The Ideal Sponger Life, Vol. 1

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By Tsunehiko Watanabe and Jyuu Ayakura. Released in Japan as “Risou no Himo Seikatsu” by Hero Bunko. Released in North America by J-Novel Club. Translated by MPT.

I had reviewed the first volume of the manga here two years ago, and we’ve had several volumes since then. Reading the light novel shows that the manga compressed quite a bit, probably sensibly. Anyone who is reading this book for the hot woman on the cover and hoping to get some nookie is going to be wildly disappointed by the 20-page discussion of hydroelectric generators, as well as the fact that the book pretty much cuts away whenever there is going to be some loving. That said, when this series first came out as a webnovel, it was SUPER popular, and there’s a hint of why that is here, as there’s some very nice political intrigue and worldbuilding, especially once we realize that our overworked salaryman hero, despite his stated intentions, is going to be proving that title wrong fairly quickly. Indeed, he does so almost immediately, as many of the things he has brought over from Earth are unknown here, ranging from glassworks to Microsoft Excel.

Our hero is Zenjirou, a young man in his mid-20s who works at a very busy Japanese company. On his off day, as he’s biking back home with food, he finds himself in a palace in another world – transported there by the beautiful young Queen, Aura. She’s looking for a husband and father to her children. As it turns out, due to various political reasons, she doesn’t want to marry any of the candidates in her own world. Plus Zenjirou does have royal blood in him, as it turns out his ancestors came from this world in the first place. After some questions and negotiations, he agrees to marry her, and the wedding comes off relatively well. That said, he may not be able to be a layabout for long. His own overly polite and deferential manners are greatly at odds with what people think a royal should act like. And those other marriage candidates aren’t going to stop trying to gain power just because the Queen married someone else.

This first volume is mostly setup, and it does drag a bit in places. There’s a point where Zenjirou returns to Japan for 30 days to settle his affairs (after this, he won’t be able to return for 30 years due to the way magic works), and we see why he would be so willing to cut ties with things, but I would happily have cut most of that to a 3-page montage. The main reason to get this is the worldbuilding and politics, both of which are quite good. Zenjirou manages to bring over a generator and several appliances with him, and so we see this medieval fantasy world getting used to fluorescent lighting and air conditioning. Aura picked an outsider as she wants to actually reign as Queen, and knows that in this patriarchal society anyone who marries her would immediately force her out of power. That said, she and Zenjirou fall in love fairly quickly, and even if he is sharper than she might have liked, I think she’s quite happy.

Zenjirou stays mostly cooped up with the Queen and servants this volume, but that can’t last. I suspect we’ll be seeing lots of ‘lets see how he handles this situation!’ plotlines in the second volume. Till then, this is a decent isekai title, less salacious than the cover and premise might suggest, and definitely worth a read.

Kuma Kuma Kuma Bear, Vol. 4

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By Kumanano and 029. Released in Japan by PASH! Books. Released in North America by Seven Seas. Translated by Jan Cash & Vincent Castaneda. Adapted by M.B. Hare.

This series remains very off balance, though I do enjoy it a great deal. It sells itself as a slow-life adventure with an OP girl doing cute things with other girls, and that’s what it is about half the time. But once every volume the author wants to remind us that this world (and, it’s implied, Yuna’s past) can be dark and horrible, and it’s always tonally dissonant. Here we see Yuna stopping a gang of bandits. First of all, the bandits are really adventurers paid by the villain to be bandits. Secondly, they go above and beyond their pay, as they apparently kill everyone leaving the city who isn’t a young pretty woman, and then keep the young pretty women in their cave as slaves and (it’s implied) rape them. There’s a horrific scene where, on finding the villain has among the things he’s stolen a ring she recognizes, one of the victims attacks the villain and demands her husband back. It’s… it feels like we jumped genres.

There’s two main plotlines here. First, Yuna returns to Crimonia with Fina and buys a mansion, then converts it into a bakery. This is the more typical Yuna plotline, with lots of OP ridiculousness, lots of cute girls, and tons of bear accessories, bear names, and beat statues. (But still no bear puns. The series is doing a good job at avoiding that.) In the second half of the story, Yuna goes to the ocean in search of seafood, but finds a city under attack on both sides: there’s a kraken in the ocean making it impossible to fish or get supplies, and there’s the aforementioned bandit gang. Yuna cleans up both, though the kraken seems to give her the first hard time she’s had to date, almost exhausting her mana trying to boil it up in the equivalent of a cliffside hot pot. Throughout it all, Yuna is as matter of fact and blunt as ever… except when she realizes the ocean city has rice. And miso. And soy sauce. Then she gets really emotional.

Yuna’s mindset is the best reason to read this book. the anime softened her a great deal. It adapted both of these plotlines, but also had a final episode not in this book where Fina is lonely and Yuna has to learn how to read emotions. That’s not really here, and it’s not just a matter of Yuna being callous, but an actual deliberate character flaw. Last review I said Yuna was trying to avoid getting too well-known or famous, but after this book I suspect Yuna will try to deflect and praise or thanks thrown her way, and is desperate to not have people get too close to her. She also tends to think about this world in terms of a game – of course, it’s a world she was brought into THROUGH a game – and situations like the bandits and their captives make her remind herself this is a real world with real people. It’s something that needs a bit more reinforcement, I think.

So yes, there’s a bit more here than cute girls doing cute things. There were also some great lines in this – Yunqa’s deadpan delivery helps sell them well. Next book Yuna starts a trade route, and I may see that Yuna and Fina scene that wasn’t here.

Wataru!!! The Hot-Blooded Teen and His Epic Adventures in a Fantasy World After Stopping a Truck with His Bare Hands!, Vol. 2

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By Simotti and RELUCY. Released in Japan as “Truck Uketome Isekai Tensei! Nekketsu Butouha Koukousei Wataru!!!” by Overlap. Released in North America by J-Novel Club. Translated by Adam Seacord and Roko Mobius.

I have been known to say that the reason I don’t review light novels in the “Bookshelf Briefs” column on Manga Bookshelf is that there is always a way I can spin out 500 words on a light novel no matter what, but I will admit that some series test that to the extreme. Wataru!!! 2 is exactly what Wataru!!! 1 was, and if you liked that you should like this, though probably a bit less as the shtick is no longer new. But this is a gag series. I can’t talk about character development, there isn’t any. We’re literally told that backstories dropped on us will be totally irrelevant later in the book, so it’s OK to forget about them. This book invites anti-criticism. This volume does indeed appear to be the final one, and that’s probably for the best, as even though I enjoyed both I’m pretty sure I don’t need to read a third book of this.

The plot of the 2nd book borrows heavily from Dragon Ball. Wataru and friends are sent to fight a dragon who is destroying villages, but in order to fight him fair and square, they need to collect six orbs that are scattered around the area. Wataru does this by a) winning a hot dog eating contest, b) beating up an isekai author, c) fighting a cute young assassin who immediately falls in love with Wataru, d) solving the most obvious murder ever; e) playing a card battle game in one of the few stores Aria hasn’t been banned from; f) fighting a possessed Résistance, and g) actually fighting the dragon. Throughout all this we get the usual loud shouting, ridiculous fights, dumb gags, and fourth wall breaking. It is quite good at all of those things.

The most amusing parts of the book are probably when it tries to bite the hand that feeds it. The orc who writes OP isekai novels is pathetic, and it’s no surprise that rather than trying to impress him our heroes simply knock him out and take his stuff. That said, they each try their hand at writing a light novel. Aria’s is a typical shoujo LN, with perhaps more swords than usual; Wataru’s is an anime commercial, and Résistance writes a dark emo fantasy. The payoff is at the end, in a side story where we find Résistance’s light novel has been purchased by “Sky-Novel Club”, who get quite a few caustic comments from Aria and Wataru. Other than that, well, there’s lots of punching things, and leaping high into the air, etc. Still no real romance. Aria just isn’t into Wataru, Résistance is too passive, and Elphabelle is pretty firmly rejected. Wataru is a hot-blooded teen in the Ashita no Joe sense, not the Ataru Moroboshi sense.

Again, this is worth picmking up if you really enjoyed the first volume, or just like people shouting, getting grievous head injuries (that can be easily fixed with healing magic), and writing epic tales where Luffy, Detective Conan and Pikachu team up, but fans who like subtlety should stay well away.