Strike the Blood, Vol. 22

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By Gakuto Mikumo and Manyako. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by Jeremiah Bourque.

Strike the Blood remains, to the end, a very good action series and a really lousy harem series. Kojou, despite the bloody nose indicating arousal, is one of the most asexual harem leads I’ve ever read about, and frankly I have no idea how he’s going to sire the two future children that we know about. The scenes towards the end where he does some sort of weird vampire mojo thing and makes all the girls have an orgasm (not explicitly stated, but implied) made me roll my eyes. But when it’s being a Shonen Jump style series, or when it treats his cast as an extended family, it’s much, much better. This pretty much wraps up all the outstanding plotlines with the exception of “who does he end up with”, which is left vague but implied to be twelve wives. Only one of whom bothers to say the words “I love you” directly to him in this book, so nice job, Asagi, you’re the winner in my eyes.

Yeah, for those hoping the final volume would have the entire cast on the cover, or at least more than one girl, I don’t know what you were expecting. In any case, the terrorists who have been driving the final arc’s plot are here, and they want Itogami Island. Kojou, who now has vampiric blood vassals again, is the logical choice to negotiate with them, though it’s worth noting that the obvious solution as to how to stop the terrorists is in fact “destroy the island”, not good. Meanwhile, Avrova is attending an upside-down high school in the sky… which makes no sense until halfway through the book or so… and then there’s Japan, who of course have several agents working for the government on the island, who saw what I said two sentences ago and agree with me.

Without question, the best scene in the book is halfway through it, when Natsuki, Yukina and her mentor, and Koyomi head down to the keystone holding the island together to destroy it. They can evacuate everyone in time, and with no island, the terrorists lose. The trouble with this idea is that literally everyone else hates it and regards it as giving up on Kojou, so the rest of the cast go to war against them. (This includes Sayaka, who is mind controlled into fighting, but it’s implied she would have agreed.) Seeing Yukina’s anguish and frustration as she ends up fighting half of Kojou’s love interests at once could almost sum up the series. As for the rest, yes, we get the “no, sempai, this is our fight!” line, so we’re good. The Nod stuff was a bit less interesting, with apologies to Those Two Girls And Their Dragon. It also comes with an almost literal Deus Ex Machina, as the daughters from the future help to do a spell that essentially makes everyone forget who Kojou is again. Well, except his love interests, of course.

The author says this series went on much longer than expected, and I can’t say it was entirely deserved. Still, in the end, Strike the Blood was exactly what it wanted to be, an action adventure series with vampires, girls kicking ass, and the occasional “whoops I walked in on you in your underwear” harem bullshit. Who could ask for anything more?

The Asterisk War: The Golden Bough Conflagration

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By Yuu Miyazaki and okiura. Released in Japan as “Gakusen Toshi Asterisk” by MF Bunko J. Released in North America by Yen On. Translated by Haydn Trowell.

OK, this took about a year longer than I was expecting it to when I wrote the review of Vol. 15 in February 2021. Part of the reason is that this took a long time to come out in Japan. The complete lack of interior illustrations may tell you why – the artist was ill, and the writer really did not want to change to a different artist. Still, we get a cover! Sylvia is on it! That said, you know what Asterisk War cover appearances are like. Fans of Sylvia will probably be unhappy with this book. The book itself tries to balance its three genres – harem romcom, tournament fighting, and counterterrorism thriller – but, to no one’s surprise, the last of those is going to get the attention in this penultimate book. We get set up to most of the big fights, with the help of our main cast, as well as Minato Wakamiya! You remember Minato. From the spinoff series? That never got licensed? Yeah. (She was briefly in Book 13-14.)

We begin with the fight between Saya and Orphelia, which… goes about how you’d expect, but Saya gets crucial information and also doesn’t die, so I’ll call that a moral victory. So now we know why Julis is pushing all her friends away, and also what the villains hope to achieve… though the villains are not really working together because they like each other. As such, while Julis prepares for her fight against Orphelia, which will no doubt be the centerpiece of the next volume, the others go to take out all the villains they can. Ayato, Saya and Kirin face off against Madiath Mesa… as well as his mind-controlled underling. Meanwhile, Claudia and Sylvia are fighting Varda-Vaos, bringing along Minato because they believe she will prove useful, and possibly also as her personality is basically “I’m gonna do my best!” with a massive anime hammer.

This series really works best when writing fights, and they are well-written, so I appreciate that. As for the villains, I feel it acknowledges that they’re a bit meh, though two of the three fights are still to come. And then there’s Dirk, who pretty much behaves exactly as you’d expect Dirk to behave. I’d say he’s a problematic fave, except this series has no fans anymore, so who really likes him enough to call him a fave? The fights basically exist to have the supporting cast do really cool things, but then end up unable to go on any further. Kirin wins but is unconscious, Sylvia… well, we hope she’s back to normal, and Claudia seems to have sacrificed the rest of her life in order to win. She’s probably the one I worry most about. As for Julis and Ayato (and Saya, but you know she’ll be written out fast), wait for the next book.

Which is the final book in the series. Hopefully it won’t take a year and a half to come out here, but given this is not one of Yen On’s top sellers who knows? The Japanese volume came out in June, and had the reaction you’d expect for a harem romcom with fans that get Very Angry Indeed. For those who enjoy this series (it’s pretty much just me, isn’t it?), this was a solid book. Which it had pictures, but oh well.

86 –Eighty-Six–, Vol. 11: Dies Passionis

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By Asato Asato and Shirabii. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by Roman Lempert.

And so we go back to the beginning of the series, and back to the Republic. Honestly, I’m sure many fans would have been perfectly happy to never have to see the republic again. That said, the 86 series is not about giving fans what they want, as the opening epigraph certainly shows. It’s about the horrors of war, what war can do to people as individuals and as a group, and the depths to which people are willing to sink to justify their moral righteousness and cowardice. This book is very well-written, delivering a series of emotional gut-punches. That said, holy Christ, it’s depressing. At the end of this book the entire cast is left wondering what the point of the previous ten books was, and if they’ve really achieved anything whatsoever. It’s a question that I’m asking myself as well. What do I want out of 86? It’s well-written, but is this going to be a “this will go full tragedy and everyone will die” series, or will their be a glimmer of future hope? Signs point to no right now.

The book starts off with bad news right from the get go, as the Legion starts dropping satellites from orbit onto the Federation and its allied countries. Devastation follows, and everyone is forced to retreat from the gains they’d made over the last several books. Oddly, there is one country that did not get bombed from above: the Republic. And now the 86 have perhaps their least appetizing assignment of all: go to the Republic and evacuate everyone. And yes, they’re aware that it’s likely a trap, but what other choice do they have? Needless to say, back in the Republic we are reminded of why we hate the Republic so much, though we also get glimmers of good people just trying their best. Unfortunately, we are also reminded that a lot of Legion soldiers are made up of Former 86. And they REALLY hate the Republic.

The last third of this book should probably have a content warning, as there is mass death and slaughter, with innocents napalmed, butchered, and otherwise murdered in a variety of ways. And this doesn’t even get into the fact that our heroes are there to escort some very reluctant Republican citizens to another country, and grateful is not part of their vocabulary, to the point where Lena has to essentially make herself an even bigger source of hatred to motivate them to not just sit down and die whimpering. By the end of the book, we’re as exhausted as the cast. This is the sort of book where the only thing that will make it feel better is to read the next book in the series. And that’s not out yet in Japan, so expect about a year till we hear from them again.

I don’t want to downplay how this is a very good book. The action is well-written, the emotions are powerful, and the heartbreak is real. It’s just… as with real war, it’s hard not to come out of it wondering why you’re here at all.