Kuma Kuma Kuma Bear, Vol. 10

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By Kumanano and 029. Released in Japan by PASH! Books. Released in North America by Seven Seas. Translated by Jan Cash & Vincent Castaneda. Adapted by M.B. Hare.

This is a lighter volume of Kuma Bear, despite the threat of the destruction of an ancient sacred tree. You know Yuna’s got this, though the fight is difficult enough that she has to switch from black bear onesie to white bear onesie, and she ends up fairly exhausted. Speaking of that switch… Kuma Bear is, I think, mostly written for a male audience, but I also think we’re supposed to go “aww” at the antics more than “Cor!”. Yuna has to strip to change her costume, and there’s a shot of her in her underwear. But it’s not particularly sexy, and the narrative is far more concerned with Yuna’s childish bear panties and her reaction to anyone who finds out about them. Yuna has an image that she wants to keep up of her as a cool lone wolf (or rather lone bear) sort, but it’s constantly undone by the reality of her being the big sister to 11 million kids and also having older than she looks issues. Is embarrassment fanservice?

Arriving at the elf village allows the author to bring out a whole mess of fantasy novel elf tropes to make fun of, from their supposed perfect hidden tracking skills (which Yuna spots immediately) to the fact that even “grandfather” looks, at most, about 40 years old. The barrier nis weakening, however, and it turns out the problem is that the elves’ sacred tree has been infested by a parasite, who is slowly killing it and weakening said barrier. So it’s up to the elves to fix things… along with Yuna, who can enter the protective ward that no one but elves can, because, you know, OP bear. There’s also other dangerous monsters to fight, some of which might actually kill off an elf or two… but probably not, as this is not one of the dark Kuma Bear books. The worst we’ll see is Yuna worrying about her secrets.

Yuna has, for the most part, remained quiet on her origins and the basis of her awesome powers, not even telling Fina, the one person she’s closest to. I had wondered briefly if she might open up a bit to the elves here, given that they sign a contract that tortures them with unstoppable laughter if they reveal her secret, but no, it turns out she’s just telling them about her bear gates so she can set one up here, and her bear phone so that the village can communicate with Sanya and Yuna when they want to. It doesn’t feel like she’s revealing much here, but I get it. Yuna hates making ties with other people, but does it anyway, and she also hates it when people praise her because she doesn’t think of any of it as HER. The Bear Suit is the OP heroine. She’s just the girl inside it. Which is an interesting psychological trauma to dig into, but I doubt we’re going there soon.

If you read Kuma Bear, you’ll enjoy this. If you don’t, we;ll, cute but OP bear girl slice-of-life again.

Saint? No! I’m Just a Passing Beast Tamer!: The Invincible Saint and the Quest for Fluff, Vol. 2

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By Inumajin and Falmaro. Released in Japan as “Seijo-sama? Iie, Toorisugari no Mamono Tsukai desu! – Zettai Muteki no Seijo wa Mofumofu to Tabi wo suru” by Kadokawa Books. Released in North America by J-Novel Club. Translated by Meteora.

As with the last volume, the main thing you notice about this book is that it’s a comedy. That said,, things are actually pretty dark when Kanata’s not on the scene. The church is evil and is taking the money for themselves. The church is also brainwashing local ogres into having their minions attack small villages. Bitter blacksmiths are tricking their rival’s daughter into paying fake debt. And yet… when Kanata IS on the page, everyone turns into the broadest comedy. The hypercompetent adventurer Melissa turns into the ultimate whiny office lady. The evil Saint causing all this is far more annoyed that Kanata doesn’t even bother to see her as an enemy. And the massive wolf-spirit imprisoned by the Church finds that he can get far more laughs if he’s a cute puffball. The key to Kanata saving the world is not her ludicrous power to do anything, or her vague kindness that mostly revolves around fluff. It’s that she’s funny.

We pick up where we left off, with Kanata and her demon lord turned pussycat companion Zaggy trying to track down more fluff for Kanata to pet. They run into a small dog puffball, who Kanata nicknames Fen-Fen, who is of course the aforementioned Wolf Spirit. He’s spent decades waiting for the Saint that he’s supposed to dedicate himself to, only to be locked up by Marianne, the girl who actually does have the Saint title but has none of the Saint morality. She’s actually being led by the goddess we saw last time, who has one piece of advice for her: if you see Kanata, run away. Sadly, Marianne does not take this advice, and now has to deal with a girl who will get more fluff By Any Means Necessary, even if it means doing endless amounts of tiny, cheap good deeds.

The joke about Kanata, of course, is that she *is* the Saint, but accidentally. She’s not particularly saving lives, helping find lost pets, or taking down the evil church that’s controlling everything because it’s the right thing to do. Indeed, you could argue that she doesn’t notice what she’s doing at all. She does it because it will get her fluff. Hell, the evil Saint, Marianne, is seemingly killed by her patron goddess, only for Kanata to resurrect her… because her hair is a 10 points on the fluffy scale. No other reason. We do occasionally see flashes of her actually comprehending what’s going on… in the side story she clearly sees the cheating going on and decides to help by having Zaggy cheat on the other side… But for the most part, she’s not good or bad. She’s fluff. And since no one in this world knows what that means, it becomes an all-purpose thing to strive for, be it strength, good deeds, whatever. Fluff is what you want it to be.

Of course, Kanata wants it to be fluff she can snuggle. She may have to wait a bit, the third volume is not out in Japan yet. Till then, this is silly but… no, it’s just silly.

Can Someone Please Explain What’s Going On?! ~The Contract Couple’s Happily Ever After~, Vol. 9

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By Tsuredurebana and Rin Hagiwara. Released in Japan as “Dareka Kono Joukyou wo Setsumei Shite Kudasai! ~Keiyaku Kara Hajimaru Wedding~” by ArianRose. Released in North America by J-Novel Club. Translated by Tara Quinn.

And so we finally get to the end of this series, with six main volumes and three After Story volumes. This is the last of the After Stories and has the least amount happening, as there’s not even a crisis to solve this time, like the mystery from the previous book. This volume has two main plotlines: 1) finish telling Lettie the story of how she was born, which this time does actually involve her birth, and 2) celebrate the kingdom’s founding day, which sounds remarkably like Christmas but is done at the height of cherry blossom season. Mostly what this volume shows off is how comfortable and happy everyone is now, and that all of the conflict and drama from earlier books has been dealt with. The only remaining issue is Viola’s constant self-image issues, which I know the author thinks of as a cute running gag but never fails to irritate me – and everyone else in the household too, judging by their reaction to her worry that Lettie will inherit her looks.

As noted, the first half of the book shows the days leading up to Viola giving birth and the weeks after it. This includes some false labor brought on by insisting on weeding while nearly due to give birth, and also a relatively quick and easy labor – much to Viola’s surprise, as from her perspective she thought it took forever. Lettie is surrounded by adoring family and servants, so the question is how is she not going to grow up spoiled, really. Viola will help there, I expect. The second chunk of the book has the mansion preparing for Flur Day, the aforementioned Christmas equivalent. A strong windstorm may put paid to some of the festivities, but otherwise there’s a relative lack of anything going on here – the main drama stems from everyone trying to get out of hearing the King’s speech again so that they can get to the truly important thing a week later – Lettie’s first birthday.

There is still the occasional reminder that there is ever present danger in this world – Viola is given a number of mazes to memorize and complete, and only after she’s done so does she realize that they’re a layout of the mansion and the royal palace, complete with secret passages and hidey-holes, if she ever needs to escape like she has in previous books. But for the most part this is a victory lap, and it even ends the way a lot of these books do – with Viola discovering she is pregnant with her second child. As I’ve noted before, this continues to be a surprise to me as Viola has not, through all nine volumes, ever really shown any sexual desire towards her husband. Even when given an obvious opportunity, such as coming in to “get warm” after a nighttime cherry blossom viewing, all they do is have cocoa. It’s very pure.

So yes, this book is also a bit boring, but I’ll take that over the classist nonsense some of the main series did. In the end, this was a flawed but fun series, and I really hope one day it hits Viola that she’s gorgeous.