Sword Art Online, Vol. 18: Alicization Lasting

Leave a reply

By Reki Kawahara and abec. Released in Japan by Dengeki Bunko. Released in North America by Yen On. Translated by Stephen Paul.

This is not, of course, the final volume of Sword Art Online. There’s a 2-part Underworld arc after this one, and Kawahara just started a new arc with surprise twists that’s still ongoing in Japan. But this has the feel of an ending, and you certainly get the sense that had they wanted to, the series could happily have ended here. It’s a good ending, despite all the issues I’ve had with Alicization in the past, A very strong beginning, then a middle that gets a bit tedious and annoying, before a stronger finish. A word of warning to those who love Sword Art Online but hate Kirito: he’s back, and is absolutely ridiculous in this book. He flies, like Superman. It’s even lampshaded. (I was actually startled when the book shifted back to his first-person narration, as I’d forgotten that was the standard.) Do the others get anything to do? Um, no, Kirito’s back. Didn’t you hear? But they do cheer him on really well.

To be fair, Asuna does some things as well. In fact, this leads to what may be my favorite part of the book. The book itself is not shy about showing that, haremettes aside (with Alice a strong #2 at this point – sorry, Sinon) there is only one ultimate pairing, and it’s Kirito and Asuna. That said, when the chips are down and they need some inner strength and resolve, they do not turn to each other. It’s no surprise that Kirito hears Eugeo’s voice telling him to get up and save everyone – their bond is the most important part of this arc, Alice or no, and Underworld is the sort of world where the spirit of a dead person taking form to spur on the living would be par for the course. That said, Yuuki was never in the Underworld, but she’s here as well, reassuring Asuna and giving readers one last chance to see Mother’s Rosario in action. I like how the relationships between Kirito and Eugeo, and between Asuna and Yuuki, are shown to be so impactful and important on their lives going forward.

For those who want to see Kirito being a bit merciless, there’s his dealing with both PoH (who gets an abbreviated backstory here showing his childhood) and Gabriel Miller – both of whom he essentially murders, though Gabriel’s actual ending back in “the real world” is a bit more fantastical than I’d like in a non-game setting, and also reminded me of the end of the movie Ghost. Unfortunately, Kayaba is also still around, despite dying 16 books ago, and Kawahara continues to try to show him as a true hero saving everyone while occasionally dropping the odd “he also killed over 4000 people and there’s no forgiving that” paragraph which really does not convince anyone. To be honest, after Underworld resolves, the rest of the battle on the Ocean Turtle reads as a letdown, and I was relieved when we got to the epilogue.

We get a good look at Kirito’s self-destructive tendencies in his relationships with other people here, and how Asuna and the others have helped cure that mostly. He’s now actively thinking of a future, for both himself and the Underworld, at a Japanese college. (Given what Lisbeth said about them being at a special school and getting counseling that assumes they’re all going to snap at any moment, I assume the government will lean on organizations hard to employ/educate them in the future, as otherwise I can’t see anyone hiring a SAO survivor.) He has Asuna at his side, of course. And also Alice, who is now in the real world via a robot body, which is eyebrow-raising but does lead to the best joke in the book, which I won’t spoil but involves a big box. (It’s also hinted on the back cover.)

And so Alicization is over, and thank Goodness. Kirito is back and taking the spotlight from everyone else, so haters will be thrilled they can get very angry again. That said, there was a very obvious story not told in this book – what happened to Kirito and Asuna in the two hundred years they were trapped in Underworld? We might find out in the 19th book, which stars… Ronie?

The Promised Neverland, Vol. 13

Leave a reply

By Kaiu Shirai and Posuka Demizu. Released in Japan as “Yakusoku no Neverland” by Shueisha, serialization ongoing in the magazine Weekly Shonen Jump. Released in North America by Viz Media. Translated by Satsuki Yamashita.

Well, last time I said that Lucas and Yugo probably were not long for this world, but would go out in a blaze of glory, and I turned out to be 100% right there. This is the fate of ‘mentor’ characters in a lot of series, not just manga, and it makes sense in a story way – their work here is done, they’ve saved Emma and the others, and now they can get the classic ‘yes, they’re really dead this time’ moment (unlike, say, Norman, who didn’t get this and isn’t dead) when they see all their dead friends in the afterlife welcoming them. It really is a cool death, though, and will likely look fantastic animated. Sadly, they did have the main bad guy get away so that he can threaten our heroes once more, and also let them know that they need a new safe space – as Emma cheerfully says at the end of the volume, nowhere is safe for them right now – that’s why they’re doing this.

This is not to say that Emma does not suffer quite a bit in this book. Yugo’s death in particular – which plays out as his coming to visit and give her new advice, then point out that he’s just a dream she’s having – is heartbreaking, and it hits all the kids, including the Goldy Pond ones, really hard. So hard that they’re about to go off half-cocked and try to find Lucas and Yugo. Fortunately, the villain of this arc is so wretchedly horrible that he manages to drive the point home that they have to move on. That said, Andrew’s fate is nasty, as befits someone who is hell bent on murdering about 60 kids. It does feel a bit of a copout that he’s taken out by a demon, though – you get the sense the author is trying to keep Emma’s hands clean. This is even lampshaded by Andrew, who says Emma won’t be able to shoot him dead.

We’re getting more of a sense that the kids here are not the only force fighting back. We’ve heard about William Minerva, even though it seems doubtful he’s still alive. We also see another group of humans trying to save farms… or at least give those within them mercy killings. Given the attitude and personality of some of these people we meet, I suspect that Emma and Ray’s pile of idealistic children may be running into a pragmatic brick wall soon. We also see “William Minerva” from the back, and he looks vaguely familiar… in a way I think the reader is supposed to be able to guess. That said, before they meet Mr. Minerva, they need to save the dying Chris, so there may be another action sequence to go.

This is the sort of manga that cries out to be animated as well, so we’re fortunate that more is coming. Till then, enjoy another solid volume, which promises many changes still to come.

The Economics of Prophecy: Avoiding Disaster in Another World

Leave a reply

By Norafukurou and Rei Shichiwa. Released in Japan by Legend Novels (Kodansha). Released in North America by J-Novel Club. Translated by Hikoki.

So you want to read an isekai, but instead of being a horny Japanese teenager, you’re a late 30s-early 40s Japanese officer worker. You’re married, have a couple of kids. You really are not looking for a fantasy involving game systems, harem building, and fanservice. You don’t even need illustrations. You’re looking for something a bit more highbrow. Fortunately, Legend Novels, a fairly new Kodansha imprint, has you covered. The Economics of Prophecy is not kidding about its economics, and so will replace discussion of gaming stats with correlation coefficients. There is more than one girl interested in the hero, but they are more understated and political about it. As for the hero, well, yes, he’s a bit bland, but he’s bland in an ADULT way. All that said, this is still a young Japanese man transported to another world with monsters and magic, who goes to an elite private school along with his unlucky childhood friend and the gorgeous, naive princess. Not ALL the tropes are gone.

The actual “reincarnated and growing up in a new world” part of Ricardo’s life is glossed over in about two paragraphs – we jump right into him as a young businessman, trying to attend school and get his family honey-making business off the ground. Unfortunately, rival companies are bigger and richer than he is. All he has is his knowledge from Japan of economic theory and his secretary/childhood friend Mia. The fourth princess of the realm, Alfina, even does a taste test between the companies. Unfortunately, as Ricardo finds, once you start meeting this princess you can’t stop meeting her. And she’s actually an oracle with a different prediction than the usual “everything’s fine again this year” – there will be a disaster. What kind? She doesn’t know. Exactly where? She’s not quite sure. Can Ricardo help her figure out what and where is going to happen? And will it even matter given the complacency of this kingdom?

The plot and the main leads are the strongest part of this book. There is a lot of economic stuff, but it never quite gets to the point where you want to flip ahead. Ricardo is one of those “I am scheming and clever but also secretly really nice to people” sorts, a bit like the Genius Prince in Yen’s recent series – he works best when he’s being pressured. Alfina manages to be a very naive, innocent royal without becoming annoying, and she’s really sweet. On the flip side, Mia is vastly underused – we clearly see she has a thing for Ricardo, but given that she (like he) is also emotionally minimal this mostly comes out as disapproval when he’s around other women. I would have liked more of their childhood backstory. Alfina also has an aide that ends up getting relatively humiliated, but I’m not entirely sure that the crime merited the punishment – it wasn’t clear enough that Claudia had abandoned Alfina, so it seemed sort of mean instead.

This is still definitely strong enough that I’d recommend it, and I’ll be reading the second volume. It’s respectable, an isekai you could happily introduce to your parents.