Arifureta: From Commonplace to World’s Strongest Short Stories

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By Ryo Shirakome and Takayaki. Released in Japan as “Arifureta Shokugyou de Sekai Saikyou Shouhenshuu” by Overlap Bunko. Released in North America digitally by J-Novel Club. Translated by Ningen

This was not the Short Story collection I expected, to be honest, at least not till the final third of the book. What it is is a rounding up of most of the very short stories that the author wrote for giveaways, store-exclusives, etc. A lot of series have these, few bring it out as a real volume. (J-Novel Club has quite a few of them as Premium Extras for subscribers, and indeed I think a lot of these originally appeared as exclusive extras in earlier books.) The book breaks down in four sections: the first are short-short stories taking place within the timeline of approximately Books 1-5 of the main series; the second is an alternate universe where the characters are at a “magical academy” type school; the third has three short takeoffs on popular fairy tales; and the fourth is the short story written exclusively for this book, which has the main cast (along with Myu and Remia) ending up in the crossover event we all wanted to see.

The cover features Hajime, reminding us why he’s rarely on the cover as he looks far more chuuni than grimdark; and Myu, whose character trait in this volume is to show off how she’s taking after her “daddy” despite only having been around him a short time. As for the content… I’m gonna be honest, while these were cute, about 2/3 of the book does not lend itself to a review. There’s lots of harem fights, there’s characters being dorks, there’s indiscriminate destruction of anyone who would dare go after Myu, etc. The Academy/Fairy Tale chapters are even less important, so I’ll skip them entirely. I did enjoy the chapters showing Hajime’s parents, first in a flashback showing off their otaku occupations (honestly, they remind me far too much of the parents from Outbreak Company) and then showing how upset they are at their son’s disappearance.

The main reason to get this is the last story, which has the cast, taking a final voyage with Myu (and Remia) before leaving her behind, and ending up spirited to a cursed city by a phantom whale that seems to only communicate with Myu. Unfortunately, the monsters here are too powerful for this group to handle. Yes, even Hajime. Fortunately, this whale can also reach back… in TIME! Yes, you guessed it, the cast of Arifureta meets the cast of Arifureta Zero, with Miledi being somewhat baffled as to why everyone hates her, Meiru becoming a total siscon about little Myu, etc. Eventually they do team up to take down the Big Bads, and we see Miledi and Yue comparing themselves to each other, as do Oscar and Hajime. Sadly, due to plot contrivance, they don’t remember the meeting afterwards, but hey. (This story also serves to show that Remia’s “ara ara” personality is for show, as if we hadn’t guessed, and also that she may be falling for Hajime for real.)

So in the end, this is pretty light and fluffy, and not an essential purchase. But it’s reasonably fun, and the last quarter was quite entertaining. Arifureta fans should like it.

Something’s Wrong with Us, Vol. 1

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By Natsumi Ando. Released in Japan as “Watashitachi wa Douka Shiteiru” by Kodansha, serialization ongoing in the magazine Be Love. Released in North America by Kodansha Comics. Translated by Sawa Matsueda Savage.

One of the first things I noticed when I began to heavily overanalyze manga artists is that shoujo artists started out in the magazines for younger readers – the Margaret, Nakayoshi and Hana to Yume types – and then, after many years of long and faithful service, graduated to the magazines for adult women – You, Be Love, and Silky. I used to wonder if it was like being kicked upstairs into the House of Lords. I suspect it may be more that the josei magazines come out with far less frequency and are thus easier to handle on a schedule basis. The reason for this drawn out prologue is that this new series is by Natsumi Ando, famous – or infamous – for her shoujo potboilers that ran in Nakayoshi over the years, such as Kitchen Princess and Arisa. And now she’s “graduated” and started a series for Be Love, which seems to be doing quite well given it’s 11 volumes and counting over there.

Nao is a happy young child, who adores her mother, a sweetsmaker who has take a job at a prestigious sweets shop. She’s shy, but makes friends with the cute young boy who’s the heir to the business. Then there’s a murder, which Nao witnesses, and the very same cute young boy accuses her mother of the murder. Fast forward to Nao at age 21, still dealing with PTSD from the murder, her mother having died in custody meaning Nao can’t hold a job, suddenly finding work at the very same sweets shop, whose young heir is now gorgeous… and about to get married. That said, the family seems to be as cruel and overdramatic as ever, and Tsubaki is no exception. Can Nao find out why her mother was framed all those years ago? And can she do it while being used as a pawn… and possibly fall in love?

I will admit that I tend to start off enthusiastically reading Ando series and then gradually lose interest, and I’m not sure if this will be the same. It’s a very good start, though. Ando has used dark, dramatic arcs before, but rarely from the start, and Nao being 21 rather than a teenager helps lend heft to the murder accusation and aftermath plot. Tsubaki seems like the sort of asshole who will gradually be shown to have a nice side deep down that we see in many of these series, but so far he’s hiding it pretty well, and he has a MUCH harder hurdle to clear than simply “I am a rude jerk” to win Nao’s heart. I am expecting, given the nature of the series, that his accusation of Nao’s mother is not all that it seems, and in fact the entire family looks like they wanted a scapegoat… and may want one again. Given that “like accused criminal, like accused criminal’s child” is a thing in Japan, I am in fact expecting it soon.

I haven’t mentioned the sweets, for which I apologize. This book is also all about sweets, and the endnotes are mostly about the nature of them – these are Japanese sweets, not Western. They do help relieve a bit of the darkness that this series exhibits. If you liked Ando’s shoujo drama, her josei drama should definitely appeal. As for me, we shall see how long I last with this one.

Bibliophile Princess, Vol. 1

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By Yui and Satsuki Sheena. Released in Japan as “Mushikaburi-hime” by Ichijinsha Bunko Iris NEO. Released in North America by J-Novel Club. Translated by Alyssa Niioka.

The great thing about first-person narration is that not only is it a good way to get inside the head of the main character, but it can also be used to obfuscate, and even to fool the reader entirely. The Murder of Roger Ackroyd by Agatha Christie is probably the most classic example, but Japanese light novels are also filled with narrators who conceal and/or lie about their own thoughts. Fortunately, Elianna Bernstein is not that sort of narrator. No, instead her narration is sort of like a puffball, floating alongside events while missing the point of most of them. This is especially true of the first half of the book, when she tries to figure out why everyone is avoiding her – particularly her fiancee, the prince, who seems to be charmed by another woman. Now, it should come as no surprise to the reader that this proves not to be the case (indeed, so little surprise that I’m spoiling it here). But the journey it takes to get there is funny and sweet.

Elianna comes from a family of book-lovers – indeed, they’re famous for it, and their family are also knowledge brokers of a sort. She does not seem, at first, to be the same – indeed, it’s hard to get much of a sense of personality out of her beyond “loves to read”. She herself tells us about kids calling her “the library ghost” due to her pale complexion, and the current nickname of Bibliophile Princess is only a mild step up. Now she’s seeing her fiancee with another woman. This is it, right? The end of their engagement. Even if it means… shudder… giving back the book that Prince Christopher once gave to her. But is that what’s really going on? What’s more, is Elianna really just an insular book-loving heroine? Or is she actually changing the entire nation in many and varied ways… and then promptly forgetting about what she said as she’s moved on to her next book?

The book is in three parts. The first is Elianna’s narration of the “cheating” story, and reads like a standalone short story that an editor told her to expand into a novel. The second comes from other narrators, showing us other perspectives on Elianna, particularly the prince’s. Then we’re back to Elianna, mostly, for a third chunk which also reads like a short story, about a traveling book fair and its people. The first part was the most fun, but I think the last story was the strongest, as it gets into themes of racial prejudice and poverty, as well as seeing Elianna suddenly become an action heroine when she hears someone is about to burn a pile of books. It also shows Elianna gaining depth beyond the fun airhead we saw at the start – her uneasiness as she realizes that she can’t remember the first meeting between her and Chris is well handled.

Not only did the first chunk of the book read like a done-in-one short story, but the book feels like a standalone novel. Still, there are more novels in the series, and I’ll definitely want to read more. Elianna is fun to read, even if, as the author notes, when not reading a book she seems to look at people with a question mark over her head.

Also, Christopher, and particularly Prince Chris, reads terribly to me. I wish he’d been an Edward.