By Mori and Huyuko Aoi. Released in Japan as “Yane Urabeya no Kōshaku Fujin” by Kadokawa Books. Released in North America by J-Novel Heart. Translated by piyo.
So first of all, I need to tell you all something important: despite being kidnapped here, Opal is not locked in an attic. The only sign of the title of the series are at the start, where she waxes nostalgic about the old attic days with her husband, and later on, when she waxes nostalgic about being locked in the attic while she’s being kidnapped. For the most part, what this book is about instead is Opal passing on her wisdom to the generation after her. We meet a troubled young royal, who is trying to avoid an engagement to someone she doesn’t love, and is a bit difficult and hard to deal with. Everyone except Opal spots the similarities immediately, and even Opal eventually admits it. That said, Ellie is a lot more naive and childish than Opal was in the first book, so has a much higher bar to clear. Also, she’s a princess, while Opal was just high nobility. Still, it’s never too early to learn how to get kidnapped.
Opal and Claude are on vacation when they are called back by the King, who asks Opal to mentor the willful princess of Lumeon, who has lost her parents and grown up with bad tutors and has basically become a spoiled brat. After being half-cajoled, half-blackmailed into it, Opal sets out on a sea voyage, first disguised as a commoner (where she meets a troubled woman and her adorable daughter and tries to help get them some work), and later on posing as a flighty airheaded duchess, where she enchants the guy who is trying to con the princess (also incognito) and switches to conning her instead. Fortunately, as Opal gets to know Ellie, she finds that a lot of her spoiled brat is just a very lonely girl acting up as it’s all she can do. Unfortunately, this series is still about the difference between the haves and the have nots.
There’s a lot of Opal being smug and solving her own problems here, but the series also is very clear that she has a tendency to “be one step behind”, as shown by the troubled mother and adorable daughter she meets on the boat, who we later find ended up working in a sweatshop. This is not Opal’s fault, but it does show that someone like her, who does try to save what’s right in front of her, can’t be everywhere. Her brother Julius is still better than her at most of these things, though he fails to be better than her at villainess-type parties, as she absolutely crushes the two ladies who are trying to destroy her reputation with the King. Essentially it’s telling us that even in her early 30s or so (I think that’s her approximate age), and with a husband and kid, she still has a lot to learn.
Fortunately for her, this series still isn’t over. This isn’t essential shoujo light novel, but it’s a good one for those who like women trying to march shoujo light novels into the 20th century kicking and screaming.
