Forget Being the Villainess, I Want to Be an Adventurer!, Vol. 3

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By Hiro Oda and Tobi. Released in Japan as “Tensei Reijou wa Boukensha wo Kokorozasu” by Kadokawa Books. Released in North America digitally by J-Novel Heart. Translated by Kim Louise Davis.

One of the gimmicks in My Next Life As a Villainess is that every reader laughs at Katarina continuing to prepare for her own doom, as they know that if she’d just relax and enjoy life with her harem, everything would be fine. Of course, later volumes show that’s not actually true. One of the things we’ve seen about villainess novels is that the narrative does not like being flouted, and will do its very best to make sure our villainess dies as she’s supposed to do. And few series have quite gone as hard about it as Forget Being the Villainess, I Want to Be an Adventurer!. Even though last book ended with Serephione safely ensconced in another kingdom, and with a fiance who adores her, there’s still the “heroine” to deal with. And this heroine may be the nastiest, most evil one we’ve seen to date. actually, that may be the book’s one big flaw: Maribelle gets no tragic backstory she’s just The Adversary.

As Serephione settles into her new kingdom, various parties try to bring her back to the old one. Her family is OK with her being there as long as she’s safe, though they want to actually see her again. But when the first prince comes himself to beg her to side with him, and her grandmother is cursed and nearly dies, it becomes apparent that there’s no real way of getting out of this throne war. Especialyl when the king is a drugged puppet, the queen is getting revenge on everyone, Schneider is still trying to destroy the book series he hated when he was back in Japan, and Maribelle… well, Maribelle remains a bit of an evil in the shadows until she’s finally forced to come out. When she does, it’s time for a magical duel, which normally Serephione would have no problems with, but Maribelle has the power of a different god on her side.

I get the sense that the writer of this book wanted to go for the tragic ending but the publisher made them stop. The ending, with Serephione resolving to be reincarnated as a warm breeze to always follow her beloved (and woe, that’s an absolutely wonderful moment) feels a lot more valid than what we actually get, which is “remember that scene where you wished on a star? No? Well, we’re cashing it in.” I was also annoyed that Erza came back, as I wanted her to, only to essentially be written out of the book due to Maribelle’s curse. That said, as I mentioned above, the biggest flaw in this book is that Maribelle is a one-note antagonist, whining and screaming when things don’t go her way. She gets the “love interests” on her side due to the power of the narrative, but I would have appreciated at least a little better idea as to what drove her to this.

So, in the end, a flaws series, but I was happy to read it. Three volumes seems just about right. Recommended for villainess fans.

You Like Me, Don’t You? So, Wanna Go Out with Me?

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By Kota Nozomi and Azuri Hyuga. Released in Japan as “Kimitte Watashi no Koto Suki Nandeshou?” by GA Bunko. Released in North America by Tentai Books. Translated by Noor Hamdan.

After getting a very old series licensed by J-Novel Club (When Supernatural Battles Become Commonplace), Kota Nozomi now has a more recent series out over here, one tying in to the current trend of “relaxed, sweet and syrupy teen romances”. The artist may also be familiar to readers, having done illustrations for Our Crappy Social Game Club Is Gonna Make the Most Epic Game. And the plot is, of course, very familiar, as the whole point of this genre is to give the single teenage male a book to read that will make him sit up and think “yeah, that could be me! Maybe! If the hottest girl in the school decided to do all the heavy lifting!”. This is not a series to read if you want unique plot or characterization. But if you enjoy the genre, and are thinking “is there just enough here to entertain me and make me want to pick up the second (and so far, last) volume? Yes. Just barely.

The book opens with the title and then backtracks to review how we got here. Our sad sack protagonist is Kouichi, one of two members of the “Literature Circle”, which is to say a literature club that lost its members and became unofficial. He has a dark past that we will eventually find out about. The other member of the Literature Circle is Kasumi, his sempai at school and one of the school’s “Four Heavenly Beauties”. She is known for her mature attitude and looks (and yes, she has large breasts,. which are mentioned frequently – it’s that genre, after all). And, after about a year of being in the same club, reading books, and getting shamelessly teased by Kasumi, she asks him if he likes her. He does, so she asks if he wants to start “trial dating”, i.e. dating the way we do it in the United States, rather than Japan’s “confess and die” approach. He suspects a trap, but goes along with it.

This book had to have its protagonist clear one low bar in order for me to want to read more of it, and it did – just. We gradually get to hear about Kouichi’s tragic past – it doesn’t involve death or past romance, but it does involve being taken advantage of by someone in authority, and it’s pretty much broken him. Unsurprisingly, it’s Kasumi’s enthusiasm and optimism that makes him decide that he wants to try again. The good thing is that, to get help, he turns to a third, more experienced person who he trusts a great deal. I was hoping that this would not merely be a two-person book, with literally any positive thing he did caused by his love for the hot girl who likes him. Instead, he’s making progress without her input. That’s good. As for Kasumi, we do occasionally get her viewpoint, and it helps us see she’s not nearly as put together and perfect as Kouichi thinks, but she’s definitely taking more leaps than he is here.

So this falls under the heading of “okay”. If it were as long as When Supernatural Battles Become Commonplace, I’d pass. Since it seems to be only one more volume, I might get it.

Sword Art Online: Progressive, Vol. 8

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By Reki Kawahara and abec. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by Stephen Paul.

(This review spoils the end of the book, but I’ll wait till after the cover art and summary to do so.)

For the most part, Sword Art Online is a cash cow. What this means, especially now that Kawahara is no longer relying on rewriting his webnovel, is that he is free to do what he wants and take all the time he needs without real fear of being cancelled. Now, this can be dangerous, and the series risks becoming a bit TOO meandering. But it also means that he’s happy to set up a bunch of stuff, lead us towards resolving it… and then kick it up to the next floor/book, knowing that he has time to look into it in greater detail then. This is what happens here with the ongoing Dark Elves plot. We get a few more hints about what’s going on, there’s some tantalizing angst as they worry about putting the main casino plot ahead of Kizmel’s (she assures them it’s fine.) And then the confrontation… isn’t. See you in Book 9.

Kirito frequently runs on his instincts, which usually serve him well but also get him in a pile of trouble, as they do here where he essentially decides to rescue the monster dog from where it’s being slowly tortured to death for the casino games. Which is fine, but… that means they’ve got a lot that now needs to happen, including getting Nirrnir to inspect the enemy camp’s monster stables. Unfortunately, that leads to Very Bad Things, so now Kirito and Asuna are in a race against time to try to a) beat the cheating casino, b) beat the floor boss, and c) help Kizmel get un-disgraced. Fortunately, they have each other, they have Argo, and they have the power of delicious Greek food, so it won’t be TOO hard… maybe.

So yeah, I have to admit, I was not particularly surprised at the fact that Nirrnir was a vampire, as all the signs were there in the previous book. It would have been more odd if she WASN’T. No, the surprise was that I expected our heroes to win and be able to cure her poisoning at the last minute. I wasn’t even that surprised at Kirito telling Nirrnir to drink his blood in order to stay alive – this is a classic trope of vampire stories. I was pretty surprised that this caused Kirito to become a vampire himself. And I was VERY VERY surprised that this was not resolved by the end of the book, meaning he’s going to have to take on the next floor only in the evening, as he now has all the traditional vampire weaknesses. It fits with the story in this 2-book arc, but honestly, I hope “Kirito the Vampire” is resolved sooner rather than later in Book 9. And honestly, I kind of want the dark elf plot resolved as well. I love Kizmel, but ell… sometimes Progressive *is* too meandering.

We’re caught up with Japan again, and I’m not sure when Book 9 will come out. In the meantime, please enjoy a Kirito who is probably going to be staring at Asuna’s neck even more than he normally does.