The Saga of Tanya the Evil: Omnes una Manet Nox

By Carlo Zen and Shinobu Shinotsuki. Released in Japan as “Youjo Senki” by Enterbrain. Released in North America by Yen On. Translated by Emily Balistrieri.

The start of this volume makes it seem like it’s going to be a breather after all the battles from last time, and to be fair there are fewer battles here, but breather is absolutely the wrong word. After nine books, it appears that Tanya and Colonel Lergen are finally on the same page. That’s not a good thing. Especially when they’re saying things like “hey, would you be OK with strafing the government and making it look like an accident?”. Then we get Tanya meeting with first Uger and then von Rudersdorf try to get Tanya to have actual, real human reactions to things and she simply… can’t. She is unable to see why people might be wanting to cry at the fact that the Empire is on the verge of ruin. She gets the danger, and in fact is already thinking of fleeing the Empire for another country, but… the combination of her previous life’s Eliezer Yudkowsky approach to everything and her current self’s being brought up in the Army literally most of her life have led to a broken person.

Now to be fair, after looking at the cover of this volume (whose Latin roughly means “the same night awaits us all”) you might be wondering what the hell I am talking about. But there is a very big difference between Tanya screaming and ranting in her head and how Tanya actually interacts with other people. The cover picture is probably meant to be her reacting to having to deal with Doctor Schugel, who has found a much better way to make mages into guided missiles than he did the last time. While most of the brigade has actual shore leave, Tanya’s core group has to go provide escort over the seas so that General Romel and his men and retreat form the South. Which means taking on a British fleet. Easy peasy. Of course, the ones left behind on shore leave are not having an easy time of it either, as the Commonwealth has decided to do a sneak attack, and the Navy is too incompetent to see through it.

Because I always talk about Visha, let me just say that I find it interesting that, while Uger and von Rudersdorf cannot seem to fathom the way Tanya thinks, Tanya feels the exact same way about Visha, wondering how she is able to blithely take care of things with a smile on her face and a song in her heart. Especially when our little team passes through “neutral” Ildoa, and has it ground into their faces how far the Empire has fallen in terms of offering even the basic staples. Just eating a delicious fish dinner is enough to nearly destroy Tanya, because she understands the message it’s sending. And this also leads back to the cliffhanger, where the Empire is being told to invade Ildoa – a seemingly impossible task. Just how many more seemingly impossible things will they be forced to do? After all, they’re soldiers, not politicians.

As always, this is the opposite of a light read, and as lengthy as ever, but if you can put up with Tanya sounding like she’s posting to “AITA?” on Reddit sometimes, it remains a rewarding series.

Forget Being the Villainess, I Want to Be an Adventurer!, Vol. 1

By Hiro Oda and Tobi. Released in Japan as “Tensei Reijou wa Boukensha wo Kokorozasu” by Kadokawa Books. Released in North America digitally by J-Novel Club. Translated by Kim Louise Davis.

A lot of these Reincarnated Villainess titles are deconstructions of romance novels and games. It’s baked into the premise, really. That said, some are more deconstructing than others, and it’s usually when we see the sharp edges of the original plot poking out that we get the most rewarding reading. Our heroine here is not as eccentric as other villainesses we’ve seen, and she has even revealed her secret to a few people. She’s doing all the right things. But there’s still something that’s really trying hard to have events go the way that they did in the book she read back in Japan. And if that involves breaking reality to “fix” things, well, that’s life. It ups the stakes a great deal. Especially when you realize that there’s a heroine here as well… and she’s not going to be falling in love with the villainess anytime soon. This heroine is going to get her happy ending if it kills her. Or, more accurately, if it kills our protagonist.

Serephione is a young noble girl who has memories of her past life in Japan, where she read a fantasy novel set at a magic academy. In this novel, the commoner girl heroine wins the hearts of everyone around her despite the best efforts of the powerful mage … Seraphione. Yeah. To prevent this, our girl decides she’s going to avoid the magic academy altogether. This is not as easy as it sounds. She’s loaded with powerful magic. She’s bonded with the Heavenly Beast of the West, a powerful familiar. All signs point to her following the book’s plot. But Seraphione is stubborn, and is not above asking her guardian beast to cheat the system. Now the “magicless” Seraphione is at the knight school instead, making friends and breaking all sorts of records because trust me, she’s hella strong too. But has she REALLY avoided her fate?

The other really good part of the book is Seraphione’s grandmother Erza. The Author mentions in the afterword that they had been taken to task in their last book for not giving the heroine a powerful female role model, and that’s certainly what Erza is. Indeed, the entire family seems to be known for being ludicrously OP, so one one is going to think twice about Seraphione being able to do things like one-shot knock out princes from another country with her mad combat skills. I also liked how the grandmother also starts training her other friends up, not wanting to see any knights who are unable to use both their combat power and their feminine wiles to get what they want. Though perhaps training everyone in poison resistance – by poisoning them ALL THE TIME – is a bit much.

I’m sure by now everyone who reads my reviews of Villainess books is rolling their eyes, but it really is a genre that I love. This one especially caught my eye because of the way that the narrative is trying to bend back… which may or may not be the fault of the seemingly naive and selfish “heroine” (who is named Maribella, which is not Maria but close). I’m adding this series to the stack.

Altina the Sword Princess, Vol. 12

By Yukiya Murasaki and himesuz. Released in Japan as “Haken no Kouki Altina” by Famitsu Bunko. Released in North America digitally by J-Novel Club. Translated by Roy Nukia.

This volume is divided into two parts; the main story, which runs to a little over half of it, and a side story showing us what Jerome has been doing since he left Altina’s side. Gonna be honest, I’m far more interested in the former than the latter, so let’s get Jerome out of the way. He and his men are at the front, where the attacking nation is the one whose beloved princess was just murdered by Latrielle. The main fortress should not have an issue taking them on, but there’s a problem with a small, remote fortress that is trying to protect a city of older folks and kids. What to do? Have Jerome go over there and take charge. This whole section was meant to show off how badass he is, and there is some of that, but mostly it showed me that if a woman is not Altina he will happily punch her unconscious. I’m happy to leave him at that front.

The main storyline starts with Regis managing to reunite with Altina (and thus preventing a bloody battle, as she was quite ready to go to total war over his alleged death). Unfortunately, despite his best efforts with the rumors going around about patricide, he’s unable to prevent the coronation, meaning the dream of Altina ruling the Empire is dead. That said, Altina does not seem particularly put out by this, partly because she’s a bit of a meathead, but also because as long as she can continue to strive towards her ideals she’s fine taking whatever role. That said, she may not have been expecting the role she ends up being given: Latrielle, somewhat backed into a corner by Altina’s feats of war heroism and the presence of Regis (who he tried to have murdered, if you recall) at her side, makes her the head of most of the army.

The most striking scene in the book is probably Latrielle ascending the stairs to his coronation while being haunted by everyone that he had to murder in order to achieve it. There’s a very Shakespearean quality to him, complete with a seemingly tragic past love. He’s mostly blind, still somewhat wounded, and the man he fears could lead to his downfall pops up fine and dandy with the fourth AND third royals at his side. Macbeth never quite had this many obstacles. I did also like the occasional stabs at humor, the best of which was Regis realizing that he forgot to write his sister and let them know he wasn’t dead, and that the fake headless body was even shipped to her. That’ll go well. That said, even the author admits that this book is mostly setup for a new arc, as Altina and Regis head to the south to a new battlefield… with an incognito Britannia princess in their cargo.

And then there’s the cliffhanger, as a woman I’d honestly totally forgotten about pops up asking for help. Altina continues to be a strongly written military fantasy… provided it stays away from misogynistic warriors.