Reincarnated as the Piggy Duke: This Time I’m Gonna Tell Her How I Feel!, Vol. 10

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By Rhythm Aida and nauribon. Released in Japan as “Buta Koushaku ni Tensei shita kara, Kondo wa Kimi ni Suki to Iitai” by Fujimi Fantasia Bunko. Released in North America by J-Novel Club. Translated by Zihan Gao.

There can sometimes be a disconnect between when a title is finished and when a title is “cancelled”. Generally speaking, some light novel titles indeed were cancelled for low sales, with no ending ever being published except on the web. Deathbound Duke’s Daughter is a good example, or Roll Over and Die. On the other hand, if a series does have a definitive ending, and yet there’s more content on the webnovel that comes after it, is a publisher obligated to release all of it just to satisfy completists? Arifureta came to an end recently, but fans know there’s about 10+ volumes of “After Story” on the web, which Overlap has shown no signs of releasing. And then there’s Piggy Duke. Yes, there’s more content on the webnovel site that has events after this volume. But this volume comes to a satisfying conclusion, mostly. It doesn’t leave you hanging. As such, I think it’s perfectly fine.

It’s finally time for Slowe to confront his family. First his sister Sansa, a general in the military, who meets up with Slowe after his dungeon adventures to announce that he’s now important enough that he needs a better retainer than Charlotte, so they got him a new one. Needless to say, this does not please Slowe. The new retainer, Mint, seems at first to be a clumsy dojikko type, but it’s not too much of a spoiler to say that this goes out the window pretty quickly. Meanwhile, Slowe’s father is also coming to see him, but for a far more serious reason. There’s a mercenary group, Rust, that has worked with Slowe’s family in the past to do the “dirty work” the government can’t do. Now the queen wants them wiped out, and their leader killed. And the setting for that confrontation… will be Kirsch Mage Institute.

We do finally meet the family here, and it’s no surprise why Slowe has done everything in his power to avoid them all this time – they’re just like him. Especially his father, who made me wonder if Slowe was a clone rather than a son. Slowe is also feeling a little guilty, as this entire “let’s get rid of the guys who do our dirty work” plotline is likely happening because Slowe averted the war, and thus derailed the anime’s story. That said, peace is a good thing, so he doesn’t regret it, but it does lead to the second half of the book being one final battle. Sadly, most of the cast that we’ve come to know is quietly shuffled offstage for that – Alicia is absent dealing with fallout from the last book, and Shuya just helps to give exposition. But they are very good fights, something the author has always handled well.

I will admit the ending, particularly the ending picture, did feel very Shonen Jump “we hope you enjoy the author’s next work”. And yes, Slowe and Charlotte do have more ongoing adventures that will remain a mystery. But this ending was decent enough. I’ll take it.

The Reincarnated Villainess Won’t Seek Revenge, Vol. 1

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By Akako and Hazuki Futaba. Released in Japan as “Tensei Shita Akuyaku Reijō wa Fukushū o Nozomanai” by Mag Garden Novels. Released in North America by Cross Infinite World. Translated by JCT.

With the glut of villainess books we’ve seen in recent years, it can help to know which bucket to put them in, in order to help with expectations. One of the easiest is “how serious is the story being told?”. On the one side you have titles like My Next Life As a Villainess, or the initial parts of Young Lady Albert Is Courting Disaster, where we know that the villainess tropes are being used to have a rollicking good time. On the other side you get titles like I Swear I Won’t Bother You Again!, where the reality of what’s happened leads to trauma and severe mental strain. This new title, The Reincarnated Princess Won’t Seek Revenge, is not as dark as that, but it’s definitely more on the serious side of the scale. Mary just wants to life a happy, peaceful life in her new reincarnation, and not worry about her old life as Rosemary. Unfortunately, agency is an issue here. Others want the revenge she does not.

Rosemary Hubert, brought up to be engaged to the crown prince, is accused of terrible crimes she didn’t commit and hung at the gallows. Now the prince is married to Tia, the woman who brought this miscarriage of justice about. Eighteen years later, Mary Edigma suddenly regains her old memories of Rosemary – she was reincarnated as a rural baron’s daughter. She wants nothing more but to ignore court politics and live a new life… but the crown is calling in various noble daughters to serve as handmaids in the palace, in the hopes that one of them will prove to be a wife to Crown Prince Rizel, who has not really shown interest in anyone yet. Once there, she’s forced to interact with both Rosemary’s childhood friend Albert, now a knight, and her younger brother Reynaldo, now a duke. And both men are hellbent on at last getting the revenge for Rosemary’s death they’ve sought all these years.

There are some romance aspects to this book, of course. Prince Rizel falls deeply in love at first sight with Mary, mostly because she doesn’t fall all over him. Albert is still deeply in love with Rosemary, and transfers that to Mary quickly. And, in a creepier vein, Reynaldo is quite content to make Mary his, as “they’re no longer related” with her new reincarnation. But for the most part this volume is about the need for revenge, and who it’s really for. Mary insists that because she herself does not need revenge, the others should stop, but this ignores the suffering they’ve been through all these years. Likewise, both Reynaldo and Albert lie to Mary’s face a couple times about the revenge itself, because they will find it easier to apologize after the fact than to have her show up and stop them in media res. Which, of course, she does. That said, the bad guy got away, so it’s very easy to see how the 2nd volume will go.

This book can be a bit didactic at times, and Reynaldo pushes a few envelopes, but Mary is a strong heroine, and overall it’s a good read.

Lovestruck Prince! I’ll Fight the Heroine for my Villainous Fiancée!, Vol. 1

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By Shakushineko and Yukiko. Released in Japan as “Betabore no Kon’yakusha ga Akuyaku Reijō ni Saresō nanode Heroine gawa ni wa Sore Sōō no Mukui o Ukete Morau” by Mag Garden Novels. Released in North America by Cross Infinite World. Translated by Mittt Liu.

I am once again thinking about genre when I write these reviews. I am, as you are no doubt aware by now, very fond of the villainess genre as a whole. There are several reasons for this, but one of the main ones is simply that it gives us a female protagonist, something that was nearly unheard of in translated light novels before this point. It’s almost a reaction against the potato isekai guys. Of course, if that is the case, then this book has a big issue, which is that this is the series where it’s the prince, for once not inveigled by that sneaky heroine, who is determined to help his sweet-as-pie fiancée. He’s sort of goofy, and not a bad character, but the lack of Elizabeth in this book is a worry. That said, the other part of the premise is quite interesting: what if the “otome game” aspect was in the world itself?

Crown Prince Vincent really loves his fiancée, Elizabeth. Really, really loves her. It’s sort of sickening. Unfortunately, lately things have not been going well, because there’s a new book that everyone at school is reading, Star Maiden. A romance of the “otome game” variety, it features a hero that is clearly Vincent… and Elizabeth as a cruel villainess! What’s more, a new girl at school, Yulisse, is trying to get in close with the prince, just like the book. And events in the book start to magically happen, despite both Vincent and Elizabeth trying their hardest to avoid all contact with Yulisse. What’s really going on here? Will Vincent be forced to publicly denounce his fiancée and break off their engagement at a huge ball? After all, that’s the trope.

I did like the book premise, which, yes, does turn out to involve a reincarnation from Japan, but for once it’s not the villainess or heroine. There’s a lot of political wrangling here, which is mostly good. Harold, the long-suffering aide to Vincent, is also a great character. The trouble is that, in trying to protect Elizabeth, Vincent bars us from learning anything about Elizabeth, whose inner thoughts we are rarely privy to. (This seems to be a family thing, as it’s hinted that his mother is a complete loose cannon, but we get no evidence for this at all.) And there’s also Raphael, one of Vincent’s allies, who is, as the book notes, “a playboy and sadist”. Yulisse can’t stand him, and so while her fate at the end of the book is appropriate given what she was trying to do, it also gives me the creeps. It’s not meant to make the reader assume she’s being sexually abused, but the frisson is there.

So, overall, a mixed bag. And, once again, everything is wrapped up in this book, but there’s a second one due out in the summer. Let’s hope it has a bit more villainess in it.