Holmes of Kyoto, Vol. 7

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By Mai Mochizuki and Shizu Yamauchi. Released in Japan by Futabasha. Released in North America by J-Novel Club. Translated by Minna Lin.

This volume was already starting off in a big hole as I read the synopsis before getting the book. I have to be honest, “I’m breaking up with you to keep you safe” is something that I really, really hate. It didn’t help that we get another of the plot devices I hate, which is the threat of rape framed as “I will despoil her”, because Virginity Is Important, Franklin. So yeah, this was already starting from a deep hole, and it’s a credit to the author that I will still likely be reading the next book. That said, they really need to accept that they are better at writing mysteries, antiquing and travelogues than they are romance, and also that the books work better in short story collections. It helps that the first half of the book does NOT involve this plot, even though it too has a trope that I’m not fond of, the “I’ve misunderstood a secondhand conversation and think my boyfriend is in love with someone else”. Honestly, this whole book is land mines.

Holmes and Aoi are dating, and are both calm and intelligent, but that doesn’t mean they aren’t free from stress. When Aoi hears that Holmes and Yoshie, the owner’s girlfriend, had an intimate conversation while in America, she knows it’s gonna be a misunderstanding but goes there anyway. After this Holmes is asked to judge a tea ceremony between two brothers to help figure out who’s going to take over the family. Unfortunately, after this, everyone’s least favorite Moriarty shows up to ruin the book. Ensho is back, trying to get Holmes to appraise an incense container and also to be creepy and threatening. After being startled that it’s actually genuine, he vanishes… only to show up at Aoi’s high school to threaten her. This is enough for Holmes, who decides to break up with her in order to keep her away from Ensho, who clearly has a vendetta.

It is suggested at the end of this book that we’ve seen the last of Ensho as a recurring villain, and thank God. It’s reminiscent of Jon Pertwee’s second season of Doctor Who, where you know who the villain is because The Master is in every story that season. He’s worn out his welcome. As for Aoi, honestly, given everything that happens to her here I’m rather stunned that she managed to sail through her college entrance exams. The “theme” of the book, such as it is, is that words can hurt and affect people even if they are aware that the words are complete bullshit. We see that with Holmes’s grandfather, father, and him, and it’s all the more startling because it’s people we know are calm and intelligent. That said, this series continues to be at its best when discussing antiques or touring landmarks of Kyoto, and those were once more the better parts of the book.

That said, the writer may be running out of Kyoto, as the next volume sees Homes and Aoi headed to Yawata City! Which, yes, is also in Kyoto Prefecture, but it’s the thought that counts. In the meantime, if you do read this for the potboiler soap opera, this will be filled with that sort of thing. For the rest of us, let’s hope it’s done.

Der Werwolf: The Annals of Veight, Vol. 13

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By Hyougetsu and Nari Teshima. Released in Japan by Earth Star Novels. Released in North America by J-Novel Club. Translated by Ningen.

We continue the trend of the series gradually shifting from Veight’s adventures to Friede’s, though as long as the subtitle of the series remains the same I would not worry too much about losing everyone’s favorite vice-commander. (the best joke in this volume, by the way, is how everyone now wants to be a vice-commander because that’s what Veight was and they associate it with being all-powerful.) The narration here is closer to a balance between Friede and Veight, as is the action, though it’s weighted more towards Friede in the front. She’s something of a breath of fresh air in that, while she is undeniably strong and clever, she’s also a kid and thus cannot simply brute force her way through everything the way that Veight does. Indeed, late in the book Veight gets yelled at for solving a problem by blowing it up, even though, to be fair, that was likely the only way the problem could be solved. Friede is not super OP, so we are more interested in how she fixes things.

We pick up where we left off last time, with Friede, Shirin and Yuhette being sent to Rolmund as part of an ambassadorial visit, with the hopes that if it goes well it could lead to actual negotiations by adults in the future. What follows is essentially a continuation of the Rolmund arc from previous books, as it turns out that, unlike Meraldia, things are still very much in flux there politically. Eleora mostly has everything handled, but insurrections keep happening, and she cannot be everywhere. This is problematic when her niece, the heir (you know she’s not gonna get married, she’s one of the women who lost to Airia in the Veight sweepstakes) ends up kidnapped by one of the rival factions. Who’s going to be the one to find her? Will it be those whose job it is to do it? Or will it be our little girl protagonist? Take a guess.

I was amused at the niece/heir, Micha, who at first appears to be one of THOSE rich kids (you even see her pointing, always a sign in Japanese media that someone is rude) but quickly bonds with Friede, to the point where by the time the visit ends they’re best friends. Admittedly Friede also saves her life, which does help cement close friendships, or so I hear. As for Veight, he gets to do more on the back end of the book. Facing off against a sandworm is a scene for those who prefer the old, Veight is badass sort of story, but for me the highlight was the politics, including Veight opening up to his daughter about being a reincarnation. I too would miss easy to access potato chips if I were a werewolf in a fantasy kingdom. Not to mention paper curr3ency, which rears its ugly head as this book ends and will likely come up in Book 14.

Which we may or may not see soon. Square Enix has purchased the rights to Der Werwolf in Japan, so Vol. 14 and forward need to have J-Novel Club negotiate with a new publisher. Till then, fans of the series can enjoy this book which continues to very, very slowly pass the baton to its new heroine.

Culinary Chronicles of the Court Flower, Vol. 4

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By Miri Mikawa and Kasumi Nagi. Released in Japan as “Ikka Kōkyū Ryōrichō” by Kadokawa Beans Bunko. Released in North America digitally by J-Novel Club. Translated by afm.

I will admit that after the cliffhanger of the previous volume, I was not expecting the plot for most of this one to be “ghost story”. And yet it also manages to help to drive forward the love triangle as well, as it’s hard to maintain a cool, relaxed, professional demeanor when the person you love is sneaking into your room every night. Especially when they’re really a ghost who is there to slowly sap your life essence. This isn’t QUITE Rimi’s fault this time, but she’s the only one that can fix it, and honestly if she fails execution is likely what awaits. Again. If this were the previous three volumes, then the problem would be solved by food, but here food is only part of the answer. Rimi needs to actually look inside the ghost’s heart and see why they’re doing this. Which will, unfortunately for everyone involved, mean looking inside her own heart and doing what’s best for everyone.

The book starts off with the fallout from the previous one. Both Rimi and Shusei both trying to repress their love, and succeeding only in the eyes of each other (we get monologues from each about how the other one is much calmer about this). And the Emperor is, of course, waiting patiently for Rimi’s answer to his proposal. All this emotion flying around means that Tama, the Quinary Dragon, is feeling ill and lethargic. After researching things, they decide to decamp to a different palace, one with more spiritual energy, in order to heal Tama. Unfortunately, this palace comes with its own version of the Seven Mysteries of the High School, and Rimi finds herself dragged to a cursed well by impetuous consort and repressed lesbian Yo, who decides that investigating cursed objects that scream “do not open this cursed object” is awesome. Unfortunately, it triggers a curse. And now everyone’s going into everyone else’s room – supposedly – like it’s a British farce.

The food may take a back seat this time, but the romance and political intrigue does not. Despite Shusei trying to run away from it at every opportunity, he’s finally told the secret of his birth – and understands the implications for how he can use it to make Rimi his. Unfortunately, Rimi identifies strongly with the ghost here, who had to give up on her true love in order to become the Empress because it would be better for the kingdom. It comes down to waffling about things because of your love or making a clean break without regrets, and Rimi, who has matured more with each volume, makes the difficult choice. Which is very good news for the Emperor, but very bad news for the cast in general, as after reading the last forty or so pages of this book I’m fairly sure that this series is going to be ending with most of the cast dead.

But that’s future Sean’s problem. For now, this was probably the best volume in this series to date, one where true loves goes up against political expediency and comes out the loser.