Reincarnated As a Sword, Vol. 1

Leave a reply

By Yuu Tanaka and Llo. Released in Japan as “Tensei Shitara Ken deshita” by GC Novels. Released in North America by Airship. Translated by Mike Rachmat. Adapted by Jaymee Goh.

When this book first came out in 2019, I read about 25 pages of it and stopped, abandoning the book as I really didn’t like it. I mentioned this recently to some other folks, whose reaction was mostly “wait, you didn’t even get to the catgirl?”Sure enough, I guess there is a catgirl on the cover. And as I deal with a slow August, I thought that maybe I had just been in a bad mood that day, and I started the book again, determined to finish it. Well, I did finish it. And it definitely does improve when Fran shows up. But I also was not wrong back in 2019. This might be the worst start to a popular light novel series I have ever read. Our hero is annoying, he’s overly chuuni, he kills a lot of monsters without remorse (oddly, he gets the remorse later, after meeting Fran), and there’s also a ton of stat counting. And, of course, “Oh, I guess this world has slavery.” Said like you’re going to the deli.

Our sword protagonist, who doesn’t even remember his old name, is hit by… a sports car (not a truck!) and wakes up in a fantasy world as a magic sword. He spends the first eighty pages or so of this book trying out cool powers, defeating increasingly dangerous monsters, being being incredibly smug and annoying. Unfortunately, he then ends up stuck in a land that saps mana, and can no longer move around. Cue Fran, a catgirl who’s part of a group of slaves who ran into monsters. After taking care of the monsters, and the slave owner, Fran and the sword (who she names “Teacher”) team up, and head to the nearest large city. From this point the book gets far more generic and predictable, which is actually a point in its favor. The writer stops trying to make the sword entertaining and focuses instead on the sword trying to teach Fran how to get strong and also possibly not become a sociopath.

Now, I know what you’re thinking. Aren’t I a huge fan of A Late-Start Tamer’s Laid-Back Life, by the same author? I am indeed. Oddly, the books seemingly start off very similar, with our main character going around, experimenting, and looking at their stats go up when they do things. The Tamer book, though, is actually a GAME, not reality, so I don’t need to apply the same morality to it. Yuta’s experimentation, due to his class, avoids fighting for the most part, while the sword’s revels in it. Yuta is generally nice to everyone and gives away things without realizing their value. The sword eventually starts to realize that killing goblins while literally imitating Stormbringer is perhaps a bit too evil, but since this is a world where all monsters are default evil, he doesn’t dwell on this too much. At least he doesn’t lech on Fran, who is only twelve years old. Her stoicness, while clearly the result of trauma, also makes her more interesting in contrast to her partner.

So yes, this gets better. I’m sure later volumes are interesting. But I’d rather stick needles in my eyes than read the start of this book again. Moving on.

Too Many Losing Heroines!, Vol. 5

Leave a reply

By Takibi Amamori and Imigimuru. Released in Japan as “Make Heroine ga Ōsugiru!” by Gagaga Bunko. Released in North America by Airship. Translated by Matthew Jackson. Adapted by Hayame.

Given that this is a series that, about half the time, frames itself as a parody of the standard light novel high school harem genre, I should not have been surprised with the outcome of this volume. And yet. I was surprised. I had certainly seen the previous four volumes, showing Nukumizu’s sister Kaju as, shall we say, dangerously obsessed with her brother, but other series have also done that (looking at you, Goodbye Overtime), and have known that it’s OK to show them as being far too close for a brother and a sister without saying straight out “there is sexual desire here, this is meant to be incestuous for real”. Losing Heroines goes there, and so this comes as a content warning for those who might be put off. That said, I think most who would be put off wouldn’t have gotten this far into the series anyway, and it’s not as if Nukumizu has the ability to understand anyone’s attraction to him, much less his sister.

It’s time for the middle school students to visit prospective high schools, and that means our protagonists have to show off what makes their school great. For some this is easy due to talent (Lemon, who may be held back a grade but boy can she run). For some it’s easy due to personality (Anna, despite her foibles, can be outgoing and personable). The literature club is in trouble, though, with its two introverts who hate dealing with others. Nukumizu, however, has other problems. It’s Valentine’s Day soon. He heard his sister recently on the phone talking about… a guy! And she’s got plans in the calendar the siblings share that imply dates! She’s 14, that’s far too young to date, surely! Everyone else tells him he’s overthinking this, but they’re not getting through to him, as he’s in full big-brother mode. Hijincks, of course, ensue.

As always this is a well-written book, with a lot of laugh out loud gags. Anna is funny whenever she opens her mouth, and her chocolate cannonball was deserving of the interstitial art it got. Nukumizu, as always, is so good at reading the hidden subtext of most of the relationships of others around him that he fails to see the actual TEXT of girls throwing themselves at him. He is told by his friend Ayano that he needs to realize how he looks to everyone around him who doesn’t have the full story, and Nukumizu… brushes him off. And let’s talk about the elephant in the room. Not only does Kaju provide a story for the literature club about a brother who has knocked up his little sister, but she’s also really desperate to help her friend Gondou with her own doomed relationship, despite the fact that Gondou knows that Kaju is really thinking about herself. She knows she can’t have sex with her brother. She knows he just sees her as family. And, as this volume makes explicit, she HATES that.

Now that we’ve unlocked the barn door and let the horses out, I assume that she’s going to get more blatant in future volumes, which does not thrill me. But she also won’t be the focus, so I’ll bear with it for now. For romcom diehards and people who don’t understand why I don’t like that sweet, sweet incest.

The Poison King: Now That I’ve Gained Ultimate Power, the Bewitching Beauties in My Harem Can’t Get Enough of Me, Vol. 1

Leave a reply

By LeonarD and Won. Released in Japan as “Doku no Ou: Saikyou no Chikara ni Kakuseishita Ore wa Biki-tachi wo Shitagae, Hatsujou Harem no Aruji to Naru” by HJ Bunko. Released in North America by J-Novel Club. Translated by Boris Lecourt.

This wasn’t nearly as bad as I’d hoped, alas. For the third of my “go back and try a JNC series I skipped”, I decided to try this series, which kind of repulsed me when I saw it licensed. I was supposed to be explicit, and I was expecting a lot of ridiculously bad prose. Alas, only one or two speeches really lived down to that, and for the most part it was a standard ecchi power fantasy. And so, in the spirit of not ordering a milkshake at Home Depot, I will review this for what it is rather than what it is not. What is it? It’s a series to read if you like cool guys using martial arts and poison powers to kill bad guys, and also using pheromones to seduce all the women around him and take them to bed. Where it will cut away right before the actual act. Sorry, there’s always AO3.

Years ago, the hero’s party, including a man and his wife, defeat the evil poison queen. Sadly, as she dies, she curses the wife, who is now dying herself. Their “friend” Faust (subtle this book is not) has a solution: the wife is pregnant with twins, so they can all survive if one of the twins gets the curse. What no one expects is the twin to survive. Thirteen years later, the wife is dead, and our hero, Caim, is living in a hovel outside a village, where he is abused every day for being cursed. His dad threw him out when his mother died. The only friend he has is his very very loyal maid. Then one day Faust comes by with a possible cure… and he meets the Poison Queen, who tries to possess him. When she fails, he ends up now being able to control his powers and aging five years. Time to go get some payback.

So, how to sell this series… Aside from some overwrought monologues when Caim is killing bad guys, which read more like him being a chuuni than anything else, and another girl pissing herself in fear (a trope I hate, and which the author admits in the afterword is there for fetish reasons, so bleah), this is not all that different from a typical male power fantasy book. Caim, after his plot-relevant age-up, is cool and powerful but also does not lose occasionally acting like the 13-year-old he was until recently, especially when trying to deal with love (not sex, love) or fantastic panoramic landscapes. The love interests, so far, are a) devoted maid, b) noble princess turned into enthusiastic hedonist, and c) tsundere girl who loves being spanked/insulted. They’re actually not too bad. They don’t turn meek, and he doesn’t take any advantage of him they don’t want to, except when his pheromones are doing what the plot requires. And he also punches some Nazis… erm, nobles. I always like that.

Basically, if you are looking for a book with a lot of sex, this will probably frustrate you. If you are looking for a book with a lot of boobs, suggested sex, and a cool guy living his best life, this is certainly one of them. You could do worse.