Invaders of the Rokujouma!?, Vol. 35

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By Takehaya and Poco. Released in Japan as “Rokujouma no Shinryakusha!?” by HJ Bunko. Released in North America digitally by J-Novel Club. Translated by Warnis.

You would think, now that we are at the 37th volume of this series (counting the two .5 books), that we would be finished with introducing new characters to add to an already overloaded cast, and yet. Coming to Earth to help our heroes with their battle against Ralgwin and his troops is another Princess, Nefilforna Canon Forthorthe. Honestly, there are so many people in this cast I’d like to pretend she doesn’t exist, but unfortunately, she’s Canon. (I’m so sorry.) She arrives and promptly proceeds to kick Koutarou’s ass in a mock battle – as he readily agrees, he only won the second time thanks to all the support he gets from everyone. She’s compared to Theia in that, while Theia has a natural talent for combat, Nefi is the sort who got really good at it through hard work and grinding. Good thing, too, as the raid against Ralgwin’s base, especially now that they’re armed with spirit guns, proves to be a giant pain in the neck.

Harumi is on the cover again, and gets a fair bit to do. The most notable thing is that the troops of Forthorthe that are allied with Koutarou’s group ar4e working with her for the first time, and are… a but weirded out that she is essentially Alaia’s reincarnation/soul carrier/whatever. Even Koutarou is not quite sure how Harumi and Alaia’s relationship is, and honestly, I don’t think it’s going to matter much in the long run. They both love Koutarou, and they both kick ass. Everyone here gets some good time in the spotlight, though as always Yurika gets made fun of, this time for being their “chemical warfare expert”, as her image of being Card Captor Sakura gets further and further away. The one who suffers the worst is probably Theia, who I suspect wanted to try her cool powered suit and so rushes ahead – she’s fine, but she put those under her in danger. She’s still too hotheaded.

Unfortunately, the raid is not a complete success. Ralgwin wants to get revenge for his uncle, but also has an actual logical brain, so is a much tougher opponent. And he has the benefit of a new villain rescuing him, whose identity we don’t quite get yet (though I can hazard a guess), but who seems to have teleportation skills of some sort. Honestly, it feels more like the author using magical writing powers to make sure that the book doesn’t end that soon. Fortunately, our gang does not seem too upset about it. Also fortunately, while she certainly admires him, Princess Nefi does not seem to fall in love with Koutarou, which is good. A harem of nine or ten girls is already quite a lot even by light novel standards, and adding more would seem to be overegging the pudding a bit.

Side stories continue to take a break, as the next book continues the main Ralgwin plot. Till then, this is a decent volume in a very long running series.

ROLL OVER AND DIE: I Will Fight for an Ordinary Life with My Love and Cursed Sword!, Vol. 2

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By kiki and kinta. Released in Japan as “Omae Gotoki ga Maou ni Kateru to Omou na” to Gachizei ni Yuusha Party wo Tsuihou Sareta node, Outo de Kimama ni Kurashitai” by GC Novels. Released in North America by Seven Seas. Translated by Jason Muell. Adapted by Brock Wassman.

When I was younger I wrote stories, and a whole lot of them were what these days is referred to as “grimdark”. I killed off beloved supporting characters. I brought in cameos from other universes just to kill THEM off. I had the main couple become multiple murderers. But now I am older, and I gotta admit… I prefer happy endings, y’know? Grimdark can be exciting, and when you first create it you do feel sort of edgy and cool, but you run into the problem of how to top yourself, and before long, well, you’ve become an editor at DC Comics. (Zing!) All of this is a roundabout waty to say that, like the first volume, the second volume of Roll Over and Die has a Grimdark Problem. If you’re here for the lesbians, there’s about 10-15 pages for you. The book, however, is 299 pages.

As the second volume begins, our heroines are enjoying a relatively peaceful life while also trying to deal with the somewhat aggressive attacks from Dein, the “leader” of the section of town they’re in. Unfortunately, said peace is shattered when they come across a young girl with both eyes sewn shut, named Ink, who claims to have amnesia. She doesn’t, as they soon find out, and her origin is what drives this second volume, which ends up, once again, putting Flum through the ringer. She has more friends – both in the royal military and allies from the hero’s party who have now left it – but a lot of this book sees her suffering on her own, trying to avoid getting killed and finally being forced to go on a spree of killing just to defend herself. Can she uncover what the Church is up to while not sacrificing the lives of her friends?

Don’t get me wrong, the grimdark is compelling at times. This is a well-written book for walking up to the “too much horror” line, perhaps treading on top of it, but never quite going over it. (That said, there is a general eye and body horror warning for the whole book.) As noted above, Flum has a lot of allies this time around, but not only do they tend to get cut off from her just when she needs them most, but she is also reluctant to call for help in the first place. Having spent most of her life being treated as useless, it’s very hard for Flum to ask for any help at all, even now that she has her fantastic cursed sword and tendency to not die. The third quarter of the book reminded me very much of Sexiled, in that it’s a young woman beating the absolute crap out of a shitty man who won’t stop calling her insults, slurs and threats even up till his end. Still, it can be exhausting.

The author says in the afterword that the “slow life” part of the series is over, and honestly it didn’t last very long. I assume that we’re going to be focusing more on the Hero’s Party as we go along, which looks to be either falling apart of filled with evildoers. Till then, I will definitely be reading more, and I even enjoyed this for some factor of “enjoyed”, but man, Flum, hug a puppy or something.

Holmes of Kyoto, Vol. 3

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By Mai Mochizuki and Shizu Yamauchi. Released in Japan by Futabasha. Released in North America by J-Novel Club. Translated by Minna Lin.

One of the better things about this series is the way that it makes you look at art. And by art I don’t just mean paintings and sculptures, but also anything that is crafted with a purpose. In this book we see several times what it means to be a real artist, the sacrifices and mental anguish that sometimes need to be suffered to achieve this, and also the fact that imitations cannot, no matter how hard they try, get completely into the artist’s head. This is not to say that imitations are always invaluable – there’s a lithograph in this story that impresses everyone even though it’s merely a copy – but that it is very hard to keep the emotions of what you are doing while also thinking “hrm, he used to paint his ears like THIS”, etc. Holmes is very good at this sort of thing, and Aoi is starting to get better at it as well. Unfortunately for Holmes, Aoi – and indeed everyone else around him – have trouble seeing HIS heart.

After a brief prologue in which Holmes indirectly helps his father think of a subject to write about, we get three main stories here. In the first, Holmes and Aoi go to a Kabuki show, only to run into theatrical intrigue when the show’s star is threatened, both via letter and later on the stage itself. In the second story Holmes meets up with his ex-girlfriend, now engaged, who worries that her fiancee is lying to her about ending his relationship with his former girlfriend. And in the final story, Holmes and Aoi attend his grandfather’s birthday party, and a treasure hunt arranged by the family ends up being a lot of fun… until a surprise guest shows up. Throughout all these stories, of course, Holmes is making deductions and solving crimes, as well as showing off his well-trained eye for antiques. He’s a terrific guy. Unfortunately, Aoi suffers from a major case of low self-esteem, and so is convinced that he sees her as just a friend – clearly not true, as the reader knows.

Honestly, I am content with Aoi feeling like this, at least until she’s out of high school. The bigger question (OK, not really) is whether they become a triple rather than a couple, as every single time they have an outing they seem to run into Akihito, who ends up accompanying them. This is the funniest part of the book, and it’s amusing to see Holmes’ growing frustration, but the three really do have a great chemistry as a team. The mysteries themselves are also well-done, and the author has promised not to dip into more serious crimes like murder, so the stakes are low enough that the book is a relaxing read. Indeed, I was thrown off by the first story, where I incorrectly guessed the culprit. That said, like a lot of mystery books of this sort, I don’t think the books are written to have the audience guess before the detective, but to show off the detective’s awesomeness.

If you’re looking for a book about romance, I’d look elsewhere, but for a fun series of mysteries, Holmes of Kyoto is hard to beat.