Otomen Volume 10

By Aya Kanno. Released in Japan by Hakusensha, serialization ongoing in the magazine Bessatsu Hana to Yume (“Betsuhana”). Released in North America by Viz.

This volume of Otomen takes up right where the last one left off. We’re still in the middle of the plan to make Asuka’s high school filled with manly men and girly girls, starting with the ever-so-cutesy Ms. Moematsu, who tries to sweet everyone into submission. Unfortunately, Asuka is proving to be very confusing to her, as his awesome kendo skills don’t quite match with his obsessive love of parfaits. Of course, just as all the guys in this manga are secret otomen, naturally their teacher is not as cutesy pie as she seems, and is revealed to have a hidden secret past.

Of note, Asuka talks about his love of Ryo in front of everyone again, and once more, we don’t see much of a reaction from her at all. I’ve gone on about my dislike of never seeing anything of Ryo’s feelings before, and it does remind me a bit of reading Itazura na Kiss, where it’s Naoki who seems a blank slate. In any case, it’s the same here for the most part, and given that the fandom for Otomen seems to be predominately BL, I may be the only one noticing it. :) And it’s not as if she’s cold to Asuka – she’s enthusiastic about everything as always, and loves to go training or on dates with him. She’s just… flat compared to the others.

The majority of the volume deals with teacher #2, a mad scientist type who supposedly invents a drug that stereotypes gender roles. What’s more, it seems to work, as Asuka is hating sweet desserts and throwing out his plushies, and Ryo giving up her martial arts. Luckily, Kitora was late to the meeting where everyone had their mojo worked, and therefore is the only one who notices what’s wrong. He manages to snap Asuka out of it, but the others aren’t so lucky. In fact, Juta may give up shoujo manga! (The shot of Love Chick drawn a la Dragon Ball Z is fantastic.)

This leads to what’s probably my favorite part of the manga, which is where Asuka, who has snapped out of the role reversal, is hoping that showing Ryo various things she used to love, like samurai movies and mountain training grounds will snap her out of it. It doesn’t work, unfortunately, and she seems content to watch him be manly and talk about cute things. In fact, they now have far more in common, as now the girlified Ryo shares all of Asuka’s otomen interests! But of course, she’s not who Asuka fell in love with. He stares melancholically at her and sees an image of muscle-making Ryo behind her, and wonders why she feels so far away. While I may bitch about Ryo’s opaqueness, Asuka’s feelings for her are never in doubt, and this is really well done.

Eventually everything gets sorted out (with the help of the insane Iruka from Volume 2), and it’s revealed the ‘drug’ was mere hypnosis. So teacher #2 has failed, on to teacher #3, who’s an American obsessed with Japanese samurai. He takes the school on a field trip to a samurai theme park, forcing all the guys to dress as samurai and the women as geisha. Tonomine’s school is here too, and they end up competing against each other. This story actually leads into Volume 11, as there’s a cliffhanger involving a landslide.

I should be less frustrated than I am with Otomen, as Aya Kanno has made it clear for some time that she’s not writing this seriously and deep characterization is not on the menu. And truth be told, this volume is a lot of fun if you turn off your brain and go along with it. But the characters are likeable enough that I desperately want them to have more depth, and so far only Asuka and Juta really give me that. (Which is probably why the main Otomen fan pairing is the two of them rather than Asuka and Ryo.) Hopefully Volume 11 will resolve the mid-range boss manly men attack, which is starting to pall, even though Kanno tries to vary it a bit.

Manga the week of 5/18

First of all, the new releases from Kodansha Comics are starting to roll into bookstores and onto Amazon and basically everywhere except the direct market. I am hoping next week brings us some titles, I don’t want to start a Kodansha whine at Diamond the way I did a Tokyopop whine.

Meanwhile, there are some titles that the direct market just LOVES! And for them, well, here you go. The 17th volume of Gantz, from Dark Horse. It’s almost written for the Western comics fan.

Viz also has its Signature and SigIkki titles, traditionally reserved for the 3rd week of the month so that they can show off on their own while not surrounded by Naruto and Black Bird. This week sees the final volume of Natsume Ono’s Gente, the sequel to Ristorante Paradiso. This was a lovely surprise for me last year and this one, and I greatly look forward to it. There’s also Volume 3s of the Ikki titles I’ll Give It My All… Tomorrow and Saturn Apartments. I love the fact that Japan has so many magazines where these two disparate titles can run in a magazine together with nary an eyebrow raised.

Aaaaaaand that’s it. What’s intriguing to you?

Itazura Na Kiss Volume 5

By Kaoru Tada. Released in Japan by Shueisha, serialized in the magazine Bessatsu Margaret (“Betsuma”). Released in North America by Digital Manga Publishing.

Wow, there’s a lot going on in this volume. No, Kotoko doesn’t suddenly grow up and get mature, nor does Naoki come out with an amazing love confession. But in their own way, they inch forward, and this volume has more moments that I really enjoyed reading, both romantic and dramatic. Tada-san has also shown herself to be very good at tension-building cliffhangers, including one right at the end of the book.

The main thrust of this volume, even though it doesn’t technically start until almost halfway through, is Naoki’s father having a heart attack. Naoki has been keeping his transfer to the medical school from his father, mostly as he knows there will be a giant argument once it’s discovered, and sure enough, he’s right. The heart attack is a surprise though, and is played very seriously. It also gives us Kotoko’s best moment in the manga, as unlike Naoki’s hysterical mother, she stays level-headed in the crisis, calling the ambulance right away and going to the hospital with food and supplies. Naoki even gives her one of his rare smiles – and praises her!

Unfortunately, life is getting in the way of Naoki’s dream. With his father recovering, someone needs to run the toy company – and Naoki seems to be the only one who can, given the company is not doing very well. His leave of absence from school is rather sad, but not played for melodrama (except maybe by Kotoko) – it’s just life throwing grenades into your path, that’s all. Speaking of life, Kotoko is starting to finally realize that she’s a flake – she talks with Naoki about her future dreams, and sadly notes they’re all ‘I’m helping Naoki in whatever profession he’s in’ rather than any dreams for herself. Naoki manages to cut her down *and* give her some support – which is becoming his specialty.

On the romance front, Matsumoto finally makes her move here, confessing her feelings to Naoki. He’s slightly nicer about rejecting her than he would be with anyone else (including Kotoko), but it’s still a definitive rejection – complete with Naoki noting he’s kissed Kotoko before. Kotoko, of course, is listening in to all of this, but still doesn’t get much relief. Especially as we’re then introduced to Sahoko, the daughter of a colleague of Naoki’s father who gets set up with him for an omiai. She is, essentially, the perfect Japanese woman, a type we’ve been missing here with all the sporty girls and ditzes. She also likes Naoki, and appears to be the perfect match for him. Naoki being Naoki, he accepts their meetings somewhat straight-faced, but doesn’t really show his feelings outwardly.

Kotoko, meanwhile, takes this badly, as you might expect. So badly that she’s even willing to go out on dates with Kin-chan. It’s pretty clear that her mind is elsewhere, however, and there’s no suggestion she sees him as anything but a friend. However, we’re moving to a crisis point. The relationship between Naoki and Sahoko is going so well that Kotoko’s family is moving out of the Irie home. And what’s more, Kin-chan is doing the same thing that Matsumoto did earlier this volume, confessing his feelings in order to make them transparent even to her. He goes one step father, though, actually proposing. I actually regard this as sort of desperate, given how he knows that she’s still broken up over Naoki’s actions. But then, desperation os Kin-chan’s character. Hopefully Kotoko won’t overreact.

Still very happy DMP is bringing out this series, though some of the translation can read awkwardly. “I have kissed… with Kotoko.” being the main culprit that leaps out at me. Naoki continues to bottle everything up and show his true feelings only rarely. And that’s just not working anymore. Given Kin-chan’s proposal, something has to give soon. Will Vol. 6 be the one where we finally get the long-awaited confession? Hopefully we’ll find out soon…