Accomplishments of the Duke’s Daughter, Vol. 4

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By Reia and Haduki Futaba. Released in Japan as “Koushaku Reijou no Tashinami” by Kadokawa Books. Released in North America by Seven Seas. Translated by Andria Cheng.

One problem that a lot of stories brought over from Japan or elsewhere have is that by the time they are licensed, there’s already a known number of volumes out – and many, such as this series, are already finished. Now don’t get me wrong, I know a lot of fans prefer this as they don’t want to get trapped in a “Japan has cancelled your favorite series with no ending, ha ha” scenario, but it does mean that it’s much harder to be surprised. Everything in this book seems to be leading to an ending. Not necessarily a GOOD ending, especially if you’re a romance fan, but an ending. The traitors have been purged, the throne war has been resolved, and Iris and Dean have… well, resolved to live in agonized pain for the good of their country. But of course this is Book 4 of 8, and so there’s always something worse coming along just to make sure that even a bittersweet ending is not going to happen.

The book starts off relatively normally, with Iris inventing Worker’s Compensation and getting proposals from foreign princes disguised as their own messengers. Unfortunately, bad things are happening as well. Her friend Mimosa is engaged to a pawn of Yuri’s, and seems to be very fatalistic about it. The king finally dies, meaning that the succession crisis is happening right now. And there’s a massive flood, causing one domain to be reduced to destitution, and the crown is demanding that over half the recovery supplies be donated by Iris’ domain. Then, finally, Edward makes his move to put himself on the throne. After all, the first prince isn’t even around. What can he possibly do? As for Iris, she’s just missing Dean.

So yeah, Iris finds out what the reader has known for a while, which is that Alfred = Dean. She’s not as shocked as I’d expected, possibly as she finds out in a meeting of all the noble leaders, and also as she’s not the type to faint dead away, but it also fills her with bittersweet feelings. She doesn’t see a path in her life anymore where she is allowed to control her own destiny. If she marries Dean she’ll be happy, but she can only see her own reputation and that of her family getting in the way. (Self-loathing is something Iris just can’t seem to shake off.) If she marries the foreign prince, she’ll basically just be a wife and nothing else. Everyone is trying to tell her “do what YOU want, not what the kingdom needs”, but she just can’t listen to them. Fortunately, something comes up that will postpone all these breakups. Unfortunately, it’s a war.

So overall, quite a roller coaster book, and I didn’t even get into the decline and fall of Yuri, who by the end of the book has lost her mind, but at least no longer has to pretend to be the sweet otome game heroine. Next time I expect a lot more battles and a much higher body count (which is disturbing given this volume already had quite a high body count to begin with).

Slayers: The Dynast Plot

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By Hajime Kanzaka and Rui Araizumi. Released in Japan by Fujimi Fantasia Bunko. Released in North America by J-Novel Club. Translated by Elizabeth Ellis.

After the review of the last volume, I said that I hoped this one would be a bit lighter in tone. It is, but only a little bit. This is still a series where not being Lina or Gourry gives you a high chance of dying horribly or being turned into a horrible monster. Indeed, one of the surprises towards the end of this book is when some of the cast we’ve met along the way *isn’t* killed off. And we also have Luke and Mileena, who are back for this book but, let’s face it, are there to be off-brand Amelia and Zelgadis – indeed, a joke in the final pages has someone mention how much Lina’s companions have changed. But honestly… I don’t think Luke and Mileena have the plot armor that Lina and Gourry do. Still, the end of the arc is still three books away, so in the meantime we have “let’s look into bad things happening” on a more mild level.

After giving her report on the previous book’s events to a very disbelieving sorcerer’s council, Lina and Gourry are forced… erm, asked to investigate a bunch of lesser demon sightings. Much to their surprise, these turn out to have been taken care of by a “white giant” on the mountainside. then, as often happens with Lina and Gourry, they run into a corpse and the murderer of said corpse, who is rather doggedly trying to eliminate witnesses. The they run into Luke and Mileena, who are with a young man, Jade, trying to save his kingdom from a very familiar person who seems to be putting poison into the king’s ear. Can our heroes manage to solve things with a lower body count than usual? Who’s destroying lesser demons up on the mountain? And doesn’t the resolution of this book seem a bit too easy to be true?

I’ve talked before about the author’s total lack of romance in the series, which seems to stem more from an inability to write it well than anything else. This comes up near the middle of the book when Lina, in a rare moment that’s just her and Mileena, asks why Mileena is always traveling with Luke. Mileena’s response is “because I’m very awkward”, which may be the most romantic thing we’ve heard in the series to date. And that’s not saying much, as you can see. As for Lina and Gourry, all I can say is that when Mileena asks about their relationship, Lina likens her and Gourry to a sex worker and her “gigolo”, which made my jaw drop but I can see her thought process. Lina’s making all the money and Gourry is the “guardian”. It makes sense if you completely remove sex or romance from the equation, and it’s clear Lina has done that.

As noted above, our heroes win, but… they win pretty easily. Even Lina suspects something else is going on here. I’m sure we’ll find out more next time. Till then, hooray for me, who managed to write 500+ more words about some very short fantasy books that are mostly fights.

Sword Art Online: Progressive, Vol. 7

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By Reki Kawahara and abec. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by Stephen Paul.

As I was reading this volume of Progressive, I wondered why I was having so much trouble remembering what had happened in the previous book, then it hit me that it’s been two and a half years since the previous book. That said, it did not take long to get back into the swing of things, because as much as I sometimes can’t remember which ones are the two main rival guilds or which player killer we saw last time, as long as I remember Kirito, Asuna, Argo and Kizmel I’m good. This book deals with the seventh floor, a summer weather floor that also boasts a beach, some lovely restaurants, and a casino where you can win big… or lose your shirt. Asuna is not all that happy about having to get involved with the casino’s machinations, but when it turns out that this will also involve the dark elves, she and Kirito are quick to help. Unfortunately, after the events of the last book, they may not get a warm welcome from the elves.

The author mentions in the afterword that the main series has Kirito and Asuna separated in the current arc (Unital Ring), so he’s very happy to have them spend the entire book together like this. Indeed, it’s the bread and butter of the series, whose fans are reading it mostly to see the two be cute and romantic. We definitely get some of that here, as despite the death game aspects of the plot the start of the book could easily be a date by the seaside. We also see that when Asuna has trouble sleeping she goes to Kirito, and being next to him knocks her right out. She may not be verbally admitting anything, but her actions speak pretty loud. As for Kirito, he reminds us again and again that he’s 14, and it feels like it. For the most part he’s still thinking that Asuna needs a larger stage to shine on (i.e. one away from him), but he also feels the need to keep her at his side. It’s cute. Argo agrees with me.

As for the non-shippers plotline, we get more of the other purpose of this series, which is the idea that this is a real world that people have lived in for centuries, rather than a game populated by NPCs. This is not to say that the NPCs can’t be cliches also, as we meet the casino’s manager (a cool collected 12-year-old girl) and her battle maid. As for Kizmel, yeah, things not going so well. Not only is there a prison br3eak sequence, but they’ve got to find a way to get the keys back while at the same time dealing with the quests they have at the casino. There’s so much going on that it’s a surprise it gets fit into one book… OK, no, it doesn’t. There’s a cliffhanger, and we’ll have to wait for Book 8 to resolve it.

Fortunately, Book 8 is on sale this spring, so we will not be waiting another two and a half years. Till then, there’s lots to read about here, but mostly what we want is the cute not-yet romance. There’s plenty of that here.