The Countess Is a Coward No More! This Reincarnated Witch Just Wants a Break, Vol. 3

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By Ageha Sakura and TCB. Released in Japan as “Tensei Saki ga Kiyowa Sugiru Hakushaku Fujin datta” by Overlap Novels f. Released in North America by J-Novel Heart. Translated by Bérénice Vourdon.

In this volume, we get a flashback to Aurora’s childhood. She grew up in a village that was terrified of her massive magical power and her insatiable curiosity to use it. Her parents wanted nothing to do with her. The mayor essentially sold her to an elf as a research subject. Fortunately, that went well… till her master just up and left one day, leaving Aurora to handle all the magic requests on her own, taking in three disciples. We meet the third of these disciples in this book, Lance, and he too is a former research subject who was rescued, this time by Aurora. Even now that she’s reincarnated, she had a terrible childhood where she was abused by everyone, and even after getting her memories back struggles with any overtures of affection. The main problem with Aurora *and* her proteges is that they still have the emotional capacity of children a great deal of the time. They don’t know how to ask for help, or forgive.

Things continue to go downhill for Char and Lam. They do manage to escape from her first protege, mostly as he gets into a petty battle with her second protege. Unfortunately, the kingdom wants to pile on more work, reasoning that working mages to death is what people are supposed to do. Oh yes, and the church is still being a thorn in everyone’s side… especially when it turns out that her THIRD protege, Lance, is the head of the church. He couldn’t reincarnate himself with the magic he had, so he simply made a deal to learn how to live for over 500 years. All of them want to show Lam that they’re the best and she should stay with them (though Lance, at least, will allow Char to be first husband). That said, there’s a Big Bad behind all of this, and he turns out to be… wait for it… another protege! Not Aurora’s this time, though.

This was better than the second book, mostly as I was able to see better the reason that everyone in the cast is, to a greater or lesser extent, a whiny manbaby. Char discovering that Aurora is actually Lam went much better than both the reader and Lam herself expected, and he is finally – finally! – able to convey to her by the end of the book that the reason he keeps hugging, kissing, and saying he’s fond of her is he loves her. The second half of the book is less “let’s have a big magic battle” and more “let’s try not to have Lam kill herself the exact same way that Aurora did five hundred years ago”, which relies on convincing her that it’s OK to rely on others and that sometimes they can protect themselves. When you’re used to doing it all, realizing someone else can do it to can be very hard.

The webnovel ended here, but apparently there’s more of this coming. I still prefer the Lady Bumpkin series by the same author, but this was a decent new volume.

Haibara’s Teenage New Game+, Vol. 8

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By Kazuki Amamiya and Gin. Released in Japan as “Haibara-kun no Tsuyokute Seishun New Game” by HJ Bunko. Released in North America by J-Novel Club. Translated by Esther Sun.

Stage fright (I’m sorry, I just can’t bring myself to call it “the yips”) is a terrifying thing that can happen to even the most experienced performers, and though it may not always lead to literal fainting spells like what happens in this book, it’s something that can’t really be solved by just pure gumption. Unfortunately, Nanase plans to do just that. She may now be inspired to try to get over her issues and try again, but that doesn’t mean that the same dark fears don’t come to the fore when she makes the effort – and the fears she’s thinking of may not be the ones actually causing the problem. Fortunately, in addition to the magical protagonist powers of Natsuki and Hikari, she has actual medical professional help, which makes this one of the rare Japanese light novel series where there are therapists. I am pleased. Admittedly, that makes the climax of this book a bit less dramatic than a big punch out, but you can’t have that every book.

It’s almost time for our cast’s third year of high school, and as with a lot of Japanese high school, they have to make the choice: science or arts? They know this will mean being separated in some way, but so goes life. As it turns out, Nanase seems to be choosing a different path than in Natsuki’s first life, as she’s going to try again to do a piano competition. She used to be a prodigy, just like her mother, but a couple years ago she got terrified and passed out, and since then she hasn’t been able to play for an audience. But seeing Natsuki’s band has made her want to try again. Speaking of the band, they’re getting offers to open for bigger bands, and Natsuki now has to make a serious decision: does he want to pursue a career in music in this second life?

I must admit, I was *so* relieved when Nanase admittedly that she saw Natsuki as what a big brother must be like. First of all, it made all the NTR and threesome jokes being bandied about in this volume actually funny, as opposed to worrying. For another, I think there have already been a few too many people attracted to Natsuki in this series, and we don’t need more, especially as I’m still worried about his future with Hikari. So is he, in fact, as when he sees she’s chosen a pen name for her books that uses his own name, and he worries that she may come to regret that if they split up. To her, of course, this is a horrifying thing to say, as they’re 2-gether 4-ever and would never split up, but Natsuki has a few more years experience, and has seen teenage love turn sour. That said… I can’t see this series ending that realistically and bittersweet after all the volumes we’ve had. I think they should be fine.

I think the 9th volume is out soon, but it’s likely another 6-7 month wait till the next one. Which will start the “final arc”. Romcom fans should be very happy with this.

The Condemned Villainess Goes Back in Time and Aims to Become the Ultimate Villain, Vol. 5

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By Bakufu Narayama and Ebisushi. Released in Japan as “Danzaisareta Akuyaku Reijō wa, Gyakkō-shite Kanpekina Akujo o Mezasu” by TO Books. Released in North America by Airship. Translated by Alyssa Niioka. Adapted by Lex Reno.

Content warning: this book’s main plot contains, and my review discusses, pedophilia, grooming, and brainwashing people through drugs and gang rape. The last two are implied but not seen, the first two are definitely seen. Reader discretion is advised.

I’ve called these books difficult to read before, but none of them quite hit like the middle of this book, in which Claudia has to deal with a village of people whose “Chieftess” (does that word get gendered?) is easily one of the worst antagonists in the series to date – see above for why. Fortunately, this is what Claudia and Sylvester are here to fix, though both of them castigate themselves that they didn’t even know it was happening till she conveniently got kidnapped. Sometimes being royalty means finding out about problems that people are deliberately keeping from you. Especially when they’re once again a plan of Nigel’s, the series’ overall big bad, who isn’t in this book but whose presence is felt. Corruption turns out to be – literally – an incredible drug.

By now everyone agrees that the running for the fiancee position is over, and Claudia and Sylvester’s engagement party date is set. Unfortunately, before this can happen, Claudia and Helen – out on the town incognito, with Claudia also disguised as a maid – run into a boy who is dressed as a child detective – because he is one, in fact – and he’s on the run from some goons. They quickly hide in a cart… which then drives off to a remote village, and that village turns out to be the one the boy (Kiel) was investigating. (Helen was able to get away and is getting help.) They find the villagers are all very happy and content… a bit TOO happy and content. The whole village feels a bit like The Stepford Wives. What’s more, people seem to occasionally disappear for no reason. What’s really going on?

So yeah, as indicated earlier, things are very screwed up in this book. What started as a discovery of a pain reliever that allows the village to make a bit of extra cash has suddenly become a village-wide “ritual” when the girls in the village have their first period or the boys have their first “nocturnal emission” to drug them with an aphrodisiac and then have the others in the village rape them till they grow happy with it. The girls in the village who have NOT gone through this yet are quick to side with Claudia and Kiel. The chieftess in particular is a hedonist and pedophile, who literally gropes Kiel to see if his balls have dropped, and openly leers at Claudia. The book is well written as always, and help arrives in the nick of time. But I have to ask, was this trip really necessary?

The series is still ongoing in Japan, and a glance at the blurbs of future books suggests things don’t get easier for Claudia even after her engagement. Hopefully, though, they involve a few less things for me to warn the reader about.