Der Werwolf: The Annals of Veight, Vol. 8

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By Hyougetsu and Nishi(E)da. Released in Japan by Earth Star Novels. Released in North America by J-Novel Club. Translated by Ningen.

It has to be said, even though the whole premise of this series is that Veight is a highly successful werewolf precisely because he has his memories from his old Japanese life, there are many times I tend to forget this is a reincarnation isekai. Aside from his occasional longing for soy sauce and the like, Veight’s old life has come up surprisingly little, and even his advanced use of tactics could be put down to “he’s just smarter, OK?”. But with this book, we finally can’t get away from it, as the premise is that Veight and company go to the fantasy equivalent of Japan and find that the reason it’s that way is that it has been visited by Japanese people for centuries who change the world, and Veight is the latest of these. That said, Veight is not about to abandon the country he’s grown to call home, or Airia, who is growing increasingly more obvious in her attempts to hand Veight a clue. This doesn’t mean, however, that he can’t enjoy himself.

The woman on the cover is Fumino, who is an ambassador-cum-spy sent to Ryunheit from the Kingdom of Wa. Just the name makes Veight suspicious, and while at first I thought she was going to actually make an attempt to challenge Veight on his own level, sadly, he’s soon basically guessing everything she does. That said, Ryunheit needs to arrange more treaties anyway, so he and a few others head for Wa to negotiate – including Mao, who used to be from there but was falsely accused of smuggling and fled. As it turns out, the Kingdom of Wa is just as suspicious of Veight as he is of them, and he is finally forced to admit to someone, if not his allies, that he is in fact one of the “Divine”, which is to say those who come over from Japan. That said, Veight was also BORN here – the other Divine were more traditionally isekai’d. So Veight has to stop the artifact that’s been screwing that up, and while he’s there, also help take out a drug ring. Just another day in the life of a humble vice-commander.

I will admit, after the epic saga of the last three books or so, there are times when this seems to meander a bit. The best scenes are, oddly, when we get little hints of Veight’s past in Japan – I’m not sure if he’s meant to be a yakuza or just an unfortunate salaryman, but when the minor villain starts screaming that “I’m different from you failures” and “You all exist to serve me”, something in Veight naps, and I really, really want to see more. I don’t get it – but this is a nice taste. It’s also nice to see Airia actually back and doing things – even Veight admits he’s too much of a pushover to be good at negotiation, so she arrives to actually get down to brass tacks. The end of the book is literally her and Gomoviroa talking in Veight’s presence about how dense he is. The balance between Veight the superpowered commander and tactician and Veight the “there’s no way a girl would like me” has been fun, but is getting old.

Fortunately, the cover of Vol. 9 implies that may change soon. In the meantime, this is a bit of a letdown after the “Werewolf in Russia” arc, but only a bit. Fans of Veight will still be happy.

The Saint’s Magic Power Is Omnipotent, Vol. 1

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By Yuka Tachibana and Yasuyuki Syuri. Released in Japan as “Seijo no Maryoku wa Bannou desu” by Kadokawa Books. Released in North America by Seven Seas. Translated by Julie Goniwich.

I’ve always – theoretically – had a soft spot for what Japan refers to as “slow life” light novels. They usually involve someone who has ridiculous powers and could theoretically be saving the world, but for one reason or another decides instead to be a farmer, or a pharmacist, or even a prisoner. There are a slew of these titles in Japan, and they’re starting to come out here as well, but so far I haven’t been as satisfied with what I’ve been getting. By the Grace of the Gods, a classic example of the genre, bored me to tears. It’s hard to hit that sweet spot that shows the protagonists doing what they want at their own pace and also keeping the audience’s interest. Fortunately, we may have a winner here. The Saint’s Magic Power Is Omnipotent features a women who, after being summoned, is almost immediately written off by the prince of the land. Fortunately, others can see her worth. Good thing too – she seems to be the savior after all.

Sai is a harried, overworked office worker in her early 30s who is getting by on about four hours sleep a day. This changes when she and another girl are summoned to a fantasy world in order to help cleanse the land of monsters. Sadly, the crown price sees “cute teenage girl” and “30-ish OL with bags under her eyes and glasses” and promptly declares the other girl to be the Saint that will save them, leaving Sei to her own devices. After the rest of the king’s advisors beg Sei not to leave the country in a huff – after all, they haven’t proven she ISN’T the saint yet – she ends up getting a job making healing potions and medicine, something she finds very fulfilling. As she gradually adjusts to normal work hours and sleeping properly, her actual beauty starts to shine through (she even loses the glasses). What’s more, Sei’s medicine seems to be far more powerful than they should be.

I enjoyed this a great deal. Aside from the prince – who notably is talked about not not really seen at all – everyone in it is nice. Sei has a bit of “gosh, they can’t be in love with me” to her, but notably, this is dealt with by the end of the book, so doesn’t seem to be an ongoing plot point. Most of the book’s fun comes from seeing Sei’s medicine heal or cure people to ridiculous levels. It starts off with “gosh these wounds healed fast” and “her potions saved the Knight Commander from death” and only gets more ridiculous from there. (One niggle – Sei’s “stats” can be seen, as in an RPG. The reader constantly sees her magic power as ‘infinite’, but no one else seems to see this, so there’s a lot of people staring at her stats and wondering why she can do this. It’s frustrating.) The “slow life” bits are also fun, with Sei making friends, learning about her new world, and of course falling in love, though there may be more men falling for her in the future.

All this and no fanservice or creepiness. An excellent debut, and I want to read more as soon as possible.

The Demon Sword Master of Excalibur Academy, Vol. 1

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By Yu Shimizu and Asagi Tosaka. Released in Japan as “Seiken Gakuin no Maken Tsukai” by MF Bunko J. Released in North America by Yen On. Translated by Roman Lampert.

Sometimes trends can be exhausting. Just try asking a hardcore light novel fan what they think of isekais sometimes and you’ll see what I mean. This is especially true when a trend happens so fast that you get five or six books in a row right at once. Magical academies – particularly ones that also teach swordsmanship and other “knight” classes – have been around for some time, as those of you who have mocked Asterisk War are well aware. And lately the trend has been to populate these schools with a demon lord who is reincarnated in these modern times. Not only is The Demon Sword Master at Excalibur Academy not the first of these, it’s not even the first one licensed by Yen On. Heck, it doesn’t even have a hot anime attached to it like The Misfit of Demon King Academy. What it does have is a very readable text that is written by a light novel veteran, one that doesn’t excite much but doesn’t put many feet wrong either. Read this, it’s competent.

As with most novels of this type, our hero is the one in the background there, behind the cute girl. Leonis Death Magnus is an undead king whose lands are finally being taken down by the heroes. (He’s a former hero himself, so knows how tough they can be.) The Goddess of Rebellion, the one he was doing this all for, is gone. And so he seals his soul and waits for time to pass. Which it does. A thousand years later, he’s freed by two students investigating a ruin. There are a few problems, though. First of all, he’s got the body of a 10-year-old. Secondly, the girl who is trying to protect him, Riselia, is one of the few students at this academy who hasn’t woken to her abilities yet, and ends up getting killed as a result. So Leonis is forced to resurrect her as a vampire queen. Now he’s trying to figure out how much this world has changed, try to start a new life at this magical academy floating on the water, and help Riselia deal with her newfound state.

If you’re like me, nothing in that paragraph made you hyped up to read this. But it’s really not bad. The cast isn’t that large yet, and this book focuses squarely on its hero and heroine. The fight scenes are exciting and not confusing. There is some humor that is actually amusing, not always guaranteed in light novels. Of course, it’s not perfect. The hero really wants to tell us that the girls he meets have large breasts, so he does over and over. Riselia’s “it’s OK, he’s just a kid!” naivete beggars belief, though to be fair that’s the opinion of everyone else as well. The fact that Leonis is trying to figure out who the reincarnation of his lost love Roselia is when there’s a girl named Riselia who is his new minion makes him seem a lot more dumb than I think he’s meant to be. And I could do without the guy and his harem of mind controlled sword girls, even though he’s only there to get humiliated.

But yeah, this is another example of a book that exudes competence, which helps make up for deficiencies in originality and character. You will be mildly entertained when reading it. Which these days is more than we can ask for.