May These Leaden Battlegrounds Leave No Trace: Bullet Magic and Ghost Programs, Vol. 1

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By Kei Uekawa and TEDDY. Released in Japan as “Uchinukareta Senjou wa, Soko de Kieteiro” by Fujimi Fantasia Bunko. Released in North America by Yen On. Translated by Roman Lampert.

It’s hard not to think about 86 when reading this new Yen On series, and I do wonder if war-torn teens fighting hopeless battles and getting blown to bits’ is a new light novel trend like villainess otomes. That said, if it’s trying to be another 86 it’s not too bad, getting a majority of the parts right. The main plot itself runs on a plot device I personally dislike, and there some tonal dissonance about a third of the way through, but when the book is being serious it’s very good at ramping up the tension and showing us a young, driven man who wants to end war and the white-haired, mysterious girl who is here to help him do so – and also tease and mock him, because it’s still a light novel. We even have an unlucky childhood friend of sorts. And while it doesn’t hit on ‘war is hell’ quite as much as 86, certainly war is not portrayed in a positive light here at all.

We open with Rain, a military academy soldier who manages to escape certain death by way of mysterious silver bullets he finds on the ground. Indeed, this war is run on ‘magic bullets’, each of which have a different function. The bullets Rain finds, when they kill a person, erases them and everything they achieved from existence. Later he discovers the owner, a young girl named Air, who arrives at the Military Academy where he normally is when war is not omnipresent and proceeds to explain that she is a ghost that is being forced to return whenever war is at its worst. She wants to use Rain to stop this endless cycle. Unfortunately, his partner and not-quite-girlfriend Athly is not happy with this, and what’s more, just eliminating the right people from history does not always solve the problem.

Let’s start with the issues I had. First of all, the ‘if you kill the man who invented cars there won’t be cars’ rule of time travel is very, very dumb. To be fair, near the end of the book we see that her analogy is not all it’s cracked up to be, but it’s still bad. Secondly, the section of academy life about 1/3 of the way through the book, which is meant to be a light-hearted bit of breathing space in an otherwise grim book, feels like it belongs in a different novel entirely. That said, setting up Athly as the cute normal girl with a crush on our hero does end up paying off later on down the line. As for Rain and Air, I am hoping, based on plot spoilers that I won’t get into, that they avoid their own romantic relationship. Honestly, romance seems secondary here to warfare, and that’s fine.

To sum up: this is a decent, solid debut for those who like grim war stories and fantasy/magic-based soldiering. I’ll be getting the next book.

Tearmoon Empire, Vol. 2

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By Nozomu Mochitsuki and Gilse. Released in Japan as “Tearmoon Teikoku Monogatari” by TO Books. Released in North America digitally by J-Novel Club. Translated by David Teng.

A majority of the fun in Tearmoon Empire 1 was the dissonance between Mia’s actions, Mia’s reasons for those actions, and the narrator caustically calling her out for the reasons for those actions. That’s still very much present in the second volume – in fact, if anything the narrator’s malice is even more prominent. But something strange happened, because suddenly I ended up being less interested in Mia’s headspace and the silly misconceptions of the people around her and more interested in the world that’s been created here and what’s going on with it. And with good reason, too: here we find that Mia may have jumped back in time to try to make it so she isn’t executed, but that doesn’t mean that the forces behind the scenes are not still gunning for her, or that they don’t still need revolution to happen. Mia, after all, was not the Big Bad in the old world, just a selfish Royal. So can she not only save herself, but the future of multiple countries?

Mia has a lot to do here. It may be summer vacation, but she has to stop arrogant counts from destroying the forest of the tribe that ends up fighting against her in the future; deal with the man who personally executed her; and worst of all, her not-quite-boyfriend Abel’s country is undergoing a very familiar revolution. Fortunately, she still has the magic ability to have her every word and deed misunderstood in the best possible way, and it’s still just as funny. That said, as with the first book, sometimes the misunderstandings have a serious core, as we see her avert a genocide and, yes, stop a revolution, but also force the future rulers of these kingdoms to change the way that they think, and not be so quick to turn to execution and unforgivable actions. That said, don’t worry, the narrator is here to remind us that Mia is shallow and only thinks of herself.

(My pet theory is that these are books commissioned by a future Mia to counteract the slavish hagiographies that are being written about her.)

The narrator, as ever, is sometimes correct but also sometimes full of it, and even they have to occasionally stop and say “OK, Mia was being genuinely good here”. (For a great analysis of the narrator in this book, see this Beneath the Tangles article.) Actually, my favorite scene in the entire book shows us the bad future that Mia originally came from, where a desperate Ludwig is trying in vain to stop her execution, and he points out that Mia, once actually taken in hand and shown she’s being vain or arrogant, is taking pains to actually learn from her mistakes. (It also contrasts with King Sion, who in this bad future did not have Mia’s words to misunderstand and take as well-meant advice.) That said, as I indicated, the plot is the best part herre, with a lot of tension, some good action scenes, and a terrific denouement where Mia takes out the villain as only Mia can.

As with My Next Life As a Villainess, this book feels complete at two volumes, with the main future having definitely been changed and everyone being quite happy. Also as with My Next Life As a Villainess, there’s more books to come, and next volume may see Mia having to face an even more startling future. Till then, this remains an absolutely terrific series. The author recommends in the afterword it be used for book reports. Sounds good to me.

The Genius Prince’s Guide to Raising a Nation Out of Debt (Hey, How About Treason?), Vol. 3

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By Toru Taba and Falmaro. Released in Japan as “Tensai Ouji no Akaji Kokka Saisei Jutsu ~Sou da, Baikoku Shiyou~” by GA Bunko. Released in North America by Yen On. Translated by Jessica Lange.

Calling your main character a “genius prince” can be a bit of a two-edged sword, as you need to have him continuing to be reasonable clever while not killing the audience’s disbelief. So far these books do a good job in holding to that balance. Sometime it leans straight up in Wein’s direction, such as when he describes having a book ghostwritten that will give bad advice to nobility and make it easier for him to eventually take them down. And sometimes it has Wein straight up flummoxed or panicking, which is just plain fun (as the illustrator of the book will tell you). And then there are the moment when you realize that Wein has a steel core that lives for one person alone, and threatening that person can cause things to get very dark very fast. All this comes together in this book, where Wein has to deal with possibly becoming one of a group of noble elites… all of whom seem to be extremely broken.

Wein and Ninym (who are on the cover again – these covers are very Strike the Blood in their choice of subjects) have just returned from touring the country in the middle of winter, but have to head right back out again when Win is invited to the country of Vavarin for a conference and also a religious festival. It smells like a trap. It is a trap, but that’s not going to stop Wein. That said, he also has to deal with the Remnant Army, the remains of Marden, which was torn apart in a previous book. After getting separated from his guard by bandits, he ends up taking in a representative from the army, Zeno, who is a) a girl dressed as a boy, and b) probably even more than that. (It’s not much of a surprise, trust me.) Zeno is filled with thoughts of revenge, but is also fascinated by Wein, who is doing his best to keep several balls in the air… and then trying to move as quickly as he can when all the balls drop.

There is one really terrific scene in this book, which I will try not to spoil much but involves a murder. These books can get a bit too intellectual for their own good at times, so it is good to remind us that Wein is a royal prince who can get away with a lot of things that other people cannot. It also reminds us that insulting Ninym is bad enough, but threatening to kill her means your life is forfeit. Speaking of Ninym, I wish she had more to do in these books – she gets some good scenes, but this is a series about Wein first and foremost. I wish there could be more balance in their relationship which is imbalanced by definition. I also enjoyed the rebellion by home by the traitorous general, which again did not surprise me in its twists and turns but was very satisfying narratively. As was the twist ending, showing how much Zeno really learned from Wein.

These are great books, especially if you like political intrigue. I’m anxious to read the next one.