Cross Game Volume 3

By Mitsuru Adachi. Released in Japan in 2 separate volumes by Shogakukan, serialized in the magazine Shonen Sunday. Released in North America by Viz.

I have trouble starting out this review of Cross Game. It’s hard to know what to write. Like a volume of the manga itself, you just want to drink it all in, or simply wordlessly hand it to someone. Writing it all down seems superfluous somehow.

Things I liked in this volume (which is Vol. 6 & 7 in Japan)? I liked the introduction of Azuma’s brother Junpei, which at first seems like it will be another in the vein of goofball sadsacks such as Senda. But Junpei not only has a more serious connection to Azuma than we’d thought, but also turns out to have hidden depths. We don’t see as much of that here, but the fact that Ichiyo is warming to him fast says a lot – we know she doesn’t normally suffer fools gladly, ergo there is more to him than it would seem. (Crafty Junpei is also likely correct – staying with Ko and his family is probably the best thing that could happen to Azuma at the moment.)

The plotline where the filthy old man watching from the sidelines turns out to secretly be the company president checking up on things is older than I am, but Adachi carries it off with panache, making the board chairman lovable despite the obvious premise that he’s the one that left power in the hands of the interim principal and the coach in the first place. Speaking of their coach, he remains stubborn till the end, but I enjoyed seeing his placidity destroyed by Azuma the night before the big game.

There’s a few ‘filler’ chapters near the end of the volume, which help to provide some relief after the tense ballgame that takes up much of the middle. I was surprised to see the team’s manager, previously shown to be a bit of a Libby, get some needed character depth… only for it to be undercut on the last page in a hilarious final gag. I also greatly enjoyed Aoba’s solution to the guys who are constantly asking her out. The only chapter that didn’t work for me was Senda’s New Year, mostly because, much as I try to get sympathy for him, he’s just such an idiot.

The outcome of the ballgame is not particularly in doubt, so instead you spend a lot of it watching Ko and Aoba. Ko in particular is now totally driven to get to Koshien, though once again it mostly seems to be driven by Wakaba’s death. Azuma, perceptive as he is, is quick to note how hard this is on both Ko *and* Aoba once he discovers that there was another sister who passed away. The saddest part of the volume for me was when Ko, somewhat flippantly, notes “You don’t have to believe me, but she was crazy about me!”, to which Azuma replies, “And you were crazy about her?” Ko’s response is more muted. “Yeah…”

Of course, Ko and Aoba are destined for each other, and the more that we see them interact, the more we get Wakaba’s quick note to Aoba, “Don’t take him from me”, in Volume 1. They react exactly the same way to situations, they’re both stubborn as mules (“Don’t let those two throw to each other”), and once again we see how they like to imagine their interaction as a web of deceit. The high point of the whole volume for me occurs when Aoba runs like hell to get home and score the first run of the game, with Ko in the batter’s box. Ko notes he would have brought her home (this is after she holds up her hand for a high-five and then yanks it away – so immature!), and Aoba responds, “You’ve betrayed me so many times, since way back.” Ko notes “That’s because you’ve never relied on me.” It’s fantastic how well these two know each other (I didn’t even mention Ko’s dead-on impression of her stubbornness earlier), and how denial and lies have become a comforting blanket.

The volume ends by introducing Aoba’s cousin, who seems to be set up to be a romantic rival for Ko. Even remembering that cousins don’t have the same taboo in Japan that they do here, I still don’t give him much of a chance. Not that he’s needed. There’s a much bigger romantic rival that’s killing any chance of a relationship with others that Ko and Aoba may have. And she’s dead.

Really, you should be reading this simply because it is good. Crafted well, great characters, a sports manga that is about the people rather than the sport, and has some great doses of humor (hey, he didn’t even break the fourth wall this time!). Highly recommended.

Tokyopop addendum/NYC trip

First off, a quick update to my Tokyopop post: the news doesn’t get better. The books scheduled for 5/31 apparently are not shipping. This includes Hetalia 3 and Maid-sama 9, as well as the conclusion of Hanako and the Terror of Allegory and Clean Freak Fully Equipped. Obviously, this sucks even more, and I imagine Hetalia fans will be particularly… angry about it on the Internets. ^^;;

Secondly, I took today off to go buy Japanese manga in the city. I do this about 3-4 times a year, usually in a combination of ‘I need to get this volume of series I support by collecting it in Japanese’ and ‘I try to see what stuff Japan reads that will never, ever come out over here. Ever.’ types. This trip was no different. In addition, I also categorize stuff into ‘worthy’ (things I like and enjoy) vs. ‘trash’ (things I buy to see how truly stupid they can be, or am morbidly fascinated by for some odd reason). Previous trips have led me to such things as Soap Girl Moko (which I blogged about here), as well as even stranger things. Though not as strange as Gantz.

Speaking of which, I got 4 manga magazines at Kinokuniya.

One, Hana to Yume Vol. 8 (2011), I got as I’m a Banri Hidaka fanboy and this had her series returning after she took a short break. It had Akiyoshis! OK, yes, Sugimotos, but it’s all part of the Akiyoshi cluster. Definitely worthy.

Another, Monthly Comics @ Bunch (April) I got as I’d never got it before, and was interested. It used to be Comic Bunch, but that got folded and split into two spinoffs. For those looking for Angel Heart, the TOTALLY NON-CANON RYO AND KAORI 4EVAH City Hunter spinoff, it’s in Comic Zenon, the other Coamix title. Comics @ Bunch actually has a licensed title, by the way! No Longer Human is still running in it. It also has BTOOOM!, one of the best titled manga out there. A tentative worthy here.

In addition to those, I got issues of Big Comic Spirits and Weekly Young Jump, both magazines for young college age men, one from Shogakukan and one from Shueisha. Spirits manages to be slightly skeezier this time around, despite lacking a chapter of Kono S o, Mi yo!, which must be on break. (I may go over that manga at a later date. It’s definitely in the ‘trash’ category.) Ikigami: The Ultimate Limit also runs in Spirits, as does Oishinbo (albeit irregularly).

As for Young Jump, it’s filled with manly manga for men, with surprisingly little cute girl romance. It has Gantz, which this issue had a chapter that was particularly screwed up EVEN BY GANTZ STANDARDS. Yikes. It also has Tough, a 71+ volume martial arts manga that is Shueisha’s answer to Grappler Baki when people ask “What can you never license to North America?), and Addicted to Curry, which *is* a romantic comedy with cute girls (and a food manga), but this issue seems to be in ‘gripping tragic drama’ mode. Both of these are highly variable, but I’d say they’re more trash than worthy. But fun trash, with some hidden gems.

From Kinokuniya, I got the penultimate volume of Excel Saga, because EXCEL SAGA. This one seems to be giving us some answers at last. Some.

I also got Vol. 2 of Koi Dano Ai Dano, the sequel to The Secret Notes of Lady Kanoko currently running in LaLa DX. It features the adventures of Kanoko and Tsubaki in high school. Both I regard as very worthy.

From Book-Off, I got four used manga. Two worthy, two trash.

In the worthy column, I got Vol. 1 of Shimane no Bengoshi, a Business Jump title that’s been running since 2004, dealing with the adventures of a young female lawyer out in the boondocks of Japan, helping folks out. Despite being in Business Jump (a title I associate with Amai Seikatsu, which is 39 volumes of comedy about an underwear company), it’s actually clean, and rather sweet and slice-of-life drama.

I also got a volume of short stories by Nakamura Ching, the author of GUNJO, which you may be familiar with from Erica Friedman’s reviews at Okazu. These are one-shots she’d done a few years earlier, mostly from Weekly Young Jump. As you might expect from this author, they are quite striking, and I look forward to reading the volume in more detail. (Well, OK, looking at the art and pretending I read Japanese.)

Then we get the trash. One I got for the title, Detective Idol Unit Tricolore (yes, there’s an e at the end there). It’s pretty much exactly what it sounds like, a mystery manga about an idol group who are also crime solvers. It ran in Young Sunday (which is now defunct) for 18 volumes from 2000-2004, and is by Kitazaki Taku, the author of the Kono S o, Mi yo manga I’d mentioned from Spirits.It’s filled with cute young women showering a lot, and is pure light and frothy trash.

Then there’s Seishokusha 1, which I grabbed at the last minute without really looking. It’s by Morinaga Mayu, who is hopefully no relation to the yuri mangaka Morinaga Milk. It had a silver cover, and looked trashy. Hey, its label was Young Jump, so how bad could it be? Bad. This goes beyond trash into porn, and isn’t recommended at all for anyone. On the other hand, it does remind me that the stuff from the ‘Young _____’ magazines (fill in the blank) in the late 90s seemed to be a lot more ecchi than what we see today. But I may just be reading the wrong ones. Which I suspect is quite fortunate.

I then got home to find an Amazon.jp order had arrived. It contained the 25th volume of Sayonara Zetsubou-sensei (the cover features Nami, doing a pose one could only describe as ‘normal’); The 6th volume of Kono S o, Mi yo, which I’ve now mentioned 3 times, far too many; and the 3rd ‘bunkoban’ collection of What’s Michael?. Worthy, trash, and worthy, respectively.

Now I wait another 4 months or so before I do this again. :)

Sic Transit Tokyopop

I’m a little late on this post, but frankly, it was depressing news and I didn’t feel the desire to write about it yesterday. So yes, Tokyopop has announced it’s shutting down its book arm here in North America as of 5/31. Assuming that this means the titles currently scheduled to ship 5/31 *will* ship (which we don’t know yet), this means the last TP releases will be:

Hetalia Axis Powers 3 (of 4, ongoing in Japan)
Maid-sama! 9 (of 12, ongoing in Japan)
.hack//GU 4 (novel) (complete as far as I can tell)
Happy Cafe 8 (of 15, finished in Japan)
Fate/Stay Night 11 (of 14, ongoing in Japan)
Sgt. Frog 21 (of 22, ongoing in Japan)
Maid Shokun 1 (of 4, finished in Japan)
Sakura’s Finest Volume 1: Sakura no Ichiban (of 5, finished in Japan)
Samurai Harem: Asu no Yoichi 8 (of 15, finished in Japan)
Deadman Wonderland 5 (of 9, ongoing in Japan)
Hanako and the Terror of Allegory 4 (complete)
AiON 3 (of 7, ongoing in Japan)
Butterfly 2 (of 5, finished in Japan)
The Stellar Six of Gingacho 3 (of 10, finished in Japan)
Clean Freak Fully Equipped 2 (complete)
The Qwaser of Stigmata 2 (of 11, ongoing in Japan)

Note that I grabbed this list from Amazon, and set it to sort by ‘best-selling’. So Hetalia and Maid-sama at the top, cute Hakusensha shoujo with no anime and Qwaser at the bottom.

Series with releases scheduled after May, now unfinished (or never begun):

Gakuen Alice (23 volumes, ongoing in Japan)
Demon Sacred (11 volumes, complete in Japan)
Pavane for a Dead Girl (6 volumes, ongoing in Japan)
Red Hot Chili Samurai (8 volumes, ongoing in Japan)
The Sacred Blacksmith (5 volumes, ongoing in Japan)
Kampfer (6 volumes, ongoing in Japan)
Skyblue Shore (6 volumes, finished in Japan)
Lives (2 volumes, complete in Japan)
Alice in the Country of Hearts (6 volumes, complete in Japan)
Silver Diamond (23 volumes, ongoing in Japan)
V.B. Rose (14 volumes, finished in Japan)
Togainu no Chi (8 volumes, ongoing in Japan)
Battle Vixens (18 volumes, ongoing in Japan)
Ratman (8 volumes, ongoing in Japan)
Chibisan Date (1 volume, ongoing in Japan)
Shinobi Life (10 volumes, ongoing in Japan)
The Diary of a Crazed Family (4 volumes, ongoing in Japan)
The Good Witch of the West (7 volumes, finished in Japan)
Gosick (novel series)
Full Metal Panic! (novel series)
Chibi Vampire (novel series)
Twelve Kingdoms (novel series)
Trinity Blood (13 volumes, ongoing in Japan)
The Secret Notes of Lady Kanoko (3 volumes, finished in Japan)
MariaHolic (8 volumes, ongoing in Japan)
Suppli (10 volumes, finished in Japan)
Totsugami (3 volumes, ongoing in Japan)
Brave 10 (8 volumes, ongoing in Japan)
Snow White Panic Mix (7 volumes, finished in Japan)
Portrait of M & N (6 volumes, finished in Japan)
D.N. Angel (15 volumes, on hiatus in Japan)
flat (4 volumes, ongoing in Japan)
Ame Nochi Hare (4 volumes, ongoing in Japan)
Aria (12 volumes, finished in Japan)
Strawberry Marshmallow (6 volumes, ongoing in Japan)

And this isn’t even including Blu titles, or series that had been on hiatus. That’s a lot of series left hanging.

Much as I’d like to blame all of this on Stu Levy and his pouring of TP’s money into his pet projects, I think it was Borders that really broke things here. The chain was a big big manga haven, and bookstores are where the sales are – online purchasing is simply not as big as brick and mortar buys. When Tokyopop switched to Diamond as its distributor, then Diamond announced that it would stop shipping to Borders… it was over, really. Yes, there’s Barnes & Noble, but they never got behind manga the way Borders did.

Staring at that list, I know some people will be thinking “Maybe the titles can be rescued!”. When I look at that list, I see precisely one title that I think likely to get rescued – Hetalia. *Maybe* Maid-sama and D.N. Angel, if I’m being wildly optimistic. But honestly, license rescues rarely if ever happen. The company that did them the most, I think, was in fact Tokyopop.

A lot of the mid-majors in Japan must be seeing the news and wincing right now. Hakusensha especially, but Kadokawa, Akita Shoten, Gentosha, Mag Garden… all were pretty heavily involved with Tokyopop, and now they have to see about finding new publishers who want to pick up their works. Which can be difficult, especially in this economy.

So who’s left? Viz and Yen, obviously. Kodansha once they restart next month. Vertical, which is in a realm of its own as always. Dark Horse, propping up the manga department with their Western comic arm. Digital Manga Publishing. And the smaller, boutique publishers: Bandai, Udon, and Seven Seas.

I’ll end this post by reflecting on the huge amounts of awesome Tokyopop gave me over the years. I got into manga via Viz, but really became a rabid fan thanks to Tokyopop. Sailor Moon, CLAMP, Fruits Basket, Gatcha Gacha, all those Lupin volumes that only I bought, Love Hina, GTO, Kare Kano, Marmalade Boy, Kodocha, Ai Yori Aoshi, Planetes, Karakuri Odette… so many memories. Tokyopop was behind the manga boom, forcing publishers to abandon floppies and make the GN the way to go.

I’ll miss them a lot.