Sword of the Stallion, Vol. 1

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By Gakuto Mikumo and Manyako. Released in Japan as “Sword of Stallion: Taneuma to Yobareta Saikyou Kishi, Ringoku no Oujo wo Netore to Meijirareru” by Dengeki Bunko. Released in North America by Yen On. Translated by Jake Humphrey.

This wasn’t too bad a book, especially given the author’s tendency for light novel by the numbers, but I will admit to disappointment that it did not remotely live up to its premise. Now, I’m no fool, I was not expecting a book filled with our hero banging the entire cast. But I mean, we’re told that he’s spent the last two years in brothels sleeping with any woman that moves… and then we find out that the women he supposedly slept with were all abuse victims or being blackmailed, that the brothel is really a training facility for knights, etc. I lay you even odds by the end of the series we find he didn’t actually have sex with anyone. Anyway, if I can get past that gripe, this isn’t too bad, and allows the author to play around in the mecha genre. There may also be a villainess subplot! When genres collide.

Two years ago, our hero, Ras Talion (get it? Rapscallion?) defeated a potentially country-destroying dragon, but in the process the princess of the country – and his fiancee – was killed. He promptly resigned his commission and went to the pleasure district, where rumor has it he’s spent the next two years screwing anything that moves to try to get over his lost love. (Yeah, I spoiled you, but it’s really goddamn obvious, so I don’t feel bad.) One day, he is accosted by a beautiful knight and a mysterious young woman, who manages to knock him unconscious. He wakes up in the royal palace, where the prince – twin to the lost princess – is running things because of the king’s ill health. The prince (also Ras’ old friend from school) asks him… can he seduce the princess of the next country over? To save their own country?

First of all, given that I’ve frequently complained that the author’s sense of humor in Strike the Blood amounted to “oh no, I accidentally groped you and now everyone is mad at me and I run away as the sun sets” anime humor, I appreciated there was a very funny joke here. I appreciated it because when I saw the setup, I thought “that would make a great joke” and the author actually followed through – well done. As for the cast, Ras is a likeable guy who is not nearly the rogue he pretends to be. I also really liked the princess he’s supposed to seduce, who seems to be trying very hard to get everyone to dislike her, and is absolutely not going to play along with Ras. There are also some cool fights – honestly, action scenes are the thing this author does best, so I wasn’t too worried there. Oh yes, and in case you noticed the artist is ALSO the same as Strike the Blood, I assure you the 2nd volume has a different girl on the cover.

So this is basically “for fans of shonen action stuff and the author”, but if you like that it’s pretty good. Just… don’t expect sex. Even offscreen. He’s a faux-stallion.

To Sir, Without Love: I’m Divorcing You, Vol. 1

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By Kori Hisakawa and Airumu. Released in Japan as “Haikei Mishiranu Danna-sama, Rikonshite Itadakimasu” by Media Works Bunko. Released in North America by Yen On. Translated by Carley Radford.

This sure went places. Judging by the cover art and title, I was expecting a certain type of book, and I definitely got it, but it went to some odd and spiky areas. Speaking of which, I will put in a brief content warning that this book has what might be framed as a “reluctant” first time, and there is also discussion of an (off-screen) rape of a man by another woman. There is also an abusive husband and father, though he is very quickly “reformed”, by which I mean he gets the crap beaten out of him. We see, throughout the book, the rumors swirling around our main character that she is a loose cannon, and also a loose woman. She shrugs off the rumors because they suit her purposes, but once they no longer do that they become the toxic nastiness they’ve always been. And, as always, our two leads don’t talk to each other at all, so have to guess what the other is thinking, and it always goes badly.

Byletta Holland is horrified to find that her parents have engaged her to some soldier. After an Academy life where she gained a horrible reputation, all she wants is to start her own business and make a name for herself. However, as a noble’s daughter, she has to marry, and she’s now headed off to the Swagwan estate, where she will marry Arnald, the eldest son. She arrives… to find that war has gone badly, so Arnald went off to the front, leaving a message that his wife can do what she wants. Realizing that this could work in her favor, she accepts the marriage and decides to stay… and quickly finds that her father in law is a drunken lout who beats his second wife and menaces his 6-year-old daughter and the servants. Something will have to be done.

Byletta is the main reason to read this book. She’s smart, does not suffer fools gladly, and can beat her father in law so badly in a sword fight that he actually sobers up and stops hitting his family. (This is probably unrealistic, but given the alternative I handwaved it. He remains a jerk, though.) In the eight years between her wedding and her husband returning home, she does start a highly successful business, she has connections all over the city, and she is ready to be divorced. Sadly, her husband is one of those “what are these things called emotions” types, and when he hears the rumors about her, he assumes she’s sleeping with half the town. After their first night together, he realizes he was wrong, and starts to actually observe his wife more closely… and realizes that she’s his ideal woman. Unfortunately, these two don’t talk to each other, and it’s frustrating. They also have enemies, who set up the cliffhanger of this book. It’s definitely on the “potboiler” end of the spectrum.

This is nine volumes and counting in Japan, and it appears it will have a lot more drama in the future. If you like the genre, and don’t mind a bit more non-con than these books usually get into, this is a very good read.

The Girl Who Wants to Be a Hero and the Girl Who Ought to Be a Hero, Vol. 1

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By Inori and Akamoku. Released in Japan as “Yuusha ni Naritai Boku to, Yuusha ni Narubeki Kimi” by Dengeki Bunko. Released in North America by Yen On. Translated by Genevieve Hill-Kaminishi.

I do love a good title, and this one is very good. Especially because the double meaning of the English word wrong-footed me about what was going to happen in the book. I had assumed this was about our protagonist, who wants to be a hero, and the love interest, who is the one who SHOULD be a hero instead of our protagonist. But that’s not it at all. Well, the first part is, Ruchika definitely wants to be a hero, at least at first. But Leonie’s “ought” is that she’s the daughter of the late, great hero, the one who sacrificed her life to defeat the demons and bring peace… well, peace between humans and demons, at least. Leonie ought to be just as good if not better than her, right? So when Leonie is seen to be good but not fantastic, well, there’s quite a few people who don’t like that. And that leads to the strongest part of the book, showing how damaging education can be when done badly.

Ruchika arrives at Kars Kingdom, ready to be a hero, which of course requires going to the hero institute that you get in these sorts of books. Unfortunately, she underestimates how far it is from home and how much things cost, so by the time she gets there she’s lying on the street starving to death. She’s saved by Leonie and her friend Nur, who feed her – and on seeing Leonie, and getting food from her, Ruchika decides immediately that she’s in love and proposes to her on the spot. This is apparently how demons do things, but Leonie is human. As it turns out, they’re all going for the exams to get into the institute, which are notoriously hard. Ruchika aces the practical and scrapes through on the written. Leonie aces the written, and… does okay on the practical, not great. Still, it’s nothing a good teacher can’t fix… oh, dear.

There’s lots of good stuff here, especially the relationship between Ruchika and Leonie, but allow me to talk about the way people learn to be heroes here. Everyone gets a device called a Gear, which is sort of mildly predictive AI, and it tells you who you’re most compatible with, what style of fighting you should do, and what moves to make when you fight. Everyone abides by what the gear says, it’s a rule. Ruchika hates the idea of gear in general (with the possible exception of her gear, which has big Homunculus Tears vibes if you’ve read that Inori book), since she runs on instinct, and really begins to hate them more when it’s apparent that trying to do what the gear wants is slowly destroying Leonie… helped along by a teacher, who has a grudge against her mother, out to get Leonie expelled. It is very hard to learn how to do things and be a good person when the person teaching you belittles, mocks, and hurts you, and encourages others to do the same. It’s even worse when you add AI learning to the mix. This hit very hard for me. Fortunately, Ruchika is exactly the sort of protagonist this book needs, and helps Leonie to find out what she really wants to be doing.

Now, this is a book that came out in 2023, with one volume to date in Japan, so I know what some folks are going to say. That said, Dengeki Bunko do have a larger history than most publishers of giving Vol. 2s or later volumes out of the blue if something changes. And this is a very good book to try to see that change happen. Buy it, you’ll like it.