCII Media Works, serialization ongoing in the magazine Dengeki Daioh. Released in North America by Seven Seas.

Ah, franchises. In the beginning there was the light novel series Toaru Majutsu no Index (A Certain Magical Index), which started in 2004 and has shown no signs of stopping anytime soon. In turn, it spawned a series of side-story light novels, based on the breakout character Mikoto Misaka, called A Certain Scientific Railgun. Then a manga of Index started over in Square Enix’s Shonen Gangan. Then a manga of Railgun (this series) started in Dengeki Daioh. Then the anime came out. Then the Railgun anime. Then the 2nd Index anime. Then the game…

It can get very confusing. Here in North America, light novels don’t sell, so the books are not available. The anime has one season released by Geneon (now defunct), and the Railgun series due to come out soon. As for the manga, one would expect that you’d put out the parent series before you license the spinoff. However, as is quite common in Japan, they’re owned by two different companies. And Yen Press, who deal with Square Enix a lot lately, have made no noises about licensing the Index manga. Seven Seas, though, does deal heavily with the company publishing the spinoff, and so that’s what we have. Luckily, a) you see very little crossover between the two, beyond the hero, who is introduced to new readers; and b) Railgun has become more popular than Index anyway, so should do well here provided that fans of the franchise actually purchase a thing rather than merely gushing about how much of a fan of the series they are and then reading a scanlation online.

As for the manga itself, the supposed premise is that we’re at a magic school (which is apparently so large it’s the size of a city) where various powerful kids learn to control and harness their powers. Our here is a normal schlub of a guy who has no actual powerful skills but manages to win the hearts of over a dozen… no wait, wrong series. In *this* story, our heroine is Mikoto, who is one of only 7 students whose power has been graded at ‘Level 5’. Her power apparently involves zapping folks with electricity, and her specialty is using an arcade token as a magical bullet and firing it at people at several times the speed of sound. She’s pretty awesome, and the first volume involves seeing her trying to go about her everyday life while dealing with mad bombers, groping best friends, and the one boy who’s unaffected by her powers… that hero I mentioned earlier.

Honestly, there is the start of a serious plot introduced here, with the so-called “Level Upper” that will allow you to increase your power level with little to no effort. Given this is a Japanese manga, I’m sure we know how well THAT will go. But for the most part, we get goofy scenes of Kuroko, Mikoto’s best friend and a teleporter, trying to hit on her and being completely unsuccessful in a dumb “oh hey, it’s the comedy yuri girl” way. Misaki herself seems to have a crush on Touma, the hero of A Certain Magical Index, who shows up here and gets a “reintroduction” scene since he’s apparently going to be appearing both here and in the parent series. And there’s one or two other characters who clearly will get fleshed out over time.

It’s good simple fun, but it’s not gripping or exciting. Aside from the bomb threats, not a lot happens here. If you’re a fan of Index and its universe, you’ll really enjoy it. If you have no idea what this is, but like the idea of a modern-day Lum firing electricity at bad guys, you might give this a shot. Everyone else can probably safely skip it.

Manga the week of 6/15

This week is another good example of how it’s difficult to sort out release dates between: a) bookstores; b) Diamond Distribution, and c) Comic Shops ordering directly. Midtown Comics lists three titles I got this week, and one I got last month! On the bright side, it’s nice to see Diamond get things in FIRST for a change…

In the ‘old news’ department, Drawn & Quarterly has the gekiga anti-war manga Onward Towards Our Noble Deaths, as written by the creator of Gegege no Kitaro, Shigeru Mizuki. Be warned it’s heavy stuff. Also be warned you may dislike it if you don’t like ‘caricature’ faces. But get beyond that and I think it packs a powerful punch.

Seven Seas has its small list of June releases. We get the first volume of A Certain Scientific Railgun, which Seven Seas is sensibly not promoting as a spinoff of a series not available over here. The second volume of Amnesia Labyrinth is also out. It may be the last, but I’m not sure. I don’t think it actually ended in Japan, but… it does feature explicit incest, so I’m not sure if it’s on ‘hiatus’ after Bill 156. But then, it could just be on hold while Tanigawa wrote the new Haruhi books. Lastly, and very welcome, we have the Strawberry Panic novel omnibus, featuring the 3rd and final volume for the first time. Kudos to Seven Seas for listening to demand and getting this out. Reward them by buying it. It’s silly fun. Very silly.

And now for things that HAVEN’T actually come out already… there is a giant pile of yaoi from DMP. Kudos to DMP, by the way, for reminding us that there are other publishers in Japan bedsides the few we always see every week. Nihon Bungeisha, Akane Shinsha, Asuka Shinsha, Taiyo Tosho, Shinkousha… it’s a smorgasbord of companies that will make you say “who?” while providing you with quality yaoi. Old school fans will want to check out Bad Teacher’s Equation and the 3rd Kizuna reprint, both from the early 1990s. Fans of ongoing series will note that Blue Sheep Reverie has hit Vol. 4, which is quite high for licensed yaoi. Men of Tattoos not only has a great name, but ran in the magazine Opera, which I’ve heard good things about. And Rabbit Man, Tiger Man is not only billed as a comedy, but also has the title Rabbit Man, Tiger Man. (I hope it’s not an Ouran High School Host Club spinoff…)

Lastly, Viz has their trickle of 2nd week titles. New Arata the Legend and Kekkaishi from Shonen Sunday, and the penultimate Detroit Metal City from the lesser-known skeezy end of Hakusensha, Young Animal.

What appeals to you? Or will you spend the week getting the stuff Viz put out this week that you had to put off?