Secrets of the Silent Witch, Vol. 4

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By Matsuri Isora and Nanna Fujimi. Released in Japan as “Silent Witch” by Kadokawa Books. Released in North America by Yen On. Translated by Alice Prowse.

What is supposed to happen after Monica fulfills her mission and whatever happens with Felix happens? I think, in Monica’s mind, that what will happen is that Monica Norton will suddenly vanish, having to “withdraw from school”, and Monica Everett will go back to her little cabin in the woods and live a quiet, cloistered life as she always had. There’s just one slight problem with that, which is that Monica is growing and gaining more emotional depth the longer she’s at the school. The combination of her father’s death and the abuse she suffered afterwards had left her with the ability to only see people as a series of numbers. But as she’s made real friends and learned how to actually socially interact, Monica sees them as people with actual feelings now. Of course, this is not all good – she loses a battle here because, even though her opponent is obviously bluffing, she can’t simply see her friend who is being threatened as “numbers” anymore. Monica will find withdrawing back to her cabin very hard.

This may be a fantasy world, but it’s still taking place in a school, which means it’s school festival time. No, we’re not doing maid cafes or haunted houses – the festival runs more towards presentations of magical theory. But the student council still has to move around and make sure everything runs smoothly. Of course, things do not run smoothly. Another of the Seven Sages arrives, and he’s a pain to deal with but basically harmless. He’s searching for a cursed artifact, which unfortunately ends up in the hands of The Littlest Petty Noble, whose feelings of one-sided love for Felix subsequently take a turn for the worse. And then there’s someone else who’s infiltrated the school, and they’re in a clever disguise. Can Monica sort all this out? And can she do so without revealing who she really is to the wrong people?

Claudia remains an absolute delight, and will probably continue to remind me of Hanajima from Fruits Basket. Speaking of characters from other manga and anime showing up in the book, it’s really hard to see Ray Albright in this book and not think of Tamaki from My Hero Academia, who also seems to have “socially inept” at his main feature. Oddly, his appearance here shows off how far Monica has come since the first book, as she’s now the outgoing one by comparison. The “boy of the book” in this not-quite-reverse harem is Cyril, whose subtle romantic overture to Monica is completely misinterpreted by her, but that might actually be for the best. By now I’m actually hoping that this does not end with a standard romantic ending – if ever there was a series that needed the “friendship ending” like a reverse otome game, Silent Witch is the one. Give this poor baby some good friends.

Assuming she can somehow solve the impending crises, that is. Crises which will have to wait, as the next book is apparently a short story volume. In the meantime, this series remains an absolute delight.

Didn’t I Say to Make My Abilities Average in the Next Life?!, Vol. 16

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By FUNA and Itsuki Akata. Released in Japan as “Watashi, Nouryoku wa Heikinchi de tte Itta yo ne!” by SQEX Novels. Released in North America by Seven Seas. Translated by Diana Taylor. Adapted by Maggie Cooper.

There’s been a lot of talk lately about the overuse of slavery in isekai books, and it’s a good discussion to have, but I also think we need to look at the “plucky orphans” trope as well. Our hero/heroine comes across either children starving on the street or an orphanage where they barely get enough food to survive. And over the course of the next few pages, what happens for the most part is “sweet, free workforce!”. The general feeling is that they are amazingly fortunate to have our isekai’d person come along and teach them skills and trades, and what’s more, their bellies are finally full, so they’ll do anything they’re asked. Sometimes there is at least a vague attempt to show that this is bad (Bookworm). Sometimes it’s abused horribly, but at least the kids are paid actual wages (Kuma Bear). And sometimes it’s “they’re getting food from me, so let’s turn them all into little 6-year-old waitresses”. Welcome to FUNAtown.

Mile and the rest of the Crimson Vow finally get to see the Demon Village, which is mostly an anticlimax, though she does meet the “Holy Maiden”, a demon girl with the same ability as Mile to talk to the nanos. (The girl is clearly being used and mistreated by the village, a fact that Mile mostly ignores except to give her and her family a pile of food). Elsewhere, Mile ends up getting led to an ancient artifact, buried deep (very, very deep) beneath the ground, and communicates with it, learning a lot of backstory about this world’s past. Unfortunately, it turns out that there was some time dilation involved, and when she and the Vow emerge from the Earth the invasion that Mile has been worried about for the last couple of books is about to go full blast. Will Mile be able to stop it? And can she get Reina to cosplay as Kuroko from A Certain Magical Index?

As always with FUNA, any attempts at a serious examination of the world or actual danger and angst is offset by the fact that her heroines are massive overpowered goofs. This is especially true of Mile. She gains the ability to show the entire world a projection of herself in order to warn them that the real danger from another world is going to emerge from a different place… and the first thing she does is imitate the MGM lion. I did appreciate that she finally started to tell her friends SOME of the reason why she is what she is. Not the reincarnated from Japan thing, but that God had given her special abilities, and that she needs to use them to save the world. Mile is making a lot of inferences that I’m not sure hold up, but as long as she’s trying to do good and doesn’t just farm it out to the orphans instead, that’s fine.

We’re mostly caught up with Japan, so expect a new volume in 6 months or so. It also seems like the series might be getting near an ending, and the cover of Vol. 17 looks like a “final volume” cover… but there’s an 18 already, so I doubt it. Recommended for fans of this author.

Stuck in a Time Loop: When All Else Fails, Be a Villainess, Vol. 1

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By Sora Hinokage and Tsukasa Kiryu. Released in Japan as “Loop kara Nukedasenai Akuyaku Reijō wa, Akiramete Sukikatte Ikirukoto ni Kimemashita” by DRE Novels. Released in North America by J-Novel Heart. Translated by Andria McKnight.

It’s always nice to see a refreshing variation of the old formula. In fact, this book takes two formulas and combines them. Selene starts off by having her engagement broken by her fiance (who is, of course, in love with her younger sister) and has “dark” powers that are typical of a villainess character. We also get the time loop variation, where our heroine keeps dying and resetting, trying to find the timeline where she can live happily ever after. The gimmick here is that Selene was a kind, fairly shy young women who has been desperately trying to find a solution for nine lifetimes, and once she hits the tenth she decides that all this can go to hell. She’s not quite broken, but she’s certainly now jaded and cynical as hell, and perfectly willing to torture her father to the brink of death in order to become head of house. The trouble is, deep down? She’s not THAT bad, really.

Selene is the daughter of her father, head of the Vixent House and a commoner woman. Ever since her younger sister, Soleil, was born, she’s been treated like crap by her family and the servants. Worse still, she manifests the power of Shadow, which is seen as an ill omen – her family are supposed to manifest sun powers. So she’s locked in a room to starve to death. Or murdered. Or she runs away and is killed. Or she kills herself. Nothing she tries can stop bad things from happening and her going back to try again. Now, in this new life, she’s determined to stop playing nice. She quickly gains control of her family and finds that hey, now that she’s powerful and can theoretically kill them all, the servants love her! But she needs to find out why this is happening, so teams up with… a man who doesn’t exist anymore.

There’s a lot to like here. The one weakness in the book, I’d say, is that Selene is of the “stoic, relatively unemotional” style of protagonists, which can be a bit boring in some places where I had hoped for a bit more oomph. That said, there’s absolutely a reason for her to be that way, so I get it. Her not-quite-romance with Dier is fun – they’re “accomplices” rather than anything else, which made me think of Otherside Picnic. The other family heads with power are variations on a stock type, but none of them are overly annoying except maybe the water user who is obsessed with Selene… and even then, the fact that she doesn’t take him remotely seriously helps. The one shoe that hasn’t dropped yet is her younger sister. The only person in her family who seems to love Selene, Soleil, throughout this book, acts like a loving but somewhat ineffectual young girl. But I’ve read these books before, and I just KNOW that in this situation, she’s going to be evil. That may have to wait for the second book, though.

This wasn’t lights out fantastic, but it was a very solid read, and if you like jaded women who nevertheless are still pretty kind at their core, give it a try.