86 –Eighty-Six–, Vol. 5: Death, Be Not Proud

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By Asato Asato and Shirabii. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by Roman Lempert.

It’s only taken a few volumes for this to rise to near the top of my list of favorite Japanese light novels, and there are several reasons for it, but I’ll focus on one here: the author is very good at strong, memorable set pieces. I’ve talked before about how the most ordinary ideas can become magic with good writing and strong characterization, and that’s true here as well, though given the books we’ve seen lately trying to ape 86, perhaps the ideas aren’t that ordinary. But the best light novels also have one or two scenes that blow the reader away, something that when you are recommending the book to someone else you cannot help but gush over. 86 is particularly good at this, and there’s more than one in here, both dramatic and horrific. (If you’re looking for humor, this is not the series for you.) But a conversation between Shin, our hero, and Lerche, who is… well, a spoiler, upends the entire picture of what war is to an 86, and how war should be fought. Because don’t forget the main thrust of this series: war is awful.

The 86 and Lena are sent to the United Kingdom, which is a bit on the nose for books like these, but hey – which is also battling the Legion, and is now desperate enough to call in France… erm, the Federacy… because they’re running out of time to fix things. Fortunately, they have another genius to help guide the combat in Prince Vika, who will be leading an army of young women who are dead soldiers who have been resurrected, sort of, as essentially androids. They are there to fight the war, and are happy to do so, given that they’re not actually alive. The 86 find this a bit disturbing, but also do not seem to see the parallel between these girls and themselves. As for Lena, well, she’s still struggling with several issues – she still can’t understand Shin and tends to lean towards pity, that face that she’s clearly from the Republic earns her hatred, and perhaps worst of all, she’s forced to wear a skin-tight suit in order to better communicate and lead the soldiers under her command.

The last part is probably the one low point in this book – you get the sense the editors ask for one fanservice scene per book that they can hand to the illustrator. The high points in the book are numerous. The battles are vicious and nasty, with the Legion proving to be exceedingly clever even though they lack a personality. The way that the Sirins solve the problem of the siege is mesmerizing in its grotesqueness. There’s a secondary romance in this book starting between Anju and another soldier that manages to get farther than Shin and Lena have in five books. Indeed, by the end of the book they seem farther apart than ever, as Shin realizes that he knows absolutely nothing about Lena. But the highlight, as I said, is that scene between shin and Lerche, where Lerche, despite seemingly being an automaton, gradually grows more furious hearing about Shin vowing to continue the fight because if they let others fight for them they’d be “cowards”. It is, in its own way, an argument between two tools. But only one of these tools can stop being one and become human again.

This is still a brutal series, and if you dislike war-filled battlefields you may want to skip it. But it’s seriously one of the best books currently coming out, and I can’t wait for the 6th volume.

The Temptation of Marielle Clarac

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By Haruka Momo and Maro. Released in Japan as “Marielle Clarac no Saiai” by Ichijinsha Bunko Iris NEO. Released in North America by J-Novel Club. Translated by Philip Reuben.

There have been a lot of J-Novel Heart series by now, of various shades and types, and one thing that Marielle Clarac has over the rest of them is that it’s easily the biggest in terms of page length. These are all chunky books, a good 50 or so pages longer than the average light novel, and filled with lots of plot complications and twists. It’s nice to see the reader getting some bang for their buck. Especially as, as with previous installments of the series, we have to alternate between Marielle’s crime solving persona and Marielle being a complete flibbertigibbet, going on about romantic and BL-laced tropes while also sometimes missing the obvious. But that’s why we’re here, and we wouldn’t have it any other way. Last time I said the wedding seemed imminent, and it still is (the next volume is called “The Wedding of…”), but first we have to deal with a bit of a crisis that might put a wrench in things. It’s hard to marry when your fiance is under arrest.

To Marielle’s horror, Simeon has been taken into custody for allegedly selling state secrets, and while it’s fairly obvious he isn’t doing that, she is ordered not to interfere in the investigation. As you can imagine, she does not obey this order at ALL, twisting around various vows and promises she makes with an increasingly frustrated Prince to try to see who is framing her beloved. Is it the childhood friend who seems to have a troubled past? Is it the gorgeous woman who wears pants and seems to be very friendly with Simeon indeed? (And does this mean that Simeon has had other women before Marielle?) Is it the gorgeous blond who looks like he stepped out of Rose of Versailles, who Marielle keeps getting saved by at odd moments? Is it Simeon’s puppy-like brother? (OK, it’s probably not.) Or is it the angry Naval commander with a vicious hatred of Simeon? The answer… is not TOO surprising, but well handled.

Now that Marielle and Simeon are a couple, and know of each other’s feelings, but are NOT married yet, there’s a lot of tension between them. Part of this is simply that they are really lusting after each other, and there are several almost kisses here, along with Simeon trying to exercise great restraint in not pushing Marielle up onto his desk and having his way with her. Balancing this is Marielle’s poor self-image, which continues to balance with her extroverted confidence – she’s accepted her plain looks, and so doesn’t get upset when they are pointed out. (Simeon does, as his brother finds out in a painful way.) This leads to some doubt and jealousy when she meets Rose, who also could have stepped out of the pages of Rose of Versailles. Among this is the usual thriller stuff, including a visit to a brother far shadier than the one Marielle usually sneaks into, and another wonderful conversation with Marielle’s nemesis Lady Aurelia, who will be best friends with her by Book 5 at the rate they’re going.

So another fun entry in the series, provided you can tolerate the heroine basically doing whatever the heck she wants with no regards to the consequences.

ROLL OVER AND DIE: I Will Fight for an Ordinary Life with My Love and Cursed Sword!, Vol. 1

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By kiki and kinta. Released in Japan as “Omae Gotoki ga Maou ni Kateru to Omou na” to Gachizei ni Yuusha Party wo Tsuihou Sareta node, Outo de Kimama ni Kurashitai” by GC Novels. Released in North America by Seven Seas. Translated by Jason Muell.

Given the title, you’re probably expecting one of those slow life titles. Young woman is told she can’t be in the hero’s party, so she ends up living her life in the city as an H&R Block Accountant and getting into everyday troubles. Well, half of that is true. Unfortunately for Flum, this first volume definitely is not a “slow life” book, but a “gore-filled horror” book. There is yuri as well, of course, and that seems to be the main selling point for the book both in Japan and here, but for the most part the reader is here to read about graphic, somewhat appalling battles that our heroine is forced to fight in order to save her own life and that of Milkit, a fellow slave that she met while being tortured to death. Yeah, that’s right, it’s one of those slavery books as well.

As noted, Flum is part of the hero’s party to defeat the demons, mostly due to a prophecy. Unfortunately, Flum’s stats are all zero – and can’t be raised. This seemingly makes the entire party hate and turn against her, though most of this hatred springs from Jean, who decides to do something about it by selling her into slavery and abandoning her. Given that her stats are zero, she’s not a great slave either, so the slave owner decides to kill her (this is where she meets Milkit). Fortunately, the “cursed sword” part of the title comes into play here, and Flum discovers how her powers are really supposed to work. Unfortunately, after escaping, things are still not very slow life. She has to work as an adventurer to live, and ends up pissing off the local adventurer goons. Milkit has been so beaten down by slavery that she’s unable to think for herself. And, while trying to get a rare and illegal herb, she discovers that her name is far more important than she expected.

First things first, if you dislike death, blood and violence, drop this book like a hot potato. I was not kidding when I said this was a horror novel, particularly in the back half, where we meet up with a nigh unkillable scientific experiment. That said, the book ended up being quite readable. Flum is likeable and grows fast once she realizes that she CAN grow. I’m less happy with Milkit, especially her need to dress up as a maid call Flum her Master, but I will assume that her character arc is not yet finished and but it aside for now. (Their yuri scenes are all packed together at the end of the book, and are sickeningly cute). There’s also the start of the book, where we see Flum’s POV of the rest of the party, and she comes to the conclusion that they all find her a useless burden. The reader accepts this too, and when it later turns out not to be true, it feels a bit out of the blue.

All this and an adorable ten-year-old battle nun. (More nuns should use maces instead of rulers.) This is definitely not Adachi and Shimamura, but if you like your yuri filled with swordplay, magic and a whole lot of blood and guts, it could be right up your alley.